POST SCRIPTUM English__ Feb 2021

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The picture is born in ahead. It needs to be created, felt, and composed. A child from kindergarten can click the button. How are your photos created? Do you see them before they come into being? I agree. It doesn’t discredit digital photography, but for me, processing a large number of photos, making countless decisions in the post-production stage, is an endless struggle with oneself. Traditional photography forces a different approach, forces thoughtful shots at the stage of creating a photo and limits the number of photos taken. To explain my approach to working on a photo closer, I put that in stages: The first stage is the search for aesthetic experiences, inspirational motifs previously imagined or already existing somewhere. Most often it is a forest, river, meadow, trees, branches or an industrial constituent, a search for a background to take a photo of a person. The second stage is looking through the camera’s matte matrix (the matte matrix is frosted glass: 16 x21, 5 cm or, for example, 18x24cm. The opaque coating allows you to view the image. To set the focus we often use magnifying glasses with x10 magnification search for composition, selecting elements and their proportions, and placing the subject among them. You need to assess the need for perspective correction (required in architecture photography) or purposefully changing perspective and focus if this is the desired result. Using a wide-format camera is very interesting since the picture of reality captured on the focusing screen is “upside-down” and it’s a mirror image of the world and it’s incredibly beautiful. This image for me is subjectively final. To capture it, I record it on a light-sensitive material, collodion plate, as due to its specificity, brings me closest to the original image viewed on the focusing screen. The next stage is the preparation of light-sensitive material in a manual chemical process (it takes place in a portable photo lab, most often it is a special tent). Accompanied by the smell of ether, I pour iodized Helium over the transparent glass followed by a bath of silver nitrate. After 3-4 minutes, the emulsion becomes light-sensitive, and you can put the plate in the cartridge. The last stage involves exposing the image: waiting or the right moment, the soft light falling at the set and the model (often it all changes mischievously, when I arrive with the sensitized plate at the set) correcting the position of the person’s body, their gaze and getting the focus right before manually opening and closing the lens, measuring passing seconds out loud. The next magical stage of the image preserving process pojawiam can się also z uczuloną involve the kasetą person na observing planie), skorygowaniu the slow ułożenia disclosure ciała fotografowanej of her image in osoby the photo. i jej spojrzenia This is oraz emotional. It takes from 30 minutes to 1 hour to produce ustawieniu a single ostrości, image. a następnie Each time, na the manualnym end result otwarciu is burdened i zamknięciu by some obiektywu, degree mierząc of the unknown. sekundy na When głos. it Emulsja is disappointing, kolodionowa you jest need bardzo to repeat mało the światłoczuła, shot. The resulting co w efekcie effect powoduje is influenced długi by czas both naświetlania the work of - the od photographer, kliku do kilkunastu the model, sekund. the Najdłuższy weather conditions, czas, w jakim and chemical processes that occur during the wykonałam zdjęcie z modelem, to 5 min 30 sek. Od whole process. In that way, the implementation of momentu the project włożenia acquires płyty a subjectively do kasety nieubłaganie multiplied biegnie artistic czas, który value oddala as well możliwość as personal wywołania and emotional obrazu utajonego. W zależności since od each temperatury photo is otoczenia, a one-off, jest to od 10 consequences, impossible min do maksymalnie to repeat. This 20-30 is what min. attracted me to this W kolejnym technique magicznym as well as the procesie fact that utrwalenia it is an instant może process. uczestniczyć również fotografowana osoba, obserwując I powolne have this ujawnianie idea in my się head: jej wizerunku a project named: zdjęciu, “Poland a towarzyszą in one temu picture”. emocje. To show Na wykonanie Polishness jednego in zdjęcia just one należy frame. poświęcić Would od it be 30 a min religious do 1 godziny. procession? Rezultat końcowy, Session za in każdym the parliament? razem obarczony Maybe jest a demonstration? The picture is not clear yet. What would pewną you dozą see niewiadomej. in a photo like Kiedy that? jest on niezadawalający, trzeba powtórzyć zdjęcie. Na uzyskany efekt składają się I bowiem don’t think zarówno I could działania show such fotografa, an extremely fotografowanej diverse society osoby, in warunki the 1st termiczne, photo. It’s jak an interesting i procesy chemiczne question – it would be a challenge, but rather for a carefully zachodzące w jego trakcie. Realizacja projektu zyskuje thought through series. There are too many black and w ten white sposób aspects subiektywnie to clearly define zwielokrotnioną who we are. wartość artystyczną oraz implikacje osobiste i emocjonalne, gdyż każde zdjęcie jest jednostkowe, niemożliwe do powtórzenia. To właśnie ujęło mnie przy wyborze tej techniki oraz to, że jest to proces natychmiastowy. Kiedyś myślałem o takim projekcie: “Polska w jednym zdjęciu”. Pokazać polskość w jednym kadrze. Czy byłaby to religijna procesja? Obrady w Sejmie? A może jakaś demonstracja? Jeszcze się ze sobą wewnętrznie nie pogodziłem. Co Ty widziałabyś na takim zdjęciu? Chyba nie umiałabym w 1 zdjęciu pokazać tak zróżnicowanego skrajnie społeczeństwa. Ciekawe pytanie-wyzwanie, ale raczej na przemyślaną serię. Jest zbyt wiele aspektów, czarno-białych, by jednoznacznie określić jacy jesteśmy. The collodion emulsion is very little light-sensitive, which leads to a long irradiation time from a few to a dozen seconds. The longest time it took me to take a photo with a model is 5 min 30 sec. Time runs inexorably from the moment the plate is inserted into the cassette, which delays the possibility of conjuring the hidden image. Depending on the temperature, it takes from 10 minutes to a maximum 20-30 minutes. 86 POST SCRIPTUM Faint breath of the wind, Model Yulia, Chorwackie plenery
What does Monika Cichoszewska like to do when she’s not holding a camera? My absolute dream come true was when I was flying as a licensed glider pilot. For example, in the Croatian thermal streams at an altitude of 950 m above sea level. I still really miss the space and adrenaline. I have also passed a diving PADI exam. I have dived in extremely difficult conditions in Poland, but also in the magnificent coral Ko Tao and in Israel with dolphins – a magical experience! Diving, however, for me is about overcoming my own phobias. Currently, I devote myself entirely to photography, my development in this field, attending gatherings, meeting people like me with a photographic passion. I love jazz. I love to travel, and I organize it myself. Most of all I am attracted to Japan – been there 4 times, but the place still excites me. [JP] THE AMBROTYPE (FROM ANCIENT GREEK: ἈΜΒΡΟΤΌΣ — “IMMORTAL”, AND ΤΎΠΟΣ — “IMPRESSION”) ALSO KNOWN AS COLLODION POSITIVE IN THE UK, IS A POSITIVE PHOTOGRAPH ON GLASS, MADE BY A VARI- ANT OF THE WET PLATE COLLODION PROCESS. LIKE A PRINT ON PAPER, IT IS VIEWED BY REFLECTED LIGHT. Emotional self-portrait Model @madlenn.model@plener_lodyModel @madlenn.model Kamila Models: Dawid Hemke i makijaż Ewelina Łośko @QueenAkashaMua, Agnieszka Surdej, @loreleyyulia, @ aadaa_l, @ madlenn.model, Plenery: @plenerywchorwacji, @plener_lody, @analogowywroclaw POST SCRIPTUM 87
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ISSN 2633-1292 POST INDEPENDENT MAG
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Dear Readers, Unfortunately, we are
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ORAPISM 5 POST SCRIPTUM 5
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Pillory Action-reaction, author-rec
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the artist paints in layers in such
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What was the breakthrough in your l
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Face canvas. This is a process. I a
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photos: Renata Cygan RC POST SCRIPT
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ABSTRACT /SURREALIST PAINTER LOUI J
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‘‘SUCCESS FOR AN ARTIST CAN ONL
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‘‘The brush loaded with ink off
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Poetry POETRY THE RAIN photo: RC ©
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V I S H N E V S K A Y A POST SCRIPT
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You were born in the Ukrainian repu
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inspiring! So, the halls were the t
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What is the essence of art for you?
Page 35 and 36: the glass of the window and feel a
Page 37 and 38: I’m dancing with the Drunk Bitch
Page 39 and 40: MELANCHOLY They plugged a few feath
Page 41 and 42: photos: Renata Cygan POST SCRIPTUM
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Page 45 and 46: Damiano Errico was born in Caserta
Page 47 and 48: But the most important period in th
Page 49 and 50: When starting work with a model, do
Page 51 and 52: Now the job has changed, we spend a
Page 53 and 54: RED when in London at Tooting at th
Page 55 and 56: DARIUSZ KLIMCZAK 55 POST SCRIPTUM 5
Page 57 and 58: I don’t believe in afflation but
Page 59 and 60: “A common mistake I notice in peo
Page 61 and 62: the square has calmness in its shap
Page 63 and 64: I pay precise attention to how I cu
Page 65 and 66: *** I fall asleep with a yearning f
Page 67 and 68: photo: Sylwester Ciszek on the othe
Page 69 and 70: „T he mind of an artist is simila
Page 71 and 72: survive. The ones that do, often co
Page 73 and 74: Details photo: Damian Andrzejewski
Page 75 and 76: Hiccup Stutthof in sunny thunder th
Page 77 and 78: MY LITTLE TOWN Zuzanna Polina Gincb
Page 79 and 80: Izolda Kiec about Ginczanka Book co
Page 81 and 82: Izolda Kiec about Ginczanka Publish
Page 83 and 84: Fotografuje wielkoformatowymi apara
Page 85: Feelings, Outdoor @plener_lody Mode
Page 89 and 90: Quarantine let the window and snow
Page 91 and 92: THE GRASSHOPPER Small insects shoot
Page 93 and 94: AS AN ARTIST, I CONSTANTLY LOOK FOR
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Page 97 and 98: I HAVE ALWAYS BEEN INTERESTED IN UN
Page 99 and 100: MY CREATIVE PATH BEGAN IN MY YOUTH,
Page 101 and 102: DEVIL have you ever felt the devil
Page 103 and 104: GUNTUR - HYDERABAD 2019 The festiva
Page 105 and 106: Foreign Delegates - a bilboard on t
Page 107 and 108: childhood. Dr. Prasad made a very n
Page 109 and 110: Together with Prasad, they sponsore
Page 111 and 112: KRZYSZTOF SYLWESTER ŁOZOWSKI Krzys
Page 113 and 114: “The water of Łozowsko is alive
Page 115 and 116: My style is above all expressions.
Page 117 and 118: Harmony arises at the most unexpect
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POST SCRIPTUM English__ Feb 2021

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