POST SCRIPTUM English__ Feb 2021

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l i k e g r e a t m a s t e r s If one day I no longer have the enthusiasm, I will no longer take photographs 44 POST SCRIPTUM
Damiano Errico was born in Caserta in 1970. He attended the Art Institute of S.Leucio (CE), where he met the painting master Bruno Donzelli and spent a long period as an assistant in the master’s studio learning painting techniques. After graduating, he enrolled at the Academy of Fine Arts in Naples, where he studied photography with Mimmo Jodice. From the first meeting with the master till now, not a day goes by without photography. He often exhibits in galleries and museums, and carries out many photographic workshops and seminars in Italy and Europe. How did you become an artist? It happened in very early childhood – I was 6/7 years old, when I used to spend my days in my father’s tailor’s shop, yes... my father was a tailor and created tailor- -made clothes. I very often played with fabrics and always drew. At that stage my passion for creativity was born. I watched how, from a piece of cloth, a dress was born. Today I try to “dress” my models with light. Light does not strip bodies but dresses them with poetry. Beautifully said… When it comes to education, you started your adventure with art with painting (studying painting under the supervision of Bruno Donzella). I read that you weren’t interested in photography until you met the great photographer Mimmo Jodice at the Academy of Fine Arts in Naples, where you were studying. What did Mimmo Jodice say that made you change your mind after one conversation? I did not like photography. I wanted to become a painter. I thought photography was a minor/trivial art. Mimmo Jodice made me understand that photography is not made up of numbers and formulas, but of poetry and culture, of art history, of emotions. I remained in ecstasy. I immediately bought a camera and since that day I have always taken photos. Mimmo Jodice is known for photographing contemporary cultures: landscapes, cities, industrial buildings, etc., the human figure is rarely physically present in his works. You mainly photograph people. What influenced your own style the most? The master Jodice has often portrayed classical sculptures, he managed to give life to a block of marble. I want to convey the same emotions, but in the opposite way. I want to transform people, models into paintings and sculptures. From Mimmo Jodice I learned how to look for feelings in people, landscapes and sculptures. Yes, your photos look like the works of great masters. Do you have a favourite master? I love all the masters who have created masterpieces, but in particular I love Caravaggio for his theatricality and his realism, Vermeer for his natural light, Bernini for his pathos in stone and Canova for the pursuit of beauty. POST SCRIPTUM 45
Page 1 and 2: ISSN 2633-1292 POST INDEPENDENT MAG
Page 3 and 4: Dear Readers, Unfortunately, we are
Page 5 and 6: ORAPISM 5 POST SCRIPTUM 5
Page 7 and 8: Pillory Action-reaction, author-rec
Page 9 and 10: the artist paints in layers in such
Page 11 and 12: What was the breakthrough in your l
Page 13 and 14: Face canvas. This is a process. I a
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Page 19 and 20: ABSTRACT /SURREALIST PAINTER LOUI J
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Page 25 and 26: Poetry POETRY THE RAIN photo: RC ©
Page 27 and 28: V I S H N E V S K A Y A POST SCRIPT
Page 29 and 30: You were born in the Ukrainian repu
Page 31 and 32: inspiring! So, the halls were the t
Page 33 and 34: What is the essence of art for you?
Page 35 and 36: the glass of the window and feel a
Page 37 and 38: I’m dancing with the Drunk Bitch
Page 39 and 40: MELANCHOLY They plugged a few feath
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Page 47 and 48: But the most important period in th
Page 49 and 50: When starting work with a model, do
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Page 53 and 54: RED when in London at Tooting at th
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Page 57 and 58: I don’t believe in afflation but
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Page 67 and 68: photo: Sylwester Ciszek on the othe
Page 69 and 70: „T he mind of an artist is simila
Page 71 and 72: survive. The ones that do, often co
Page 73 and 74: Details photo: Damian Andrzejewski
Page 75 and 76: Hiccup Stutthof in sunny thunder th
Page 77 and 78: MY LITTLE TOWN Zuzanna Polina Gincb
Page 79 and 80: Izolda Kiec about Ginczanka Book co
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Page 91 and 92: THE GRASSHOPPER Small insects shoot
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I HAVE ALWAYS BEEN INTERESTED IN UN
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MY CREATIVE PATH BEGAN IN MY YOUTH,
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DEVIL have you ever felt the devil
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GUNTUR - HYDERABAD 2019 The festiva
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Foreign Delegates - a bilboard on t
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childhood. Dr. Prasad made a very n
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Together with Prasad, they sponsore
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KRZYSZTOF SYLWESTER ŁOZOWSKI Krzys
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“The water of Łozowsko is alive
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My style is above all expressions.
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Harmony arises at the most unexpect
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first paintings from childhood Wher
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POST SCRIPTUM English__ Feb 2021

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