DEKAT DIGITAL 2019 - 2020

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EDITORIAL CONTRIBUTORS ELZILDA BECKER Publisher DEON MAAS p 140 THERESA MEYER Marketing GERARD SCHOLTZ pp 60, 210 MIMI GREYLING Afrikaanse taalversorging JACQUI GENG pp 78, 80, 83 85, 87, 89, 91 KIM SHAW Subeditor LEON VAN NIEROP p 74 ELZILDA BECKER Art Director MARTIE BESTER p 92, 156, 160, 176, 220 MATTY NAUDÉ Layout & Production MELANIE TAIT p 28 PAULA VAN HUYSSTEEN Layout & Illustration MIMI GREYLING p 130 MARY WILLEMSE Marketing PIETER MATHEWS p 20 CONTRIBUTORS PIET CROUCAMP p 152 CAREL VAN DER MERWE p 112 SCHALK VAN DER MERWE p 146 CHARLEEN CLARKE pp 262, 268, 272 THEO KEMP pp 122, 192 DANIEL VAN DER MERWE pp 32, 78 WILHEM VAN RENSBURG p 42 DEBBIE HATHWAY p 180 WILMA DE BRUIN pp 170, 136, 282, 286, 290 296
PHOTOGRAPHERS PETRI HEISKANEN p 19, 41 PIETER MATHEWS pp 21, 22, 24, 26, 27 ALET PRETORIUS p 26 MERWELENE VAN DER MERWE pp 29, 75, 100, 171, 283, 287 MARY WILLEMSE p 31 MARC STEENBEKE p 33 WILD VIBEZ p 35 PAVEL NEKORANEC p 37 RICARDO GOMEZ ANGEL p 39 EDEN LABS/TULIPS AND CHIMNEYS pp 93, 96 HANNELIE BRUWER p 99 GRANT MCKINLEY p 100 ELZILDA BECKER p 109 JOHAN WILKE pp 112, 113, 157 LEOPOLD FRECHOW p 125 SIBUSISO GCABA pp 131, 133 JAKE DAVIES pp 139, 179 NARDUS ENGELBRECHT p 141 GASTON ROULSTONE p 147 CRISTIAN NEWMAN p 153 KEVIN MACKINTOSH pp 159, 161, 163, 164, 165, 167, 169 DENNIS LEUPOLD p 181 KREATIVE MIND PRODUCTION p 189 CORLIA BREDELL p 195 FIONA JOY p 196 CAREY SLADE pp 195, 196, 197 AZAMAT ZHANISOV p 199 CHARLES RUSSELL pp 205, 207, 208, 209, 213, 215, 217, 219 JEAN PIERRE UYS PHOTOGRAPHY p 207 MATTHEW IBBOTSON p 211 MARIJKE WILLEMS pp 221, 227, 229, 230, 231, 233, 235, 236, 237 DYLAN SWART pp 238, 251, 255, 257 LISA HNATOWICZ pp 240, 242, 243, 245, 246, 247, 249 MARSEL ROOTHMAN pp 240, 241, 242 KEVIN MARK PASS p 247 NADINE DE BEER p 252 CHRISTIAN WOLF p 252 PHILIPP ARLT p 259 PLAN C PRODUCTIONS pp 268, 269, 271, 273, 274, 275 LOGAN LAMBERT p 281 297
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DEKAT - 2019 All rights reserved. A
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CONTENTS WERF MET STYL MIMI GREYLIN
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CONTENTS THE FINER THINGS IN LIFE G
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BEELD SKONE BRUTAL ISME 20
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VOORTREKKERMONUMENT 2 WINBURG. SUIL
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NG KERK WELKOM-WES PREEKSTOEL 24
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LINKS BO:VOORTREKKER MONUMENT 2 WIN
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JOU HUIS IS ’N STORIEBOEK Karen R
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Opaalblou en ou meubels maak Karen
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mindspace a sense of place Humans p
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Architecture touches us from the da
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Colour can even make a difference t
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Smell is one of our most primitive
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40
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ContemporAry AfricAn Art: A new dAw
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At face value it seems quite obviou
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ZANELE MUHOLI SOUTH AFRICAN 1972 -
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In the 21st century there have been
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Two South African art galleries fea
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The Zeitz Museum of Contemporary Ar
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Mega-exhibitions that reinforce and
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JULIE MEHRETU ETHIOPIAN/AMERICA 197
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Olu Oguibe wrote his own textbook,
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RUaN SELFPORTRET 60
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Ruan Huisamen beperk, en onbeperk O
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jy van foto’s af?” “Alhoewel
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Die kunstenaar se aantekeninge by S
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SHIP OF FOOLS
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REIS NA ROEM Fanie Naudé het verle
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Sy het dit op ’n subtiele manier
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THE TRANCE DANCERS 78
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THE TRANCE THE TRANCE WATCHER WATCH
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ASan pilgrimage is a deep-rooted re
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In the Drakensberg some 20 000 indi
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The next time you head off to Kruge
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The mountains of the Eastern Free S
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The mystic tradition in Christianit
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The Lost Botanist The creators of t
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Rick and Ree created the demo that
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EDEN LABS/TULIPS AND CHIMNEYS “Vi
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PHOTOGRAPHER: GRANT MCKINLEY “I
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Relief came in the form of Neillen
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curAted collection oukAs “South A
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THE UPSIDE DOWN MAP OF AFRICA Nicol
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THE GREATEST PHILOSOPHER The works
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THE RARE DE TOERAKO’s De Toerako
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CAREL VAN DER MERWE. FOTOGRAAF: JOH
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’n Jaar of wat voor Ben Viljoen s
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’n Ander belangrike prikkel was S
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IS ONS KUNSTE FEESTE STERWEND? 119
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121 FOTOGRAAF: HAILEY KEAN
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’N EKSPERIMENTELE TEATERWERK OP D
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SANDRA PRINSLOO IN KAMPHOER 125
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TONEEL UIT DIE MI(SA) MET AMANDA ST
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DEKATv SABC2 5 Februarie 2020 om 19
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THE SA25 COMMEMORATIVE COINS AND AR
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KULTUUR FOTOGRAAF: JAKE DAVIES 139
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DEON MAAS. FOTOGRAAF: NARDUS ENGELB
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Terwyl die techno-koppe hulle tiete
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As ek so in die bus sit en by die v
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FOTOGRAAF: GASTON ROULSTONE 147
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Met die einde van die apartheidsjar
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KULTUUR EN TAAL IS ’N TROJAANSE P
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Dit kan ewe maklik gebeur dat kinde
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ALL THE WORLD’S A STAGE Theatre i
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MEERMIN MARIANNE: TYDLOSE AFRIKAAN
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Ná sy twee mense baie naby aan haa
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Sy gaan doen introspeksie in die na
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“Ek werk aanhoudend, as ek nie we
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THE MAESTRO OF SMOOTH Whether you a
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“In order to grow and expand your
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EAGER TO LEARN At the end of the da
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LINDY RODWELL. IMAGE SUPPLIED FOR T
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WAtchmAking: A SUSTAINABLE FUTURE?
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THE CARTIER LIBRE TANK CHINOISE RED
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IWC’s watch production and headqu
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Meanwhile, the Kering Group, which
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THE ICONIC PANTHÈRE DE CARTIER COM
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RECONNECTING THROUGH NATURE WITH TH
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Kamers van koophandel Twee Stellenb
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SK8SHADES - DAVE DE WITT FOTOGRAAF:
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Pearls of wisdom Alchemy and elegan
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The finer things in life La Motte W
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PIERNEEF À LA MOTTE RESTAURANT. PH
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Gourmet plaaskos Wanneer die sjef v
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’n Kelner kom sit sjef Bulpitt se
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Om meer internasionale blootstellin
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Pierneef à la Motte - resep Gerook
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Pannekoekmengsel 200 g koekmeelblom
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THE LAST EMPRESS Emma Chen ‘rules
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YOUNG EMMA CHEN. IMAGE SUPPLIED 222
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Almost 40 years ago, when Emma was
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BRAISED CHICKEN FEET Ingredients 1
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CRISPY MOROGO AND PEANUTS Ingredien
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PORK BUNS Ingredients Dough: 5g dry
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AMADUMBE ICE CREAM Vegan friendly I
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It’s All About the extraordInary
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THE ORIENT PRIVATE HOTEL. PHOTOGRAP
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RESTAURANT MOSAIC. PHOTOGRAPHER: LI
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A glorious tribute to South AfricAn
Page 246 and 247: MARI DARTNALL. PHOTOGRAPHER: LISA H
Page 248 and 249: THE GENIUS OF ADRIAAN BOSHOFF The l
Page 250 and 251: Alchemist At work Chantel Dartnall
Page 252 and 253: CHANTEL DARTNALL. PHOTOGRAPHER: CHR
Page 254 and 255: Elements of nature The current menu
Page 256 and 257: PAPILLON Yield: 50 Portions Compone
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Page 262 and 263: While the premium market is plummet
Page 264 and 265: The three-spoke steering wheel and
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Page 268 and 269: The Nissan GT-R is turning 50! But,
Page 270 and 271: The first is the name. Whereas the
Page 272 and 273: THE GT-R’S CABIN REPRESENTS THE I
Page 274 and 275: THE EXCEPTIONAL KIA SELTOS IS ABOUT
Page 276 and 277: Our Hollywood blockbuster begins in
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Page 280 and 281: RARE AVIS “Mens is op die regte t
Page 282 and 283: Uitnemendheid pasgemaak vir jóú b
Page 286 and 287: THE DIFFERENTIATOR Growing up on a
Page 288 and 289: Nothing makes him happier than bein
Page 290 and 291: A culture of excellence The two mai
Page 292 and 293: PARENT COMPANY TSAM corporate PR ma
Page 294 and 295: ONGOING TRAINING To continuously bu
Page 299 and 300: THE POWER OF PAPER There’s someth
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