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REFERENCES<br />

Aw, NotCot, NOTCOT.com/about<br />

Cubitt, S., “From Internationalism to Transnations: Networked Art and Activism”, in A. Chandler and N.<br />

Neumark (eds), 2005, At a Distance: Precursors to Art and Activism on the Internet, Cambridge: MIT Press<br />

Deuze M., 2006 “Participation, Remediation, Bricolage: Considering Principal Components <strong>of</strong> Digital Cul­<br />

ture.” <strong>The</strong> Information Society, 22(2<br />

Gangadharan, S.P, 2009 ‘Mail art: networking without technology,’ New Media & Society, Vol. 11, No. 1­2<br />

Tim Holmes, 2008 ‘Mapping the Magazine: An Introduction,’ Mapping the Magazine: Comparative Studies<br />

in Magazine Journalism, London, New York, Routledge<br />

Neumark, N., 2005, ‘Introduction: Relays, Delays and Distance’, in A. Chandler and N. Neumark (eds) 2005,<br />

At a Distance: Precursors to Art and Activism on the Internet, Cambridge: MIT Press<br />

Paul, Christiane, Digital Art, 2008, Thames and Hudson, London,<br />

Perkins, S., “Assembling Magazines and Alternative Artists’ Networks,” in A. Chandler and N. Neumark<br />

(eds), 2005, At a Distance: Precursors to Art and Activism on the Internet, Cambridge: MIT Press<br />

Saper C.J., 2001, Networked Art, Minnesota, MN: University <strong>of</strong> Minnesota Press.<br />

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