Schwetzingen - Schlösser-Magazin
Schwetzingen - Schlösser-Magazin
Schwetzingen - Schlösser-Magazin
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IV.<br />
Fig. 1: The central parterre in<br />
1935. After pruning had been<br />
neglected the limes had grown<br />
to a height of 30m and a width<br />
of 12m. The detailed layout of<br />
the parterre beds suffered in<br />
consequence, and was given<br />
up as well (Postcard No. 208,<br />
published by Photohaus Thomé,<br />
<strong>Schwetzingen</strong>).<br />
100<br />
IV. Palace Gardens: Role and Significance<br />
concerned with the shrubby borders with rare<br />
plants, taking up the boulingrins in front of<br />
the quarter-circle pavilions and the arbour<br />
walks. Their survival was to be ensured by<br />
special care, but also by the replacing of<br />
dead specimens. Another concern was the<br />
treatment of plants grown on the trellises in<br />
the circular parterre, the arcades, colonnades<br />
and arches in the bosquet areas, especially<br />
with regard to their pruning and tying-up.<br />
Sckell thought that money could be saved by<br />
cutting the topiary boxwood less often; the<br />
lawns, however, must be cared for, and the<br />
upkeep of the circular parterre’s tree-lined<br />
paths was deemed essential too. On the other<br />
hand, the summer planting of the borders<br />
lining the central parterre must have been a<br />
far cry from the original Baroque showiness,<br />
if Sckell’s proposal to limit it to delphiniums,<br />
poppies and Michaelmas daisies was taken up.<br />
To maintain the meandering paths in<br />
the angloises, Sckell asked for regular<br />
trimmings of the trees lining them. All the<br />
hornbeam hedges within the large bosquets<br />
and elsewhere in the garden were to be<br />
clipped annually, and while repairs could<br />
be suspended for a year for money-saving<br />
reasons, this had to remain an exception.<br />
The “Protocollum” tells us that Sckell urged<br />
a regular clipping of the trees in order<br />
to maintain the avenues, for example<br />
the chestnut trees of the allée en terrasse<br />
surrounding the bosquets, according to Sckell,<br />
one of the best walks and worth maintaining.<br />
Generally, all avenues of firs, larches, sweet<br />
chestnuts and limes should be tended, and<br />
missing trees replaced, because they were<br />
essential to the garden’s appearance and<br />
worth keeping for that reason alone 8 . Losses<br />
among the ball-shaped topiary trees on the<br />
long sides of the tapis vert, on the other hand,<br />
were not to be replaced. The gravel on the<br />
paths was to be kept, and replaced at need, for<br />
it improved their appearance and discouraged<br />
weeds. And Sckell was determined to keep the<br />
orangery parterre with its lawns, slopes, gravel<br />
paths and elm arcades in pristine condition.<br />
Of special concern was the upkeep of the<br />
landscaped areas. This meant that Sckell’s<br />
first work ever, the “Arborium Theodoricum”,<br />
and especially its large collection of trees<br />
had to be carefully maintained because “this<br />
excellent garden is not only pleasant to visit,<br />
but also provides instruction for foresters<br />
regarding kinds of trees.” 9 Twice a year all<br />
weeds were to be removed from the paths<br />
in the English garden, to prevent them from<br />
becoming overgrown and to keep walking<br />
there pleasant.<br />
The care and maintenance of trees and copses<br />
is explained with the example of the garden<br />
surrounding the Temple of Mercury. “The<br />
charming and picturesque views provided<br />
by this garden should be preserved with<br />
much care, especially as the expense is small.<br />
Only where groups of trees grow tangled<br />
together, obstruct the view of other groups,<br />
or interfere with the picture as a whole, must<br />
they be thinned out. Generally care should<br />
be taken that trees that are of value must<br />
not be cramped and ruined by other trees;<br />
it is necessary, and useful too, to provide<br />
them with space and air by thinning out the<br />
others.” 10 This principle serves as a reminder<br />
that the care of wooded areas always involves<br />
taking decisions from an artist’s point of<br />
8 GLA, 221/46 of 01.07.1795, Sheet 5.<br />
9 GLA, 221/46 of 02.07.1795, Sheet 8.<br />
10 GLA, 221/46 of 02.07.1795, Sheet 9.