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Schwetzingen - Schlösser-Magazin

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IV.<br />

Fig. 1: The central parterre in<br />

1935. After pruning had been<br />

neglected the limes had grown<br />

to a height of 30m and a width<br />

of 12m. The detailed layout of<br />

the parterre beds suffered in<br />

consequence, and was given<br />

up as well (Postcard No. 208,<br />

published by Photohaus Thomé,<br />

<strong>Schwetzingen</strong>).<br />

100<br />

IV. Palace Gardens: Role and Significance<br />

concerned with the shrubby borders with rare<br />

plants, taking up the boulingrins in front of<br />

the quarter-circle pavilions and the arbour<br />

walks. Their survival was to be ensured by<br />

special care, but also by the replacing of<br />

dead specimens. Another concern was the<br />

treatment of plants grown on the trellises in<br />

the circular parterre, the arcades, colonnades<br />

and arches in the bosquet areas, especially<br />

with regard to their pruning and tying-up.<br />

Sckell thought that money could be saved by<br />

cutting the topiary boxwood less often; the<br />

lawns, however, must be cared for, and the<br />

upkeep of the circular parterre’s tree-lined<br />

paths was deemed essential too. On the other<br />

hand, the summer planting of the borders<br />

lining the central parterre must have been a<br />

far cry from the original Baroque showiness,<br />

if Sckell’s proposal to limit it to delphiniums,<br />

poppies and Michaelmas daisies was taken up.<br />

To maintain the meandering paths in<br />

the angloises, Sckell asked for regular<br />

trimmings of the trees lining them. All the<br />

hornbeam hedges within the large bosquets<br />

and elsewhere in the garden were to be<br />

clipped annually, and while repairs could<br />

be suspended for a year for money-saving<br />

reasons, this had to remain an exception.<br />

The “Protocollum” tells us that Sckell urged<br />

a regular clipping of the trees in order<br />

to maintain the avenues, for example<br />

the chestnut trees of the allée en terrasse<br />

surrounding the bosquets, according to Sckell,<br />

one of the best walks and worth maintaining.<br />

Generally, all avenues of firs, larches, sweet<br />

chestnuts and limes should be tended, and<br />

missing trees replaced, because they were<br />

essential to the garden’s appearance and<br />

worth keeping for that reason alone 8 . Losses<br />

among the ball-shaped topiary trees on the<br />

long sides of the tapis vert, on the other hand,<br />

were not to be replaced. The gravel on the<br />

paths was to be kept, and replaced at need, for<br />

it improved their appearance and discouraged<br />

weeds. And Sckell was determined to keep the<br />

orangery parterre with its lawns, slopes, gravel<br />

paths and elm arcades in pristine condition.<br />

Of special concern was the upkeep of the<br />

landscaped areas. This meant that Sckell’s<br />

first work ever, the “Arborium Theodoricum”,<br />

and especially its large collection of trees<br />

had to be carefully maintained because “this<br />

excellent garden is not only pleasant to visit,<br />

but also provides instruction for foresters<br />

regarding kinds of trees.” 9 Twice a year all<br />

weeds were to be removed from the paths<br />

in the English garden, to prevent them from<br />

becoming overgrown and to keep walking<br />

there pleasant.<br />

The care and maintenance of trees and copses<br />

is explained with the example of the garden<br />

surrounding the Temple of Mercury. “The<br />

charming and picturesque views provided<br />

by this garden should be preserved with<br />

much care, especially as the expense is small.<br />

Only where groups of trees grow tangled<br />

together, obstruct the view of other groups,<br />

or interfere with the picture as a whole, must<br />

they be thinned out. Generally care should<br />

be taken that trees that are of value must<br />

not be cramped and ruined by other trees;<br />

it is necessary, and useful too, to provide<br />

them with space and air by thinning out the<br />

others.” 10 This principle serves as a reminder<br />

that the care of wooded areas always involves<br />

taking decisions from an artist’s point of<br />

8 GLA, 221/46 of 01.07.1795, Sheet 5.<br />

9 GLA, 221/46 of 02.07.1795, Sheet 8.<br />

10 GLA, 221/46 of 02.07.1795, Sheet 9.

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