Schwetzingen - Schlösser-Magazin

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III. 210 III. Architectural Features DER MINERVATEMPEL Ernst Bloch, 1973. gest. von Haldenwang „ “ Most beautiful is the palace garden at <strong>Schwetzingen</strong>. Along with the reeded ponds and the urns, all that is memorable in the world has been collected here in the shape of facades and dummies – a green exhibition hall. An exhibition hall, however, that presents nothing but moods and fantasies given voice, a natural treasury full of artificial, imagined valuables. […] This was the pleasure garden of princes, the stage of courtly masques and promenades, yet at the same time, a breath of rapture, of a fantastic remoteness lingers. Susanna’s aria from the Marriage of Figaro lives right here, the nobility of Mozart’s music is heard in these gardens next to the flamboyance that creates its curious artificial world from history, mythology, foreign parts. And among all the empty facades these gardens are always furnished with, one is always missing, that of a church. Instead it is Arcadia that is represented – in the Baroque garden an Arcadia full of curiosities, in the English garden one with Zephyrus, nocturne and a crescent moon.
VII. Appendices a) Biographies (Manuel Bechtold, Susan Richter, Ralf Richard Wagner, Hubert Wolfgang Wertz, Joachim Kresin) 1. Rulers (in Chronological Order): Johann Wilhelm (1658-1716), Elector Palatine (1690-1716) Carl Philipp (1661-1742), Elector Palatine (1716-1742) Carl Theodor (1724-1799), Elector Palatine (1742-1799) Elisabeth Augusta (1721-1794), wife of Elector Palatine Carl Theodor Stéphanie Napoleon (1789-1860), wife of Grand Duke Karl of Baden 2. Artists (in Alphabetical Order): Heinrich Charasky (1656-1710) Paul Egell (1691-1752) Alessandro Galli da Bibiena (1686-1748) Gabriel de Grupello (1644-1730) Barthélemy Guibal (1699-1757) Nicolas Guibal (1725-1784) Ferdinand Kobell (1740-1799) Peter Simon Lamine (1738-1817) Franz Conrad Linck (1730-1793) Johann Ludwig Petri (1714?-1796?) Nicolas de Pigage (1723-1796) Giuseppe (Joseph Anton) Pozzi (1732-1811) Francesco (Franz Wilhelm) Rabaliatti (1716-1782) Friedrich Ludwig Sckell (1750-1823) Matthias (Mattheus) van den Branden (fl. 1755-1788) Peter Anton von Verschaffelt (1710-1793) Johann Michael Zeyher (1770-1843) VII. 211
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Nomination for Inscription on the U
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Nomination for Inscription on the U
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V. Science and Technology Contents
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I. Introduction In the eighteenth c
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II. Schwetzingen - Elector Carl The
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lives in small and crammed rooms wh
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of Benrath also served as an assert
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part also that thereby the places,
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Palatine Electorate in 1748, during
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This is clear from the memoires of
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c) Musical Life at the Court of Ele
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The Two-Season Structure: Winter an
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friend Lorenz Hagenauer in Salzburg
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III. Architectural Features a) The
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auditorium and the stage, according
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On the whole, though, Pigage’s dr
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Influences and Models The architect
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et de son bon naturel...”. 9 By t
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Idolino. 17 Both porticoes are deli
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oval basin is surrounded by a white
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to Lunéville from Einville Castle.
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the huge cost of fl. 120 000; this,
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uilding is clearly not meant to be
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probably found in the available gro
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in 1730 and translated into German
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d) The Arabic Insriptions of the Mo
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The Inscriptions of the Interior Al
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“EINSAMKEIT IST BESSER ALS BOESE
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and humour as the European one, and
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e) “… Beyond this lake, finally
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Mythology The building owes its nam
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of St John: “No man cometh unto t
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III. Architectural Features III. 65
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IV. Palace Gardens: Role and Signif
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Antiquity is a trove of model motif
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The four-column Corinthian façade
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three identical façades - has a ma
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with the colossal stags spouting wa
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to which all his subjects were invi
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) The Collection and Cultivation of
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pot plants during the winter, the s
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The Schwetzingen Orchards and Kitch
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„The merit of a natural garden is
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trees and its beautiful layout, and
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are on display. There are some magn
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space, today occupied by the palace
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The long-planned lane cut into the
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oad, where the new crossing had bee
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The interplay between the summer re
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kitchen gardens, Johann van Wynder;
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view, and that for that reason, it
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utterly misplaced. The harmony betw
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of scientific, botanical interests
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IV. Palace Gardens: Role and Signif
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V. Science and Technology a) On the
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affection for Antiquity instilled i
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knowledge and integrated directly i
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The “litmus test” is to analyse
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In contrast to the military tenor o
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the Wittelsbachs. The spectrum rang
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a notably more complex technical ef
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But postponement does not necessari
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Apollo 71 , the sight line conspire
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c) The Waterworks and Carl Theodor
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tip. The lightning conductors were
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horologist, André Le Paute Mayer b
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ecentissimisque observationibus et
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VI. Schwetzingen - Historical Conte
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Calvinists, over the use of the Hei
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2. History of the Town of Schwetzin
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their properties when the new north
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The Twentieth Century to the Presen
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The New Town is Born The timing of
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Development North of the Market-Pla
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The foundations for the new two-sto
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) History of the Palace 1. The Orig
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Origins A “fort” at “Sweczing
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Friedrich V and the Aftermath of th
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oofed passage; the remains of this
Page 159 and 160: The following plans (Building phase
Page 161 and 162: locks. The masonry is regular, and
Page 163 and 164: Friedrich V and the Conversion of t
Page 165 and 166: Fig. 8: Findings 8 - Inscription on
Page 167 and 168: VI. Schwetzingen - Historical Conte
Page 169 and 170: uilding done in 1715/16). Seen from
Page 171 and 172: 2. The Palace Interior Through the
Page 173 and 174: into random, occasionally fanciful
Page 175 and 176: A number of institutions were house
Page 177 and 178: honour wings, a golden yellow, to e
Page 179 and 180: the history of the Schwetzingen ora
Page 181 and 182: In 1731, Johann Friedrich Armand vo
Page 183 and 184: The Origins of the Palace Gardens a
Page 185 and 186: hunting park. The dilapidated Upper
Page 187 and 188: “berceaux en treillage”, i.e. l
Page 189 and 190: However, as the southern one is des
Page 191 and 192: that was begun in 1764 and created
Page 193 and 194: displayed a collection of alpine pl
Page 195 and 196: drew up an inventory of the Schwetz
Page 197 and 198: touched any of the shores, a featur
Page 199 and 200: Neckar valleys” 6 , as the anonym
Page 201 and 202: inscriptions was faithfully recorde
Page 203 and 204: I would not like to add my own to s
Page 205 and 206: fled from the persecution of Art. I
Page 207 and 208: 2. The Schwetzinger Festspiele: the
Page 209: VI. Schwetzingen - Historical Conte
Page 213 and 214: was begun with the intention that t
Page 215 and 216: Elector’s scholarly and artistic
Page 217 and 218: In 1792/93, with the Palatinate wes
Page 219 and 220: were involved in building sets and
Page 221 and 222: sculptor of Duke Leopold of Lorrain
Page 223 and 224: sculptor, Mr. Lamini, has fashioned
Page 225 and 226: At the age of about twenty, Nicolas
Page 227 and 228: de Pigage. Two plans by his hand su
Page 229 and 230: At Mannheim the most important work
Page 231 and 232: in two editions together with Georg
Page 233 and 234: 1776 Physicist Johann Jakob Hemmer
Page 235 and 236: detail, inspired by late Baroque bu
Page 237 and 238: Carl-Theodor-Straße 9 (Flstnr. 374
Page 239 and 240: Forsthausstraße (Flstnr. 425) Leim
Page 241 and 242: Hebelstraße 4 (Flstnr. 179/1) Shar
Page 243 and 244: Karlsruher Straße 2a, (Flstnr. 434
Page 245 and 246: Lessingstraße 35 - cf. Lessingstra
Page 247 and 248: Marstallstraße 12 (Flstnr. 498/1)
Page 249 and 250: Schlossplatz 2 (Flstnr. 262) Confer
Page 251 and 252: Zeller and retaining the tower of t
Page 253 and 254: Zeyherstraße 2 (Flstnr. 219) Resid
Page 255 and 256: Beringer 1902 - Joseph August Berin
Page 257 and 258: Freund 1923 - Karl Freund, „Die T
Page 259 and 260: Heber/Seeliger-Zeiss 1974 - Wiltrud
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Kollnig 1993 - Karl Kollnig, Die Ku
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Mörz 1997 - Stefan Mörz, Die letz
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Schwab 1840 - Franz Schwab, Beschre
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Was bleibt. Markgrafenschätze aus
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Zeyher/Roemer 1815 - Johann Michael
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92 88 87 89 90 91 16 8 86 52 15 14
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