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Schwetzingen - Schlösser-Magazin

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I. Introduction<br />

In the eighteenth century a magnificent<br />

country seat was created at <strong>Schwetzingen</strong><br />

under the Electors Palatine – a unique<br />

complex consisting of a town, palace and<br />

garden that has stood largely unchanged<br />

to the present day. In the Palatine summer<br />

residence of <strong>Schwetzingen</strong>, courtly life was<br />

geared towards pleasure and diversion – in<br />

contrast to the main residence of Mannheim,<br />

where the focus was on administration<br />

and display. It is this annual move of the<br />

entire court from Mannheim to the summer<br />

residence, for a stay of several months’<br />

duration, that explains the unique conditions<br />

at <strong>Schwetzingen</strong>: a town wholly aligned with<br />

the palace but formally subordinate to it – a<br />

palace that seems huge compared to the town<br />

but at the same time quite unpretentious – a<br />

vast garden with a variety of buildings that<br />

maintains its status as an autonomous<br />

element.<br />

The more important a cultural monument,<br />

the more it is possible to discover about it.<br />

History, building history, art history, garden<br />

history, social history, the history of music, of<br />

the sciences, of ideas – invariably the visible,<br />

tangible remains refer to the past. And what<br />

was artificially divided up into disciplines and<br />

categories of research, because of the sheer<br />

complexity of history, retains its original unity<br />

in the cultural monument itself.<br />

This volume undertakes to illuminate the<br />

main aspects of the proposed nomination for<br />

inscription on the UNESCO World Heritage<br />

List from a number of different points of<br />

view:<br />

Part II considers the role of the summer<br />

residence, in particular the tribute it paid<br />

under Elector Carl Theodor to the performing<br />

arts, and especially to music. Part III and<br />

Part IV focus primarily on the structural<br />

and spatial design of the residence. They<br />

place the most significant buildings<br />

within their cultural history and provide<br />

a detailed description of aspects crucial to<br />

understanding the palace garden: its function,<br />

its design, its relationship to its surroundings<br />

and the continuity underlying its care.<br />

Part V takes a closer look both at references<br />

to the historical importance already being<br />

attached to the complex when it was the<br />

“summer capital of the Palatinate” and at the<br />

scientific principles reflected in the extensions<br />

carried out under Carl Theodor. The historical<br />

background essential to appreciating the<br />

garden, the palace and the village in context<br />

will be found in Part VI, along with an outline<br />

of the political situation in which the summer<br />

residence evolved and subsequent perceptions<br />

of the residence. This is followed in Part VII<br />

by guidance for the reader’s rapid orientation.<br />

The concluding Part provides a quick<br />

overview of the basic facts: short biographies<br />

of the rulers and the artists active at<br />

<strong>Schwetzingen</strong>, a chronology of major events, a<br />

summarized description of the properties and<br />

objects inscribed on the list of monuments<br />

and a bibliography of publications on the<br />

town, palace and garden. The overall map<br />

with detailed captions included at the back<br />

is intended to give an idea of the property<br />

as a whole, and provide information to<br />

complement the essays.<br />

I.<br />

7

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