Schwetzingen - Schlösser-Magazin
Schwetzingen - Schlösser-Magazin
Schwetzingen - Schlösser-Magazin
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I. Introduction<br />
In the eighteenth century a magnificent<br />
country seat was created at <strong>Schwetzingen</strong><br />
under the Electors Palatine – a unique<br />
complex consisting of a town, palace and<br />
garden that has stood largely unchanged<br />
to the present day. In the Palatine summer<br />
residence of <strong>Schwetzingen</strong>, courtly life was<br />
geared towards pleasure and diversion – in<br />
contrast to the main residence of Mannheim,<br />
where the focus was on administration<br />
and display. It is this annual move of the<br />
entire court from Mannheim to the summer<br />
residence, for a stay of several months’<br />
duration, that explains the unique conditions<br />
at <strong>Schwetzingen</strong>: a town wholly aligned with<br />
the palace but formally subordinate to it – a<br />
palace that seems huge compared to the town<br />
but at the same time quite unpretentious – a<br />
vast garden with a variety of buildings that<br />
maintains its status as an autonomous<br />
element.<br />
The more important a cultural monument,<br />
the more it is possible to discover about it.<br />
History, building history, art history, garden<br />
history, social history, the history of music, of<br />
the sciences, of ideas – invariably the visible,<br />
tangible remains refer to the past. And what<br />
was artificially divided up into disciplines and<br />
categories of research, because of the sheer<br />
complexity of history, retains its original unity<br />
in the cultural monument itself.<br />
This volume undertakes to illuminate the<br />
main aspects of the proposed nomination for<br />
inscription on the UNESCO World Heritage<br />
List from a number of different points of<br />
view:<br />
Part II considers the role of the summer<br />
residence, in particular the tribute it paid<br />
under Elector Carl Theodor to the performing<br />
arts, and especially to music. Part III and<br />
Part IV focus primarily on the structural<br />
and spatial design of the residence. They<br />
place the most significant buildings<br />
within their cultural history and provide<br />
a detailed description of aspects crucial to<br />
understanding the palace garden: its function,<br />
its design, its relationship to its surroundings<br />
and the continuity underlying its care.<br />
Part V takes a closer look both at references<br />
to the historical importance already being<br />
attached to the complex when it was the<br />
“summer capital of the Palatinate” and at the<br />
scientific principles reflected in the extensions<br />
carried out under Carl Theodor. The historical<br />
background essential to appreciating the<br />
garden, the palace and the village in context<br />
will be found in Part VI, along with an outline<br />
of the political situation in which the summer<br />
residence evolved and subsequent perceptions<br />
of the residence. This is followed in Part VII<br />
by guidance for the reader’s rapid orientation.<br />
The concluding Part provides a quick<br />
overview of the basic facts: short biographies<br />
of the rulers and the artists active at<br />
<strong>Schwetzingen</strong>, a chronology of major events, a<br />
summarized description of the properties and<br />
objects inscribed on the list of monuments<br />
and a bibliography of publications on the<br />
town, palace and garden. The overall map<br />
with detailed captions included at the back<br />
is intended to give an idea of the property<br />
as a whole, and provide information to<br />
complement the essays.<br />
I.<br />
7