Schwetzingen - Schlösser-Magazin
Schwetzingen - Schlösser-Magazin
Schwetzingen - Schlösser-Magazin
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
IV.<br />
106<br />
IV. Palace Gardens: Role and Significance<br />
and artistic treasures, and that their value for<br />
the present is inestimable. The <strong>Schwetzingen</strong><br />
garden with its magnificent avenues, its<br />
grand layout and the blend of architectural<br />
gardens and landscaped areas is described as<br />
“a high point in the history of the German<br />
garden, a garden” that wrote European<br />
history. 38 Baroque and Rococo as well as<br />
landscape gardens were subject to certain<br />
formal principles, that had been neglected<br />
at times. Consequently, the condition of the<br />
garden in 1970 betrayed changes due to the<br />
fact that its aging, and even its decay, had<br />
been accepted as given. The danger had been<br />
known for decades, and expert opinions had<br />
been obtained, but the responsible authorities<br />
had shied away from taking the requisite<br />
drastic action. Now inventories suggested<br />
that the degeneration of the avenues was<br />
irreversible and that, although the bosquets<br />
and landscaped areas still presented an<br />
intact network of footpaths, the plants<br />
were dangerously aged. The purpose of the<br />
publication on hand was to document and<br />
assess this state of affairs, and to point out<br />
ways and means of regenerating the garden.<br />
Further losses must be avoided; the garden<br />
must be restored to its proper layout.<br />
In 1972, the responsible authorities approved<br />
the guidelines of the Parkpflegewerk. It was<br />
recommended to tackle the urgent task of<br />
regenerating the <strong>Schwetzingen</strong> garden, as a<br />
cultural monument of European status, in<br />
keeping with its original design principles<br />
while respecting and enhancing its function<br />
as a recreational area. The work was to be<br />
carried out over a period of time. It was<br />
agreed that this regeneration, along with<br />
additional work on waterways, buildings,<br />
footpaths and sculptures, would result in a<br />
general improvement of the condition of the<br />
whole estate. The requisite measures taken<br />
in the course of the past thirty years, such as<br />
the reconstruction of the central parterre 39<br />
or the replacing of the withered lime trees<br />
38 Bauer/Schwenecke 1970, S.1.<br />
39 Hubert Wolfgang Wertz, “Wiederherstellung und Unterhaltung<br />
von Parterreanlagen, dargestellt am Beispiel des Schwetzinger<br />
Parterres”, in: Gartendenkmalpflege, Stuttgart 1985, pp.174-204.<br />
in the circular parterre, 40 are documented in<br />
detail in the later parts of the Parkpflegewerk<br />
dating from 2005. They are a fine example<br />
of well-informed work adhering to the<br />
principles of historic garden conservation. A<br />
concept for the preservation and restoration<br />
spanning the next decade is attached to this<br />
“diary” of the <strong>Schwetzingen</strong> palace garden. 41<br />
It upholds the legacy, all the more remarkable<br />
for its unbroken continuity, of preserving the<br />
historic gardens of <strong>Schwetzingen</strong>, a tradition<br />
which has its roots in the “Protocollum<br />
commissionale” of 1795.<br />
(Hubert Wolfgang Wertz)<br />
40 Hubert Wolfgang Wertz, “Maßnahmen im ‘Zirkel’ des<br />
Schwetzinger Schlossgartens”, in: Die Gartenkunst des Barock,<br />
conference of the German ICOMOS committee and the State<br />
Office for Monument Preservation (Bayerisches Landesamt<br />
für Denkmalpflege), on Schloss Seehof near Bamberg 23.-26.<br />
September 1997. Ed. Florian Fiedler. Journals of the Deutsches<br />
Nationalkomitees/International Council on Monuments and<br />
Sites, No. 28, 1999, pp. 131-135.<br />
41 Uta Schmitt, Hubert Wolfgang Wertz, Fortschreibung des Parkpflegewerks<br />
für den Schwetzinger Schlossgarten, unpublished,<br />
Bruchsal 2005.