xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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sobrivma represiebma, aramed simbolod, metaforad sab- Wouri diqtaturisa, igi damokles maxviliviT ekida qarTuli Teatris (da ara marto Teatris) Tavze. qar- Tveli xalxi ki aseT pirobebSic qmnida Sedevrebs. rodesac cixeebis jurRmulebSi iyvnen gamoketilni rusTavelis Teatris msaxiobebi da maTi genialuri reJisori sandro axmeteli, imave 1937 wels Teatris scenaze akaki xorava da akaki vasaZe qmnidnen genialur saxeebs (otelo, iago). aseTia istoriuli sinamdvile. vinc im epoqas gansjis, erTic unda sTqvas da meorec. Vasil Kiknadze 1937 year of Georgian Theatre Summari Since 1933 a strict censorship on every sphere of ideology has been introduced, but mostly on theatre. Not only the Georgian patriotic thematic was forbidden, but the number of West European classical dramaturgy was limited as well. From 1936 theatre employees faced massive repressions. Those who escaped from the repressions lived under the fear of arrest. 1937 should be presented not as one specific date of tragic history, when massive repressions reached its high zenith, but metaphorically as soviet dictatorship. 10
11 laSa CxartiSvili `mefe liris” Teatraluri interpretaciis problemis ramdenime sakiTxi qarTul TeatrSi nawili I Seqspirs msoflios geniosTa Soris erT-erTi upirvelesi adgili uWiravs. misi dramatuli Txzulebebi yvela epoqisaTvis aqtualuria, radgan masSi gamoxatulia maradiuli Temebi da problemebi. ,,rogorc tragediaSi, ise komediaSi, man gaaRo axali droebis WiSkari da aCvena Tanamedrove adamians misi Sinagani ganxeTqileba da tragikuli gadasroliloba samyaroSi, sadac mas iluzias mostaceben da masSi yovelTvis isev dava warmoebs arsebobisaTvis moraluri wesrigis pirobeb- Si’’ (1; gv. 43). amis gamo am genialur dramaturgs aqvs is maxasiaTeblebi, romliTac igi ,,saWiro’’ da aucilebeli xdeba nebismieri civilizaciisaTvis nebismier istoriul pirobebSi. evropaSi Seqspiri gansakuTrebul aqtualobas XVII saukunis dasawyisidan iZens da dRemde ar kargavs wamyvan pozicias, radganac ,,Seqspiris yvela sityva, yvela mxatvruli saxe, cxovrebis wveTiTaa gaJRenTili, misi mxatvruli saxeebi sinamdvilisagan warmoiqmneba, radgan misi sityvebis ukan mTeli cxovreba dgas – didi, mravalferovani da usasrulo’’ (2; gv.94) qarTuli Seqspiriana cota mogvianebiT, XIX saukunis II naxevarSi uerTdeba am sivrces, rasac xeli Seuwyo CvenSi profesiuli Teatraluri xelovnebis dabadebam da ganviTarebam. Teatris dabadeba ki bunebrivad badebs ganuzomel
Page 1 and 2: saqarTvelos ganaTlebisa a da mecnie
Page 3 and 4: Teatrmcodneoba vasil kiknaZe qarTul
Page 5 and 6: gudiaSvilma, d. kakabaZem da sxvebm
Page 7 and 8: aime gansakuTrebuli damsaxureba. am
Page 9: yvelaferi unda gavaanalizoT istoriz
Page 13 and 14: piris Semoqmedeba ,,mudam Tanadroul
Page 15 and 16: ze, magram maSin (XIX saukunis 60-i
Page 17 and 18: i’’ sabenefisod araerTxel aurCe
Page 19 and 20: qarTul sasceno Seqspirianas momaval
Page 21 and 22: cxi iyo’’ (20; gv. 37). faqtia,
Page 23 and 24: periodebis politikur-socialur garem
Page 25 and 26: kinomcodneoba 25 lela oCiauri niSan
Page 27 and 28: yoveli niSani Tavis srulyofil mniSv
Page 29 and 30: da maT ekranul, vizualur, araerTgva
Page 31 and 32: (rac egviptur, Tu aRmosavlur litera
Page 33 and 34: mxatvrul azrovnebasTan da Tavad iyo
Page 35 and 36: warmoadgenda da aq ukve, didi xania
Page 37 and 38: marTla, mTeli gulwrfelobiT aisaxa i
Page 39 and 40: 39 oliko JRenti revoluciis sakiTxis
Page 41 and 42: kuri). 1907 wlisEwiwamuris tragedia
Page 43 and 44: vizaciiT iRebda, rac uprecendento S
Page 45 and 46: ur-anarqiuli epoqis pirmSoa, mis cx
Page 47 and 48: TlobasTan, Sav-bnel da reaqciul Zal
Page 49 and 50: mouwodebda muSebs. mTavari gmiris _
Page 51 and 52: oca sabWoeTSi beladis diqtatura dam
Page 53 and 54: sofo TavaZe novatoruli Ziebebi 60-i
Page 55 and 56: els, bunebrivia, erTmaneTisagan gan
Page 57 and 58: amirejibi, arCil sulakauri, revaz i
Page 59 and 60: mxriv, cenzurisagan Tavdacvis saSua
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Sofo Tavadze Innovatory Searches in
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,,ukeTesi RonisZieba kargi aRzrdisa
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uneba da adamiani, erTianoba bunebi
Page 67 and 68:
erTferovan cxovrebaSi avis momaswav
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surs, rac SeiZleba meti gaigos adam
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inga xalvaSi kinematografze egziste
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arsebulma mdgomareobam noyieri niad
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iis winaSe, igi Tavs mitovebulad, u
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kurma da socialurma cvlilebebma, ro
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emociaTa am mZlavr nakads da sabolo
Page 81 and 82:
Inga Khalvashi Influence of Existen
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Tobebisa da socialuri struqturis Se
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zungad. gzebi, romliTac es mizani m
Page 87 and 88:
„bavSvuri metoqeoba axal gvineasa
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11. Balikci, 1987 - Balikci A., The
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moebis substratad, mis materiad aqc
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mimavali manqanebis grZel rigs, raT
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daemorCilos akrZalvas, gacdes dadge
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saxiT e.w. `qarTuli kinos fenomenis
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Sua xanebSi, abuserisZeTa sagvareul
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kompoziciis msgavsad esqatologiur S
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taZris dasavleT nawilSi Tavmoyrili
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ideologebi“ da mas, pirvel rigSi,
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11. abuserisZe tbeli, Txzulebani, n
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ati CiburdaniZe portretuli saxeebi
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velobiT enas aq grafikuli sawyisebi
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aRsaniSnavia, rom am nawarmoebSi pe
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Rati Chiburdanidze Portraits in Vak
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ebSi Cvens erovnul kulturasa da cno
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III. qristianuli erovnuli cnobiereb
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da misi ena oTxi aTasi wlis ganmavl
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lurad xazi gausva arian-qarTlisa da
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`ra ar gadagvxdenia Tavs, ra mtrebi
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National thinking forming is a long
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Semotevebs, romelic dRiTidRe kravs
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suri ena msoflios globaluri enaa, e
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sxvadasxva xalxebis, qveynebis TviT
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musikaTmcodneoba qeTevan gogolaZe m
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moqmedebiT procesSi erTvebian da mo
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anobis) aRqmis specifika - geStalti
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1. bavSvis mier musikaze reagireba;
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lur imanentur sivrceSi da miaRwevs
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145
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ana dumbaZe harmonia, rogorc musika
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antikur saberZneTSi harmonia musika
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organumSi ,,aliluia” yuradRebas i
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XVI saukunidan musikaluri xelovnebi
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adgan venis klasikosTa SemoqmedebaS
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A. Dumbadze Harmony as a form of ex
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arsebis kvlav mopovebisaTvis, anu u
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aRiniSnos XX saukunis pirvel naxeva
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SemoqmedisTvis, romlis Semoqmedeba
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pirvel msoflio omamde arsebobda, ma
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li CarxTagania. yovel eWvs gareSea,
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imdenad, ramdenadac floben specifiu
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We are interested in performing fre
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sistema mxatvrul nawarmoebSi mTavar
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montaJi da samsaxiobo Sesruleba - e
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Seicavs yvelafers, rac CamovTvaleT,
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qalaqis sasaflaoze siwynarea. Zveli
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TeTrlabadiani karsukan atuzula da s
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TeTrlabadiani mzeriT acilebs ucnaur
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am xnis manZilze veterani ganuwyvet
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manqanebi WiSkars gaivlian da Mmosa
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- ras akeTeb, Tu ici Sen! - yviris
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- vin mogca Cemi misamarTi - kiTxul
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isini erTxmad dasWeqaven, dasWyivle
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- Cveulebrivi. adamianuri. sikvdili
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
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- marTalia, marTalia... - xmas auwe
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stumrebi, ra Tqma unda, aRfrTovaneb
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cigeli oTaxSi SeiWreba, kars miketa
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- kargia. mSvenieria. ise Semawuxa,
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- kargi iqneboda! msuqani gogo fanj
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manqanis Suqebis anarekli jer erT k
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simona labadis sayelos aiwevs da gu
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itaceben, rac xelSi moxvdebaT. mere
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qali slukunebs, drodadro tkivilisga
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wamouqrolebs. rodis iyo xalxs ekiTx
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oRond me unda damijero... me!!! sxv
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- o, batono simon! ar gelodiT. sad
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- nu gikvirs, bore. Tofi yvelgan ar
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vels mTel sigrZeze sangrebi gasdevs
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- me - Tqven, Tqveni leqsebiT, ara
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- gveyofa amdeni cremlebi. amdeni S
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- im dRes, TaTbirzec giTxariT da ax
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- he, droze axla! - ambobs simonaZe
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wels zeviT SiSveli waraTi mxolod ax
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- amitomac geubnebiT me Tqven: moka
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- diax, asea! - gaubedavad ambobs T
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kudusunis ZvalTan mokle da mgZnobia
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- moica, qalo! - Riziandeba govardi
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... waraT waZe iaraRs xels SeuSvebs
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- didi madloba! simonaZe bers xels
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sarCevi/Contents Teatrmcodneoba vas
Page 261 and 262:
ana dumbaZe - harmonia, rogorc musi
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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