xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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18. v. kiknaZe, qarTuli dramatuli Teatris istoria, t. 2, Tb., 2001. 19. ak. vasaZe, mogonebebi, fiqrebi, t. 2, Tb., 1983. 20. m. TumaniSvili, reJisori Tetridan wavida, Tb., 1989. Lasha Chkhartishvili For ,,king Lears’’ interpretation issue in Georgian theatre Summary In publication ,,for ,,king Lears’’ interpretation issue in Georgian theatre,‘’ author, Lasha Chkartishvily reviews Georgian traditions for ,,Lear’s’’ scene interpretations. He also speaks about ,,Lear’s’’ scene – stage tendencies and considers, that from these stages only Sturua’s and Chkikvadze’s ,,Lear’’ is successful. At last the author concludes, that the main support of ,,Lear’s’’ Georgian Interpretation is the sense of national unity and he thinks: Hhe aim of modern theatre science is to elucidate the concrete historical conditions in which ,,Lear’’ stages and how much it reflects breathing of epoch from today’s point of view. 24
kinomcodneoba 25 lela oCiauri niSani, simbolo, miTi - maTi struqtura, Seqmnisa da arsebobis mizezebi miTis Seqnis mizezebs garkveuli gansxvavebebi aqvs da gamomdinareobs iqidan, Tu ra realur, Tundac sulier kavSirSia samyaro im momentSi, rodesac esa Tu is miTi iqmneba. koleqtiuri, praqtikuli gamocdileba, rogoric ar unda iyos is, mravali Taobis mier grovdeba, amitom mxolod is ganixileba, rogorc sakmarisad saimedo. miTSi Cadebulia winaparTa sibrZnis rwmena, amitom gare samyaros faqtebis gacnobiereba rwmenis saqme xdeba, is ki SegrZnebebs ar eqvemdebareba, ar saWiroebs. `...miTosi Seicavs dafarul sazriss, fantastiuri saxeebisa da warmodgenebis miRma arsebuls. am sazrisis wvdomasa da gamovlenas isaxavs miznad Tanamedrove mecnieruli analizi. magram, amave dros, xazgasmiT aRiniSneba, rom Tanamedrove goneba ver moicavs adamianis kulturuli arsebobis yvela formebs, miTosis
Page 1 and 2: saqarTvelos ganaTlebisa a da mecnie
Page 3 and 4: Teatrmcodneoba vasil kiknaZe qarTul
Page 5 and 6: gudiaSvilma, d. kakabaZem da sxvebm
Page 7 and 8: aime gansakuTrebuli damsaxureba. am
Page 9 and 10: yvelaferi unda gavaanalizoT istoriz
Page 11 and 12: 11 laSa CxartiSvili `mefe liris”
Page 13 and 14: piris Semoqmedeba ,,mudam Tanadroul
Page 15 and 16: ze, magram maSin (XIX saukunis 60-i
Page 17 and 18: i’’ sabenefisod araerTxel aurCe
Page 19 and 20: qarTul sasceno Seqspirianas momaval
Page 21 and 22: cxi iyo’’ (20; gv. 37). faqtia,
Page 23: periodebis politikur-socialur garem
Page 27 and 28: yoveli niSani Tavis srulyofil mniSv
Page 29 and 30: da maT ekranul, vizualur, araerTgva
Page 31 and 32: (rac egviptur, Tu aRmosavlur litera
Page 33 and 34: mxatvrul azrovnebasTan da Tavad iyo
Page 35 and 36: warmoadgenda da aq ukve, didi xania
Page 37 and 38: marTla, mTeli gulwrfelobiT aisaxa i
Page 39 and 40: 39 oliko JRenti revoluciis sakiTxis
Page 41 and 42: kuri). 1907 wlisEwiwamuris tragedia
Page 43 and 44: vizaciiT iRebda, rac uprecendento S
Page 45 and 46: ur-anarqiuli epoqis pirmSoa, mis cx
Page 47 and 48: TlobasTan, Sav-bnel da reaqciul Zal
Page 49 and 50: mouwodebda muSebs. mTavari gmiris _
Page 51 and 52: oca sabWoeTSi beladis diqtatura dam
Page 53 and 54: sofo TavaZe novatoruli Ziebebi 60-i
Page 55 and 56: els, bunebrivia, erTmaneTisagan gan
Page 57 and 58: amirejibi, arCil sulakauri, revaz i
Page 59 and 60: mxriv, cenzurisagan Tavdacvis saSua
Page 61 and 62: Sofo Tavadze Innovatory Searches in
Page 63 and 64: ,,ukeTesi RonisZieba kargi aRzrdisa
Page 65 and 66: uneba da adamiani, erTianoba bunebi
Page 67 and 68: erTferovan cxovrebaSi avis momaswav
Page 69 and 70: surs, rac SeiZleba meti gaigos adam
Page 71 and 72: inga xalvaSi kinematografze egziste
Page 73 and 74: arsebulma mdgomareobam noyieri niad
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iis winaSe, igi Tavs mitovebulad, u
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kurma da socialurma cvlilebebma, ro
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emociaTa am mZlavr nakads da sabolo
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Inga Khalvashi Influence of Existen
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Tobebisa da socialuri struqturis Se
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zungad. gzebi, romliTac es mizani m
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„bavSvuri metoqeoba axal gvineasa
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11. Balikci, 1987 - Balikci A., The
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moebis substratad, mis materiad aqc
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mimavali manqanebis grZel rigs, raT
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daemorCilos akrZalvas, gacdes dadge
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saxiT e.w. `qarTuli kinos fenomenis
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Sua xanebSi, abuserisZeTa sagvareul
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kompoziciis msgavsad esqatologiur S
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taZris dasavleT nawilSi Tavmoyrili
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ideologebi“ da mas, pirvel rigSi,
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11. abuserisZe tbeli, Txzulebani, n
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ati CiburdaniZe portretuli saxeebi
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velobiT enas aq grafikuli sawyisebi
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aRsaniSnavia, rom am nawarmoebSi pe
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Rati Chiburdanidze Portraits in Vak
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ebSi Cvens erovnul kulturasa da cno
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III. qristianuli erovnuli cnobiereb
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da misi ena oTxi aTasi wlis ganmavl
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lurad xazi gausva arian-qarTlisa da
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`ra ar gadagvxdenia Tavs, ra mtrebi
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National thinking forming is a long
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Semotevebs, romelic dRiTidRe kravs
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suri ena msoflios globaluri enaa, e
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sxvadasxva xalxebis, qveynebis TviT
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musikaTmcodneoba qeTevan gogolaZe m
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moqmedebiT procesSi erTvebian da mo
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anobis) aRqmis specifika - geStalti
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1. bavSvis mier musikaze reagireba;
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lur imanentur sivrceSi da miaRwevs
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145
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ana dumbaZe harmonia, rogorc musika
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antikur saberZneTSi harmonia musika
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organumSi ,,aliluia” yuradRebas i
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XVI saukunidan musikaluri xelovnebi
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adgan venis klasikosTa SemoqmedebaS
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A. Dumbadze Harmony as a form of ex
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arsebis kvlav mopovebisaTvis, anu u
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aRiniSnos XX saukunis pirvel naxeva
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SemoqmedisTvis, romlis Semoqmedeba
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pirvel msoflio omamde arsebobda, ma
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li CarxTagania. yovel eWvs gareSea,
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imdenad, ramdenadac floben specifiu
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We are interested in performing fre
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sistema mxatvrul nawarmoebSi mTavar
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montaJi da samsaxiobo Sesruleba - e
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Seicavs yvelafers, rac CamovTvaleT,
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qalaqis sasaflaoze siwynarea. Zveli
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TeTrlabadiani karsukan atuzula da s
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TeTrlabadiani mzeriT acilebs ucnaur
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am xnis manZilze veterani ganuwyvet
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manqanebi WiSkars gaivlian da Mmosa
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- ras akeTeb, Tu ici Sen! - yviris
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- vin mogca Cemi misamarTi - kiTxul
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isini erTxmad dasWeqaven, dasWyivle
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- Cveulebrivi. adamianuri. sikvdili
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
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- marTalia, marTalia... - xmas auwe
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stumrebi, ra Tqma unda, aRfrTovaneb
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cigeli oTaxSi SeiWreba, kars miketa
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- kargia. mSvenieria. ise Semawuxa,
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- kargi iqneboda! msuqani gogo fanj
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manqanis Suqebis anarekli jer erT k
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simona labadis sayelos aiwevs da gu
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itaceben, rac xelSi moxvdebaT. mere
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qali slukunebs, drodadro tkivilisga
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wamouqrolebs. rodis iyo xalxs ekiTx
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oRond me unda damijero... me!!! sxv
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- o, batono simon! ar gelodiT. sad
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- nu gikvirs, bore. Tofi yvelgan ar
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vels mTel sigrZeze sangrebi gasdevs
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- me - Tqven, Tqveni leqsebiT, ara
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- gveyofa amdeni cremlebi. amdeni S
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- im dRes, TaTbirzec giTxariT da ax
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- he, droze axla! - ambobs simonaZe
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wels zeviT SiSveli waraTi mxolod ax
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- amitomac geubnebiT me Tqven: moka
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- diax, asea! - gaubedavad ambobs T
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kudusunis ZvalTan mokle da mgZnobia
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- moica, qalo! - Riziandeba govardi
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... waraT waZe iaraRs xels SeuSvebs
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- didi madloba! simonaZe bers xels
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sarCevi/Contents Teatrmcodneoba vas
Page 261 and 262:
ana dumbaZe - harmonia, rogorc musi
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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