xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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Oliko Zhgenti Revolutionary Issue of the Movie of Ivane Perestiani “Arsen Jorjiashvili” (Assasination of the General Griaznov). Summary The article examines political and esthetical aspects of the movie “Arsen Jorjiashvili” (“Assassination of the general Griaznov”) by famous film director Ivane Perestiani. The movie was released in 1921 when Georgia’s occupation by the soviets took place. Right away the critics claimed the movie to be the first Soviet historic-revolutionary one. In spite of such an assessment, the author makes a new cultural evaluation of the movie from a contemporary scientific-historic perspective and in contrast with the spread opinion makes a conclusion that the movie contains a strongly seen antirevolutionary spirit and thus is weakly subjected to the ideology of Bolshevik set-ups. The idea of the movie was born during Independent Democratic Republik’s times of Georgia. Judging from this the movie clearly reflects the policy of a sovereign Republic and the negative evaluations of the revolutionary past rather than the Soviet Bolshevik establishment. 52
sofo TavaZe novatoruli Ziebebi 60-iani wlebis qarTul kinematografSi qarTuli kinos aRmavlobis xanad miCneuli 60-iani wlebi, dRemde kinos Teoriisa da praqtikis ZiriTad dasayrden masalas warmoadgens. aRniSnuli periodi mravalmxrivi siaxleebiT gamoirCeva: mimdinareobs SemoqmedebiTi Ziebebisa da ganaxlebis procesebi, mkvidrdeba axali Tematuri, Janruli Tu stilisturi tendenciebi. miuxedavad imisa, rom qarTuli kinematografi sabWoe- Tis kinoxelovnebis nawili iyo, man mainc SeZlo warmoeSva cneba `qarTuli kinos fenomeni”. 50-iani wlebis miwurulsa da 60-iani wlebis dasawyisSi qarTul kinoSi movida axalgazrda reJisorebis Taoba, romlebic `samocianelebis” saxeliT Sevidnen qarTuli kinos istoriaSi. Eeseni arian: oTar ioseliani, eldar da giorgi Sengelaiebi, merab kokoCaSvili, lana RoRoberiZe, mixeil kobaxiZe. TiToeuli maTgani gamoirCeoda individualuri xelweriT. axalgazrda kinematografistebma qarTul kinoSi moitanes axali Temebi, warmoaCines gansxvavebuli samyaro, daamkvidres axali mxatvruli formebi. maT filmebSi mkveTrad Cans piradi pozicia da moqalaqeobrivi mrwamsi. `samocianelTa” filmebi radikalurad gansxvavdeboda ufrosi Taobis warmomadgenlebis kinosuraTebisagan da xSirad kinematografiul wreebSi gansjis sagani xdeboda. qarTvel kinoreJisorTa axalgazrda Taobam Tavisi moRvaweoba warsulis miRwevaTa gadafasebiT daiwyo da aRmoCnda, rom guSindeli moCvenebiTi keTildReoba dReisaTvis sakmaod moZvelebulad da gamogonilad gamoi- 53
Page 1 and 2: saqarTvelos ganaTlebisa a da mecnie
Page 3 and 4: Teatrmcodneoba vasil kiknaZe qarTul
Page 5 and 6: gudiaSvilma, d. kakabaZem da sxvebm
Page 7 and 8: aime gansakuTrebuli damsaxureba. am
Page 9 and 10: yvelaferi unda gavaanalizoT istoriz
Page 11 and 12: 11 laSa CxartiSvili `mefe liris”
Page 13 and 14: piris Semoqmedeba ,,mudam Tanadroul
Page 15 and 16: ze, magram maSin (XIX saukunis 60-i
Page 17 and 18: i’’ sabenefisod araerTxel aurCe
Page 19 and 20: qarTul sasceno Seqspirianas momaval
Page 21 and 22: cxi iyo’’ (20; gv. 37). faqtia,
Page 23 and 24: periodebis politikur-socialur garem
Page 25 and 26: kinomcodneoba 25 lela oCiauri niSan
Page 27 and 28: yoveli niSani Tavis srulyofil mniSv
Page 29 and 30: da maT ekranul, vizualur, araerTgva
Page 31 and 32: (rac egviptur, Tu aRmosavlur litera
Page 33 and 34: mxatvrul azrovnebasTan da Tavad iyo
Page 35 and 36: warmoadgenda da aq ukve, didi xania
Page 37 and 38: marTla, mTeli gulwrfelobiT aisaxa i
Page 39 and 40: 39 oliko JRenti revoluciis sakiTxis
Page 41 and 42: kuri). 1907 wlisEwiwamuris tragedia
Page 43 and 44: vizaciiT iRebda, rac uprecendento S
Page 45 and 46: ur-anarqiuli epoqis pirmSoa, mis cx
Page 47 and 48: TlobasTan, Sav-bnel da reaqciul Zal
Page 49 and 50: mouwodebda muSebs. mTavari gmiris _
Page 51: oca sabWoeTSi beladis diqtatura dam
Page 55 and 56: els, bunebrivia, erTmaneTisagan gan
Page 57 and 58: amirejibi, arCil sulakauri, revaz i
Page 59 and 60: mxriv, cenzurisagan Tavdacvis saSua
Page 61 and 62: Sofo Tavadze Innovatory Searches in
Page 63 and 64: ,,ukeTesi RonisZieba kargi aRzrdisa
Page 65 and 66: uneba da adamiani, erTianoba bunebi
Page 67 and 68: erTferovan cxovrebaSi avis momaswav
Page 69 and 70: surs, rac SeiZleba meti gaigos adam
Page 71 and 72: inga xalvaSi kinematografze egziste
Page 73 and 74: arsebulma mdgomareobam noyieri niad
Page 75 and 76: iis winaSe, igi Tavs mitovebulad, u
Page 77 and 78: kurma da socialurma cvlilebebma, ro
Page 79 and 80: emociaTa am mZlavr nakads da sabolo
Page 81 and 82: Inga Khalvashi Influence of Existen
Page 83 and 84: Tobebisa da socialuri struqturis Se
Page 85 and 86: zungad. gzebi, romliTac es mizani m
Page 87 and 88: „bavSvuri metoqeoba axal gvineasa
Page 89 and 90: 11. Balikci, 1987 - Balikci A., The
Page 91 and 92: moebis substratad, mis materiad aqc
Page 93 and 94: mimavali manqanebis grZel rigs, raT
Page 95 and 96: daemorCilos akrZalvas, gacdes dadge
Page 97 and 98: saxiT e.w. `qarTuli kinos fenomenis
Page 99 and 100: Sua xanebSi, abuserisZeTa sagvareul
Page 101 and 102: kompoziciis msgavsad esqatologiur S
Page 103 and 104:
taZris dasavleT nawilSi Tavmoyrili
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ideologebi“ da mas, pirvel rigSi,
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11. abuserisZe tbeli, Txzulebani, n
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ati CiburdaniZe portretuli saxeebi
Page 111 and 112:
velobiT enas aq grafikuli sawyisebi
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aRsaniSnavia, rom am nawarmoebSi pe
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Rati Chiburdanidze Portraits in Vak
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ebSi Cvens erovnul kulturasa da cno
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III. qristianuli erovnuli cnobiereb
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da misi ena oTxi aTasi wlis ganmavl
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lurad xazi gausva arian-qarTlisa da
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`ra ar gadagvxdenia Tavs, ra mtrebi
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National thinking forming is a long
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Semotevebs, romelic dRiTidRe kravs
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suri ena msoflios globaluri enaa, e
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sxvadasxva xalxebis, qveynebis TviT
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musikaTmcodneoba qeTevan gogolaZe m
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moqmedebiT procesSi erTvebian da mo
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anobis) aRqmis specifika - geStalti
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1. bavSvis mier musikaze reagireba;
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lur imanentur sivrceSi da miaRwevs
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145
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ana dumbaZe harmonia, rogorc musika
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antikur saberZneTSi harmonia musika
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organumSi ,,aliluia” yuradRebas i
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XVI saukunidan musikaluri xelovnebi
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adgan venis klasikosTa SemoqmedebaS
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A. Dumbadze Harmony as a form of ex
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arsebis kvlav mopovebisaTvis, anu u
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aRiniSnos XX saukunis pirvel naxeva
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SemoqmedisTvis, romlis Semoqmedeba
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pirvel msoflio omamde arsebobda, ma
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li CarxTagania. yovel eWvs gareSea,
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imdenad, ramdenadac floben specifiu
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We are interested in performing fre
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sistema mxatvrul nawarmoebSi mTavar
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montaJi da samsaxiobo Sesruleba - e
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Seicavs yvelafers, rac CamovTvaleT,
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qalaqis sasaflaoze siwynarea. Zveli
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TeTrlabadiani karsukan atuzula da s
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TeTrlabadiani mzeriT acilebs ucnaur
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am xnis manZilze veterani ganuwyvet
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manqanebi WiSkars gaivlian da Mmosa
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- ras akeTeb, Tu ici Sen! - yviris
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- vin mogca Cemi misamarTi - kiTxul
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isini erTxmad dasWeqaven, dasWyivle
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- Cveulebrivi. adamianuri. sikvdili
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
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- marTalia, marTalia... - xmas auwe
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stumrebi, ra Tqma unda, aRfrTovaneb
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cigeli oTaxSi SeiWreba, kars miketa
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- kargia. mSvenieria. ise Semawuxa,
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- kargi iqneboda! msuqani gogo fanj
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manqanis Suqebis anarekli jer erT k
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simona labadis sayelos aiwevs da gu
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itaceben, rac xelSi moxvdebaT. mere
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qali slukunebs, drodadro tkivilisga
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wamouqrolebs. rodis iyo xalxs ekiTx
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oRond me unda damijero... me!!! sxv
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- o, batono simon! ar gelodiT. sad
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- nu gikvirs, bore. Tofi yvelgan ar
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vels mTel sigrZeze sangrebi gasdevs
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- me - Tqven, Tqveni leqsebiT, ara
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- gveyofa amdeni cremlebi. amdeni S
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- im dRes, TaTbirzec giTxariT da ax
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- he, droze axla! - ambobs simonaZe
Page 245 and 246:
wels zeviT SiSveli waraTi mxolod ax
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- amitomac geubnebiT me Tqven: moka
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- diax, asea! - gaubedavad ambobs T
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kudusunis ZvalTan mokle da mgZnobia
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- moica, qalo! - Riziandeba govardi
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... waraT waZe iaraRs xels SeuSvebs
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- didi madloba! simonaZe bers xels
Page 259 and 260:
sarCevi/Contents Teatrmcodneoba vas
Page 261 and 262:
ana dumbaZe - harmonia, rogorc musi
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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