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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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gamoyenebuli literatura<br />

1. i. gogebaSvili, saganZuri, Tb., 1963 w., gv. 83.<br />

2. satelevizio filmebis studia 30 wlisaa, `mTavaria<br />

bolomde ixarjebode”, Tb., 2001, gv. 374.<br />

3. t. TvalWreliZe, kinematografiuli Ziebani, Tb., 1981, gv.89.<br />

4. iqve, gv. 116.<br />

Nato Tskvitinidze<br />

For Georgian Films plural subjects<br />

Summary<br />

Today, in the century of affluent information, the field of child’s<br />

interest has significantly grown; the fairy tales on a bear, a wolf and a fox<br />

do not seem for them as much attractive and interesting, they have been<br />

replaced by spaceships, computer superheroes and human-robots. The<br />

new aspirations have emerged. It is natural that a child is searching for an<br />

answer for those countless questions which life may happen to face him.<br />

Very often, a child is trying to get maximally aware in the mass of<br />

interesting or unwholesome information received from TV.<br />

In today’s cinematography there are many movies, which spread the<br />

propaganda of violence, war, drug addiction and sexual perversion, which<br />

in it its turn expose the physical, moral and spiritual values of our society<br />

and in particular our youth to degradation.<br />

70

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