xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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kulturis istoria ermile mesxia kulturisa da erovnuli cnobierebis zogierTi sakiTxi naSromSi kulturisa da erovnuli cnobierebis sakiTxis am formiT dasma pirobiTia. yovel sazogadoeba- Si kulturis done gansazRvravs erovnuli TviTSegnebis xarisxs an piriqiT. amitom SeiZleba naSromisaTvis gvewodebina kultura erovnul cnobierebaSi an erovnuli cnobiereba kulturaSi. am SemTxvevaSi amas arsebiTi mniSvneloba ara aqvs, radgan Cven winamdebare sakiTxs ganvixilavT mxolod istoriuli ganviTarebis TvalsazrisiT. konkretulad ki gvinda davsvaT sakiTxi kulturisa da erovnuli cnobierebis ganviTarebis periodizaciis Sesaxeb. ra Tqma unda, arc imis pretenzia gvaqvs, amomwuravad gavceT dasmul kiTxvas pasuxi. es samomavlo kvlevis sagania. miuxedavad azrTa sxvadasxvaobisa, migvaCnia, rom am kuTxiT Cveni istoriografia valSia sazogadoebis winaSe. DdRes amis aucilebloba miT umetes igrZnoba, roca globalizaciis piro- 116
ebSi Cvens erovnul kulturasa da cnobierebas ucxouri masobrivi kulturisa da kosmopolitizmis gavlenis aSkara safrTxe emuqreba. cnobilia, rom kultura sulieri fenomenia. igi Tanamaradiulia adamianis cxovrebisa da umisod ver iarsebebs sazogadoeba, rogorc sulis gareSe xorcieli buneba kacisa (1). kulturologTa ganmartebiT, `kultura~ aris adamianis Semoqmedebis da Tavisuflebis realizacia. amave dros Tavad kultura ayalibebs adamians (2). farTo gagebiT, kultura yvelaferia, rac adamianis mieraa Seqmnili. kulturas, sxvagvarad, eris savizito baraTs uwodeben. igi udidesi SemoqmedebiTi Zalaa, romelic erovnuli Rirsebis grZnobas warmoSobs - erovnul kulturaSi vlindeba eris saxe, misi TavisTavadoba (3). kulturis cnebis ganxilva warmoudgenelia eTnosisa da eris kategoriebisagan gancalkavebiT. isini erTmaneTTan logikur kavSirSi Tanaarseboben. eTnosi da eri ZiriTadi SemoqmedebiTi Zalaa kulturis formirebis procesSi. eTnosi (tomi, xalxi) sazogadoebis istoriis adreul safexurze gaCenili erTeulia, romelic moicavs sociumis mcire jgufs, viwro geografiuli arealiT. am jgufis SigniT kavSiri efuZneba genetikur-naTesaobriv, eTno-fsiqologiur da enobriv formebs, rac saboloo jamSi formirdeba eTno-kulturis garkveuli modelis saxiT. modeli, romelic miuaxlovdeba istoriuli simwifis zRvars, xdeba eris formireba. istoriis svlis, ganviTarebis aqtSi Cndeba erovnuli idea, erovnuli TviTSegnebis Casaxvis momenti, rac saboloo jamSi ganapirobebs msoflmxedvelobiT orientirs (4). cnobiereba ki - obieqturi sinamdvilis asaxvis umaRlesi formaa (5). igi Seiwovs Tavis TavSi istoriul gamocdilebas, codnasa da azrovnebis meTodebs, romlebic SemuSavebulia winamavali istoriis mier, iTvisebs sinamdviles idealurad. sazogadoebis 117
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saqarTvelos ganaTlebisa a da mecnie
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Teatrmcodneoba vasil kiknaZe qarTul
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gudiaSvilma, d. kakabaZem da sxvebm
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aime gansakuTrebuli damsaxureba. am
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yvelaferi unda gavaanalizoT istoriz
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11 laSa CxartiSvili `mefe liris”
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piris Semoqmedeba ,,mudam Tanadroul
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ze, magram maSin (XIX saukunis 60-i
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i’’ sabenefisod araerTxel aurCe
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qarTul sasceno Seqspirianas momaval
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cxi iyo’’ (20; gv. 37). faqtia,
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periodebis politikur-socialur garem
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kinomcodneoba 25 lela oCiauri niSan
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yoveli niSani Tavis srulyofil mniSv
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da maT ekranul, vizualur, araerTgva
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(rac egviptur, Tu aRmosavlur litera
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mxatvrul azrovnebasTan da Tavad iyo
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warmoadgenda da aq ukve, didi xania
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marTla, mTeli gulwrfelobiT aisaxa i
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39 oliko JRenti revoluciis sakiTxis
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kuri). 1907 wlisEwiwamuris tragedia
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vizaciiT iRebda, rac uprecendento S
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ur-anarqiuli epoqis pirmSoa, mis cx
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TlobasTan, Sav-bnel da reaqciul Zal
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mouwodebda muSebs. mTavari gmiris _
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oca sabWoeTSi beladis diqtatura dam
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sofo TavaZe novatoruli Ziebebi 60-i
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els, bunebrivia, erTmaneTisagan gan
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amirejibi, arCil sulakauri, revaz i
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mxriv, cenzurisagan Tavdacvis saSua
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Sofo Tavadze Innovatory Searches in
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,,ukeTesi RonisZieba kargi aRzrdisa
Page 65 and 66: uneba da adamiani, erTianoba bunebi
Page 67 and 68: erTferovan cxovrebaSi avis momaswav
Page 69 and 70: surs, rac SeiZleba meti gaigos adam
Page 71 and 72: inga xalvaSi kinematografze egziste
Page 73 and 74: arsebulma mdgomareobam noyieri niad
Page 75 and 76: iis winaSe, igi Tavs mitovebulad, u
Page 77 and 78: kurma da socialurma cvlilebebma, ro
Page 79 and 80: emociaTa am mZlavr nakads da sabolo
Page 81 and 82: Inga Khalvashi Influence of Existen
Page 83 and 84: Tobebisa da socialuri struqturis Se
Page 85 and 86: zungad. gzebi, romliTac es mizani m
Page 87 and 88: „bavSvuri metoqeoba axal gvineasa
Page 89 and 90: 11. Balikci, 1987 - Balikci A., The
Page 91 and 92: moebis substratad, mis materiad aqc
Page 93 and 94: mimavali manqanebis grZel rigs, raT
Page 95 and 96: daemorCilos akrZalvas, gacdes dadge
Page 97 and 98: saxiT e.w. `qarTuli kinos fenomenis
Page 99 and 100: Sua xanebSi, abuserisZeTa sagvareul
Page 101 and 102: kompoziciis msgavsad esqatologiur S
Page 103 and 104: taZris dasavleT nawilSi Tavmoyrili
Page 105 and 106: ideologebi“ da mas, pirvel rigSi,
Page 107 and 108: 11. abuserisZe tbeli, Txzulebani, n
Page 109 and 110: ati CiburdaniZe portretuli saxeebi
Page 111 and 112: velobiT enas aq grafikuli sawyisebi
Page 113 and 114: aRsaniSnavia, rom am nawarmoebSi pe
Page 115: Rati Chiburdanidze Portraits in Vak
Page 119 and 120: III. qristianuli erovnuli cnobiereb
Page 121 and 122: da misi ena oTxi aTasi wlis ganmavl
Page 123 and 124: lurad xazi gausva arian-qarTlisa da
Page 125 and 126: `ra ar gadagvxdenia Tavs, ra mtrebi
Page 127 and 128: National thinking forming is a long
Page 129 and 130: Semotevebs, romelic dRiTidRe kravs
Page 131 and 132: suri ena msoflios globaluri enaa, e
Page 133 and 134: sxvadasxva xalxebis, qveynebis TviT
Page 135 and 136: musikaTmcodneoba qeTevan gogolaZe m
Page 137 and 138: moqmedebiT procesSi erTvebian da mo
Page 139 and 140: anobis) aRqmis specifika - geStalti
Page 141 and 142: 1. bavSvis mier musikaze reagireba;
Page 143 and 144: lur imanentur sivrceSi da miaRwevs
Page 145 and 146: 145
Page 147 and 148: ana dumbaZe harmonia, rogorc musika
Page 149 and 150: antikur saberZneTSi harmonia musika
Page 151 and 152: organumSi ,,aliluia” yuradRebas i
Page 153 and 154: XVI saukunidan musikaluri xelovnebi
Page 155 and 156: adgan venis klasikosTa SemoqmedebaS
Page 157 and 158: A. Dumbadze Harmony as a form of ex
Page 159 and 160: arsebis kvlav mopovebisaTvis, anu u
Page 161 and 162: aRiniSnos XX saukunis pirvel naxeva
Page 163 and 164: SemoqmedisTvis, romlis Semoqmedeba
Page 165 and 166: pirvel msoflio omamde arsebobda, ma
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li CarxTagania. yovel eWvs gareSea,
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imdenad, ramdenadac floben specifiu
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We are interested in performing fre
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sistema mxatvrul nawarmoebSi mTavar
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montaJi da samsaxiobo Sesruleba - e
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Seicavs yvelafers, rac CamovTvaleT,
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qalaqis sasaflaoze siwynarea. Zveli
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TeTrlabadiani karsukan atuzula da s
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TeTrlabadiani mzeriT acilebs ucnaur
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am xnis manZilze veterani ganuwyvet
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manqanebi WiSkars gaivlian da Mmosa
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- ras akeTeb, Tu ici Sen! - yviris
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- vin mogca Cemi misamarTi - kiTxul
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isini erTxmad dasWeqaven, dasWyivle
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- Cveulebrivi. adamianuri. sikvdili
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
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- marTalia, marTalia... - xmas auwe
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stumrebi, ra Tqma unda, aRfrTovaneb
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cigeli oTaxSi SeiWreba, kars miketa
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- kargia. mSvenieria. ise Semawuxa,
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- kargi iqneboda! msuqani gogo fanj
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manqanis Suqebis anarekli jer erT k
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simona labadis sayelos aiwevs da gu
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itaceben, rac xelSi moxvdebaT. mere
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qali slukunebs, drodadro tkivilisga
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wamouqrolebs. rodis iyo xalxs ekiTx
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oRond me unda damijero... me!!! sxv
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- o, batono simon! ar gelodiT. sad
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- nu gikvirs, bore. Tofi yvelgan ar
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vels mTel sigrZeze sangrebi gasdevs
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- me - Tqven, Tqveni leqsebiT, ara
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- gveyofa amdeni cremlebi. amdeni S
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- im dRes, TaTbirzec giTxariT da ax
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- he, droze axla! - ambobs simonaZe
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wels zeviT SiSveli waraTi mxolod ax
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- amitomac geubnebiT me Tqven: moka
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- diax, asea! - gaubedavad ambobs T
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kudusunis ZvalTan mokle da mgZnobia
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- moica, qalo! - Riziandeba govardi
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... waraT waZe iaraRs xels SeuSvebs
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- didi madloba! simonaZe bers xels
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sarCevi/Contents Teatrmcodneoba vas
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ana dumbaZe - harmonia, rogorc musi
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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