xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

saxiT e.w. `qarTuli kinos fenomenis~ kodis erT-erT
mamoZravebel elementad warmogvidgeba. masSi igulisxmeba
Rirseuli, keTilganwyobili, tradiciul faseulobebze
myarad mdgari qarTveli, Tumca erTgvarad
Seusabamo, saerTo garemosTvis aratipiuri, mkafiod
kolorituli, Taviseburi da Rimilis momgvreli...
gamoyenebuli literatura:
1. irina kuWuxiZe, rusudan mircxulava. `arqetipuli variaciebi
qarTul kinoSi~. TeatrmcodneobiTi da kinomcodneobiTi
Ziebani #49 (23), 2005. gv. 169.
2. `tanki~, `tankisti~, socrelizmis mxatvruli cneba-figurebia,
Stampebi, romlebic ganadideben sabWoTa saxelmwifos
uZlevelobas. am SemTxvevaSi, suliko JRenti gamoxatavs
sapirispiro Tvalsazriss, kiTxvis qveS ayenebs am
RirebulebaTa marTebulobas.
Lia Kalandarishvili
Culture as symbolically layer of narration.
Once again about ,, The father of a soldier’’
Summary
In dramatic art of Suliko Jgenti, significant role plays layer of culture,
arkhitips, mithologemes. The playwrighter enters them into new
conditions where he creates humour incompatibility between them… But
the spectator feels a height and immortality of this overestimated culture
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