xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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gamoyenebuli literatura: 1. Wellek A. Musikpsychologie und Musikasthetik. Frankfurt am Main. 1963. 2. Римсккий- Корсаков Н. А. Литературные произведения и переписка. М., Музыка .1981. 3. Кечхуашвилии Г. Н. К проблеме психологии восприятия музыки. В кн.: Вопросы музыкознания. Т. Ш. М.., Музгиз. 1960. 4. uznaZe d. n. Sromebi, III_IV t. zogadi fsiqologia. Tb., saqarTvelos saqarTvelos mecnierebaTa akademia. 1964. 5. Игнатьев Е.И.. О некоторых особенностях изучения представлений и воображения. Изв. АПН РСФСР. Вып.76. М., 1956. 6. Ветлугина Н. А. Музыкальное развитие ребенка. М., Просвещение. 1968. 7. Назайкинский Е. В. О психологии музыкального восприятия . М., Музыка. 1982. 8. Асафьев Б. В. Музыкальная форма как процесс. Л., Музыка. 1971. 9. Kurth E. Musikpsychologie. Berlin. 1931. 10. uznaZe d. n. Sromebi. VI t. fsiqologiis eqsperimentuli safuZvlebi. ganwyobis fsiqologiis ZiriTadi debulebebi. Tb., saq. mecn., akademia. 1977. 11. Медушевский В.В. Cтроение музыкального произведения в связи с его направленностью на слушателя. Диссертация.( Рукопись). 1970. K. Gogoladze Towards of musikal perception Summary The author’s theoretical presentations has disciplinary value, shown the influence mechanisms in structure polymodal activity. The secondary sentations as of the author’s investigation always mounting determinancy primary images and in the first place related with them. Shown in the priority auditory principle’s in system of visualauditory coordination in conditions of music, the author opens the possibility for study the types of interdependence between the components sensory-perceptional sphere. 146
ana dumbaZe harmonia, rogorc musikalur-gamomsaxvelobiTi saSualeba musikaluri xelovnebis evoluciis procesSi harmonia, musikosebisaTvis ase nacnobi da aucilebeli termini, sxvadasxva aspeqtSi SeiZleba gaviazroT. misi warmoSoba-damkvidrebis istoria sakmaod xangrZlivia. statiis mizani am SemTxvevaSi aris xazi gavusva misi, rogorc mecnierebis daniSnulebas, magram amave dros yuradReba minda gavamaxvilo harmoniis warmo- Sobis da ganviTarebis sakiTxebze. Cven, musikis Teoretikosebs, ZiriTadad yuradReba mimarTuli gvaqvs harmoniis, rogorc musikis Teoriis mniSvnelovani nawilis Seswavlaze. sxvadasxva avtoris (tiulini, miasoedovi, grigorievi, sposobini) Seqmnil SromebSi, rogorc wesi, arcTu didi adgili eTmoba harmoniis Camoayalibebis istorias da mis musikalur xelovnebaSi damkvidrebis sakiTxs. naSromTa umravlesoba saswavlo praqtikuli daniSnulebisaa da maTSi gansakuTrebuli datvirTva eniWeba harmoniis klasicistur epoqaSi Camoyalibebul gagebas. amitomac wlebis ganmavlobaSi saswavlo procesSi prioritetuli gaxldaT harmoniis praqtikuli kursi, riTac xdeboda misi, rogorc mecnierebis arsis daknineba da eTgvarad amovardna sxva musikaluri mecnierebebis konteqstidan. droTa ganmavlobaSi, gansakuTrebiT ukanasknel wlebSi, saswavlo procesSi CarTvis Semdeg harmoniam TiTqmis dakarga semantikuri daniSnuleba da lamis praqtikuli savarjiSos funqcia SeiZina. 147
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saqarTvelos ganaTlebisa a da mecnie
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gudiaSvilma, d. kakabaZem da sxvebm
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aime gansakuTrebuli damsaxureba. am
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yvelaferi unda gavaanalizoT istoriz
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11 laSa CxartiSvili `mefe liris”
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piris Semoqmedeba ,,mudam Tanadroul
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ze, magram maSin (XIX saukunis 60-i
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i’’ sabenefisod araerTxel aurCe
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qarTul sasceno Seqspirianas momaval
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cxi iyo’’ (20; gv. 37). faqtia,
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periodebis politikur-socialur garem
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kinomcodneoba 25 lela oCiauri niSan
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yoveli niSani Tavis srulyofil mniSv
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da maT ekranul, vizualur, araerTgva
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(rac egviptur, Tu aRmosavlur litera
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mxatvrul azrovnebasTan da Tavad iyo
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warmoadgenda da aq ukve, didi xania
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marTla, mTeli gulwrfelobiT aisaxa i
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39 oliko JRenti revoluciis sakiTxis
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kuri). 1907 wlisEwiwamuris tragedia
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vizaciiT iRebda, rac uprecendento S
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ur-anarqiuli epoqis pirmSoa, mis cx
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TlobasTan, Sav-bnel da reaqciul Zal
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mouwodebda muSebs. mTavari gmiris _
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oca sabWoeTSi beladis diqtatura dam
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sofo TavaZe novatoruli Ziebebi 60-i
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els, bunebrivia, erTmaneTisagan gan
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amirejibi, arCil sulakauri, revaz i
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mxriv, cenzurisagan Tavdacvis saSua
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Sofo Tavadze Innovatory Searches in
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,,ukeTesi RonisZieba kargi aRzrdisa
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uneba da adamiani, erTianoba bunebi
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erTferovan cxovrebaSi avis momaswav
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surs, rac SeiZleba meti gaigos adam
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inga xalvaSi kinematografze egziste
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arsebulma mdgomareobam noyieri niad
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iis winaSe, igi Tavs mitovebulad, u
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kurma da socialurma cvlilebebma, ro
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emociaTa am mZlavr nakads da sabolo
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Inga Khalvashi Influence of Existen
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Tobebisa da socialuri struqturis Se
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zungad. gzebi, romliTac es mizani m
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„bavSvuri metoqeoba axal gvineasa
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11. Balikci, 1987 - Balikci A., The
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moebis substratad, mis materiad aqc
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mimavali manqanebis grZel rigs, raT
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Page 139 and 140: anobis) aRqmis specifika - geStalti
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
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- marTalia, marTalia... - xmas auwe
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stumrebi, ra Tqma unda, aRfrTovaneb
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cigeli oTaxSi SeiWreba, kars miketa
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- kargia. mSvenieria. ise Semawuxa,
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simona labadis sayelos aiwevs da gu
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itaceben, rac xelSi moxvdebaT. mere
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qali slukunebs, drodadro tkivilisga
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wamouqrolebs. rodis iyo xalxs ekiTx
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oRond me unda damijero... me!!! sxv
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- o, batono simon! ar gelodiT. sad
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- nu gikvirs, bore. Tofi yvelgan ar
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vels mTel sigrZeze sangrebi gasdevs
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- me - Tqven, Tqveni leqsebiT, ara
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- gveyofa amdeni cremlebi. amdeni S
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- im dRes, TaTbirzec giTxariT da ax
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- he, droze axla! - ambobs simonaZe
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wels zeviT SiSveli waraTi mxolod ax
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- amitomac geubnebiT me Tqven: moka
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- diax, asea! - gaubedavad ambobs T
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kudusunis ZvalTan mokle da mgZnobia
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- moica, qalo! - Riziandeba govardi
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... waraT waZe iaraRs xels SeuSvebs
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- didi madloba! simonaZe bers xels
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sarCevi/Contents Teatrmcodneoba vas
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ana dumbaZe - harmonia, rogorc musi
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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