xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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manuCar loria – saqarTvelos SavizRvispireTSi mcxovreb ebraelTa eTnoreligiuri mozaika 81 Manuchar Loria - Ethnographic film modelling in visual anthropology 88 lia kalandariSvili _ kultura rogorc kinoTxrobis simboluri Sre. kidev erTxel `jariskacis mamis~ Sesaxeb 89 Lia Kalandarishvili - Culture as symbolically layer of narration. Once again about ,,The father of a soldier’’ 96 xelovnebaTmcodneoba maia WiWileiSvili _ sxalTis mxatvrobis ideuri gadawyvetis erTi aspeqti (abuserisZe tbelis memkvidreobisa da sxalTis mxatvrobis urTierTmimarTeba) 97 Maia Chichileishvili - One Aspect of the Ideological Resolution of Skhalta Painting (Interrelation between the Legacy of Abuserisdze Tbeli and Skhalta Painting) 107 rati CiburdaniZe _ portretuli saxeebi vaxtang beselias mxatvrobaSi 108 Rati Chiburdanidze - Portraits in Vakhtang Beselia’s Paintings 114 kulturis istoria ermile mesxia _ kulturisa da erovnuli cnobierebis zogierTi sakiTxi 115 Ermile Meskhia - Some problems according to culture and national thinking 125 mamuka jorbenaZe _ globalizacia da erovnuli kulturis zogierTi sakiTxi 127 Mamuka Jorbenadze - Some items about global and national culture 133 musikaTmcodneoba qeTevan gogolaZe _ musikaluri aRqmis TaviseburebisaTvis 134 K. Gogoladze - Towards of musikal perception 144 260
ana dumbaZe - harmonia, rogorc musikalur-gamomsaxvelobiTi saSualeba musikaluri xelovnebis evoluciis procesSi 145 A. Dumbadze - Harmony as a form of expressing the music in the evolution process of the and music 155 xaTuna niniZe - Semoqmedebis Tavisuflebis problema (rixard Strausis) magaliTze 156 K. Ninidze -The problem of creative freedow follou the exampe of creations of Richard Shtrause. 168 saxelovnebo ganaTleba zaza xalvaSi - kinoreJisuris swavlebis koncefcia (sabakalavro doneze) 170 Zaza Khalvashi - Film Production Teaching Conception (Undergraduate, BA Level) 175 literaturuli scenari zaza xalvaSi - M I S E R E R E 176 261
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saqarTvelos ganaTlebisa a da mecnie
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Teatrmcodneoba vasil kiknaZe qarTul
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gudiaSvilma, d. kakabaZem da sxvebm
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aime gansakuTrebuli damsaxureba. am
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yvelaferi unda gavaanalizoT istoriz
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11 laSa CxartiSvili `mefe liris”
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piris Semoqmedeba ,,mudam Tanadroul
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ze, magram maSin (XIX saukunis 60-i
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i’’ sabenefisod araerTxel aurCe
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qarTul sasceno Seqspirianas momaval
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cxi iyo’’ (20; gv. 37). faqtia,
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periodebis politikur-socialur garem
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kinomcodneoba 25 lela oCiauri niSan
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yoveli niSani Tavis srulyofil mniSv
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da maT ekranul, vizualur, araerTgva
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(rac egviptur, Tu aRmosavlur litera
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mxatvrul azrovnebasTan da Tavad iyo
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warmoadgenda da aq ukve, didi xania
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marTla, mTeli gulwrfelobiT aisaxa i
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39 oliko JRenti revoluciis sakiTxis
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kuri). 1907 wlisEwiwamuris tragedia
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vizaciiT iRebda, rac uprecendento S
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ur-anarqiuli epoqis pirmSoa, mis cx
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TlobasTan, Sav-bnel da reaqciul Zal
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mouwodebda muSebs. mTavari gmiris _
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oca sabWoeTSi beladis diqtatura dam
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sofo TavaZe novatoruli Ziebebi 60-i
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els, bunebrivia, erTmaneTisagan gan
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amirejibi, arCil sulakauri, revaz i
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mxriv, cenzurisagan Tavdacvis saSua
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Sofo Tavadze Innovatory Searches in
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,,ukeTesi RonisZieba kargi aRzrdisa
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uneba da adamiani, erTianoba bunebi
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erTferovan cxovrebaSi avis momaswav
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surs, rac SeiZleba meti gaigos adam
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inga xalvaSi kinematografze egziste
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arsebulma mdgomareobam noyieri niad
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iis winaSe, igi Tavs mitovebulad, u
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kurma da socialurma cvlilebebma, ro
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emociaTa am mZlavr nakads da sabolo
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Inga Khalvashi Influence of Existen
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Tobebisa da socialuri struqturis Se
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zungad. gzebi, romliTac es mizani m
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„bavSvuri metoqeoba axal gvineasa
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11. Balikci, 1987 - Balikci A., The
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moebis substratad, mis materiad aqc
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mimavali manqanebis grZel rigs, raT
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daemorCilos akrZalvas, gacdes dadge
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saxiT e.w. `qarTuli kinos fenomenis
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Sua xanebSi, abuserisZeTa sagvareul
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kompoziciis msgavsad esqatologiur S
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taZris dasavleT nawilSi Tavmoyrili
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ideologebi“ da mas, pirvel rigSi,
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11. abuserisZe tbeli, Txzulebani, n
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ati CiburdaniZe portretuli saxeebi
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velobiT enas aq grafikuli sawyisebi
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aRsaniSnavia, rom am nawarmoebSi pe
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Rati Chiburdanidze Portraits in Vak
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ebSi Cvens erovnul kulturasa da cno
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III. qristianuli erovnuli cnobiereb
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da misi ena oTxi aTasi wlis ganmavl
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lurad xazi gausva arian-qarTlisa da
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`ra ar gadagvxdenia Tavs, ra mtrebi
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National thinking forming is a long
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Semotevebs, romelic dRiTidRe kravs
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suri ena msoflios globaluri enaa, e
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sxvadasxva xalxebis, qveynebis TviT
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musikaTmcodneoba qeTevan gogolaZe m
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moqmedebiT procesSi erTvebian da mo
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anobis) aRqmis specifika - geStalti
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1. bavSvis mier musikaze reagireba;
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lur imanentur sivrceSi da miaRwevs
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145
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ana dumbaZe harmonia, rogorc musika
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antikur saberZneTSi harmonia musika
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organumSi ,,aliluia” yuradRebas i
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XVI saukunidan musikaluri xelovnebi
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adgan venis klasikosTa SemoqmedebaS
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A. Dumbadze Harmony as a form of ex
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arsebis kvlav mopovebisaTvis, anu u
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aRiniSnos XX saukunis pirvel naxeva
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SemoqmedisTvis, romlis Semoqmedeba
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pirvel msoflio omamde arsebobda, ma
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li CarxTagania. yovel eWvs gareSea,
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imdenad, ramdenadac floben specifiu
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We are interested in performing fre
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sistema mxatvrul nawarmoebSi mTavar
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montaJi da samsaxiobo Sesruleba - e
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Seicavs yvelafers, rac CamovTvaleT,
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qalaqis sasaflaoze siwynarea. Zveli
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TeTrlabadiani karsukan atuzula da s
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TeTrlabadiani mzeriT acilebs ucnaur
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am xnis manZilze veterani ganuwyvet
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manqanebi WiSkars gaivlian da Mmosa
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- ras akeTeb, Tu ici Sen! - yviris
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- vin mogca Cemi misamarTi - kiTxul
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isini erTxmad dasWeqaven, dasWyivle
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- Cveulebrivi. adamianuri. sikvdili
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
Page 209 and 210: - marTalia, marTalia... - xmas auwe
Page 211 and 212: stumrebi, ra Tqma unda, aRfrTovaneb
Page 213 and 214: cigeli oTaxSi SeiWreba, kars miketa
Page 215 and 216: - kargia. mSvenieria. ise Semawuxa,
Page 217 and 218: - kargi iqneboda! msuqani gogo fanj
Page 219 and 220: manqanis Suqebis anarekli jer erT k
Page 221 and 222: simona labadis sayelos aiwevs da gu
Page 223 and 224: itaceben, rac xelSi moxvdebaT. mere
Page 225 and 226: qali slukunebs, drodadro tkivilisga
Page 227 and 228: wamouqrolebs. rodis iyo xalxs ekiTx
Page 229 and 230: oRond me unda damijero... me!!! sxv
Page 231 and 232: - o, batono simon! ar gelodiT. sad
Page 233 and 234: - nu gikvirs, bore. Tofi yvelgan ar
Page 235 and 236: vels mTel sigrZeze sangrebi gasdevs
Page 237 and 238: - me - Tqven, Tqveni leqsebiT, ara
Page 239 and 240: - gveyofa amdeni cremlebi. amdeni S
Page 241 and 242: - im dRes, TaTbirzec giTxariT da ax
Page 243 and 244: - he, droze axla! - ambobs simonaZe
Page 245 and 246: wels zeviT SiSveli waraTi mxolod ax
Page 247 and 248: - amitomac geubnebiT me Tqven: moka
Page 249 and 250: - diax, asea! - gaubedavad ambobs T
Page 251 and 252: kudusunis ZvalTan mokle da mgZnobia
Page 253 and 254: - moica, qalo! - Riziandeba govardi
Page 255 and 256: ... waraT waZe iaraRs xels SeuSvebs
Page 257 and 258: - didi madloba! simonaZe bers xels
Page 259: sarCevi/Contents Teatrmcodneoba vas
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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