xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

winaaRmdegobaSic pouloben da ase agrZeleben cxovrebas,
maTTvis aucilebel pirobebSi. maTi survili da
mizani erTaderTia-Tavisufleba.
gamoyenebuli literatura
1. gabriel episkoposi ,,cdiseuli fsiqologiis safuZvlebi’’
Tbilisis sasuliero akademiisa da seminariis gamocema
1993 weli
2. vaJa fSavela ,,Txzulebani’’ gamomcemloba ,,sabWoTa saqarTvelo’’
Tbilisi 1986 weli.
3. Tengiz iremaZe ,,fridrix nicSe’’ Tbilisi 2006 weli
gamomcemloba ,,nekeri’’
4. a.gelovani. f. nicSe. ,,sibrZnis simfonia’’ gamomcemloba
,,xelovneba,’’ 1989 weli.
5. nicSe f. ,,ase ityoda zaratustra.’’ gamomcemloba ,,filosofiuri
biblioTeka’’ 1993w. Tb.
6. CiCerini mocarti gamomcemloba ,,ianusi’’ Tbilisi 1994
weli
7. r. yaralaSvili. h. heses Semoqmedebis problemebi. Tbilisi.
8. Малинковская. А. ,,Фортепиано-исполнителской интонирование.’’
Москва. ,,Музыка.’’ 1990.
K. Ninidze
The problem of creative freedow follou the exampe of creations
of Richard Shtrause.
Summary
The central sphere of compositions of Richard Shtraus and rising
aim of interpritation ,,creative power,’’ exit in the individuality of
performer, arrange and direet his development, define his individuality
stile in art.
170