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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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marTla, mTeli gulwrfelobiT aisaxa is, rac qarTveli<br />

kacis bunebis jer kidev SemorCenil Tvisebebs warmoadgenda.<br />

am filmebSi qarTuli xasiaTi, qarTuli buneba,<br />

erovnuli kulturis tradiciebi da Tanamedrove<br />

azrovneba umTavres niSnebad iqca da amiT xelovanma<br />

SesZlo gaekeTbina is, rac, cxovrebis gamarTlebas warmoadgens,<br />

anu man Tavisi azrovnebiT gaamarTla cxovreba.<br />

guram asaTiani ambobs: `nurvin ifiqrebs, marTla gulubryviloni<br />

viyveT an simuxTlisa da veragobisa ara<br />

gvesmodes ra. ramdenic gnebavT, amaze meti ra gvinaxavs,<br />

magram bunebam da Semdeg qristes mcnebam Semwynareblobas<br />

Rrmad gaudga fesvi Cvens sulier samkvidrebelSi.~<br />

es Tvisebebi qarTvelma kacma da Sesabamisad, qar-<br />

Tulma kulturam me-20 saukunis 90-iani wlebis dasawyisamde<br />

SeinarCuna, maTi gaqrobis kvali xelovnebasac<br />

daetyo, es moxda maSin, rodesac rkinis godolTa nacvlad,<br />

xis demonebis mefoba damkvidrda da Cveni samkvidreblidan<br />

samudamod amoZirkva erovnuli xasiaTis ise-<br />

Ti Tviseba, rogoric Semwynareblobaa. Zveli gmirebis<br />

nacvlad axlebi movidnen da axali miTebis SeTxzvis<br />

droc damyarda.<br />

Lela Ochiauri<br />

Sign, Symbol, Myth – Their Structure,<br />

Reasons of Creating and Existing<br />

Summary<br />

Myth and Legend are both narrating historical information. The time<br />

period of Myth is not determinid, while legend is telling us about a<br />

specific, historical person.<br />

Action in the legend takes place at the spesific place and at the<br />

specifical time. Each age creates own myths and heros of the<br />

contemporery myths have to occure in the new realyty, in which the<br />

contemporery creators of myths exist.<br />

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