xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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xelovnebaTmcodneoba maia WiWileiSvili sxalTis mxatvrobis ideuri gadawyvetis erTi aspeqti (abuserisZe tbelis memkvidreobisa da sxalTis mxatvrobis urTierTmimarTeba) urTierTmimarTeba Sua saukuneebSi taZrebis freskebiT Semkoba damkve- Tis - saero Tu saeklesio pirebisa da mxatvarTa amqris TanamSromlobis princips efuZneboda. qtitorTa moTxovnebisa da ideis xorcSesxmis saWiro formebis Zieba ki epoqisa da stilis Sesabamisi ferweruli ansamblis Seqmnas ganapirobebda. sxalTis darbazuli eklesiis mxatvroba ikonografiuli da mxatvrul-stilisturi niSnebiT ukavSirdeba XIV-XV ss.-is mijnis nimuSebs. igi saintereso masalas gvaZlevs saqarTveloSi paleologosTa xelovnebis ganviTarebisa da Taviseburebebis gamosavlenad. istoriuli monacemebis Tanaxmad, sxalTis eklesiis freskebiT Semkoba, iseve rogorc misi ageba XIII s.-is 98
Sua xanebSi, abuserisZeTa sagvareulos warmomadgenlebs ukavSirdeba.Aaqedan gamomdinare ki, bunebrivia, rom qtitorebi sxalTis eklesiis moxatulobis ikonografiul-Teologiuri programis Sedgenisas uTuod gaiTvaliswinebdnen TavianTi didi winapris, XIII s-is moRvawisa da moazrovnis - abuserisZe tbelis Sexedulebebsac. winamdebare naSromSi ganxilulia sxalTis moxatulobis iduri gadawyvetis is aspeqtebi, romleb- Sic abuserisZe tbelis memkvidreobisa da sxalTis mxatvrobis urTierTmimarTebis sakiTxebi vlindeba. cnobilia, rom eklesiis moxatulobis programa garkveuli Teologiuri ideis gamosaxvas emsaxureba. Ziri- Tadi idea mxatvrobis sistemaSi ierarqiuli principiT aqcentirebuli siuJetebis urTierTmonacvleobasa da maT Soris arsebul azrobriv kavSirSi warmoCndeba. darbazuli tipis eklesiebSi gansakuTrebuli mniSvneloba sakurTxevlis moxatulobis programas eniWeba, radgan swored afsidSi Tavsdeba ZiriTadi ideisa da Temebis ganmsazRvreli kompoziciebi. sxalTis sakurTxevlis konqSi gamosaxuli „vedrebaxilva“ („deisusi“) taxtze mjdomare macxovris, RvTismSoblisa da ioane naTlismcemlis mavedrebelTa figurebiT, misteriuli elementebiTa da samgzis samebis locviT xsnisa da meoxebis ideasTan erTad, uflis gamocxadebis, didebisa da meored mosvlis ideas warmoa- Cens (1). esqatologiur motivs aZlierebs afsidis kedlis pirvel registrSi warmodgenili muxlmodrekili angelozTa dasic, romlebic ioane RvTismetyvelis sityvebis Tanaxmad gamoxataven uflis didebas (gamocxadeba 7, 11-12) da gaiazrebian rogorc konqis da, aseve, dasavleT kedelze gamosaxuli „dRe gankiTxvis“ kompoziciis Semadgeneli nawili. afsidis kedelze warmodgenili wamebulTa naxevarfigurebis registriTa da „ziarebis“ sceniT sxalTis sakurTxevlis mxatvrobaSi, aseve, cxaddeba msxverplis Tema, rac xazs usvams xsnis dogmatis gardauvalobasa da mniSvnelobas. 99
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saqarTvelos ganaTlebisa a da mecnie
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Teatrmcodneoba vasil kiknaZe qarTul
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gudiaSvilma, d. kakabaZem da sxvebm
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aime gansakuTrebuli damsaxureba. am
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yvelaferi unda gavaanalizoT istoriz
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11 laSa CxartiSvili `mefe liris”
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piris Semoqmedeba ,,mudam Tanadroul
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ze, magram maSin (XIX saukunis 60-i
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i’’ sabenefisod araerTxel aurCe
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qarTul sasceno Seqspirianas momaval
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cxi iyo’’ (20; gv. 37). faqtia,
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periodebis politikur-socialur garem
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kinomcodneoba 25 lela oCiauri niSan
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yoveli niSani Tavis srulyofil mniSv
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da maT ekranul, vizualur, araerTgva
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(rac egviptur, Tu aRmosavlur litera
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mxatvrul azrovnebasTan da Tavad iyo
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warmoadgenda da aq ukve, didi xania
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marTla, mTeli gulwrfelobiT aisaxa i
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39 oliko JRenti revoluciis sakiTxis
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kuri). 1907 wlisEwiwamuris tragedia
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vizaciiT iRebda, rac uprecendento S
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ur-anarqiuli epoqis pirmSoa, mis cx
Page 47 and 48: TlobasTan, Sav-bnel da reaqciul Zal
Page 49 and 50: mouwodebda muSebs. mTavari gmiris _
Page 51 and 52: oca sabWoeTSi beladis diqtatura dam
Page 53 and 54: sofo TavaZe novatoruli Ziebebi 60-i
Page 55 and 56: els, bunebrivia, erTmaneTisagan gan
Page 57 and 58: amirejibi, arCil sulakauri, revaz i
Page 59 and 60: mxriv, cenzurisagan Tavdacvis saSua
Page 61 and 62: Sofo Tavadze Innovatory Searches in
Page 63 and 64: ,,ukeTesi RonisZieba kargi aRzrdisa
Page 65 and 66: uneba da adamiani, erTianoba bunebi
Page 67 and 68: erTferovan cxovrebaSi avis momaswav
Page 69 and 70: surs, rac SeiZleba meti gaigos adam
Page 71 and 72: inga xalvaSi kinematografze egziste
Page 73 and 74: arsebulma mdgomareobam noyieri niad
Page 75 and 76: iis winaSe, igi Tavs mitovebulad, u
Page 77 and 78: kurma da socialurma cvlilebebma, ro
Page 79 and 80: emociaTa am mZlavr nakads da sabolo
Page 81 and 82: Inga Khalvashi Influence of Existen
Page 83 and 84: Tobebisa da socialuri struqturis Se
Page 85 and 86: zungad. gzebi, romliTac es mizani m
Page 87 and 88: „bavSvuri metoqeoba axal gvineasa
Page 89 and 90: 11. Balikci, 1987 - Balikci A., The
Page 91 and 92: moebis substratad, mis materiad aqc
Page 93 and 94: mimavali manqanebis grZel rigs, raT
Page 95 and 96: daemorCilos akrZalvas, gacdes dadge
Page 97: saxiT e.w. `qarTuli kinos fenomenis
Page 101 and 102: kompoziciis msgavsad esqatologiur S
Page 103 and 104: taZris dasavleT nawilSi Tavmoyrili
Page 105 and 106: ideologebi“ da mas, pirvel rigSi,
Page 107 and 108: 11. abuserisZe tbeli, Txzulebani, n
Page 109 and 110: ati CiburdaniZe portretuli saxeebi
Page 111 and 112: velobiT enas aq grafikuli sawyisebi
Page 113 and 114: aRsaniSnavia, rom am nawarmoebSi pe
Page 115 and 116: Rati Chiburdanidze Portraits in Vak
Page 117 and 118: ebSi Cvens erovnul kulturasa da cno
Page 119 and 120: III. qristianuli erovnuli cnobiereb
Page 121 and 122: da misi ena oTxi aTasi wlis ganmavl
Page 123 and 124: lurad xazi gausva arian-qarTlisa da
Page 125 and 126: `ra ar gadagvxdenia Tavs, ra mtrebi
Page 127 and 128: National thinking forming is a long
Page 129 and 130: Semotevebs, romelic dRiTidRe kravs
Page 131 and 132: suri ena msoflios globaluri enaa, e
Page 133 and 134: sxvadasxva xalxebis, qveynebis TviT
Page 135 and 136: musikaTmcodneoba qeTevan gogolaZe m
Page 137 and 138: moqmedebiT procesSi erTvebian da mo
Page 139 and 140: anobis) aRqmis specifika - geStalti
Page 141 and 142: 1. bavSvis mier musikaze reagireba;
Page 143 and 144: lur imanentur sivrceSi da miaRwevs
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Page 147 and 148: ana dumbaZe harmonia, rogorc musika
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antikur saberZneTSi harmonia musika
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organumSi ,,aliluia” yuradRebas i
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XVI saukunidan musikaluri xelovnebi
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adgan venis klasikosTa SemoqmedebaS
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A. Dumbadze Harmony as a form of ex
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arsebis kvlav mopovebisaTvis, anu u
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aRiniSnos XX saukunis pirvel naxeva
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SemoqmedisTvis, romlis Semoqmedeba
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pirvel msoflio omamde arsebobda, ma
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li CarxTagania. yovel eWvs gareSea,
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imdenad, ramdenadac floben specifiu
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We are interested in performing fre
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sistema mxatvrul nawarmoebSi mTavar
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montaJi da samsaxiobo Sesruleba - e
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Seicavs yvelafers, rac CamovTvaleT,
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qalaqis sasaflaoze siwynarea. Zveli
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TeTrlabadiani karsukan atuzula da s
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TeTrlabadiani mzeriT acilebs ucnaur
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am xnis manZilze veterani ganuwyvet
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manqanebi WiSkars gaivlian da Mmosa
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- ras akeTeb, Tu ici Sen! - yviris
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- vin mogca Cemi misamarTi - kiTxul
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isini erTxmad dasWeqaven, dasWyivle
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- Cveulebrivi. adamianuri. sikvdili
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ore bravia simonaZes uzarmazar sabe
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samwuxarod, misi gamoyeneba mxolod
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- ras eZaxiT Tqven oms - aReldeba s
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- es ra aris, Sen stalingradTan und
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- CamoasxiT! waraT waZe RviniT savs
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- xmas ra uWirs, CurCuliT iyos, ara
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- marTalia, marTalia... - xmas auwe
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stumrebi, ra Tqma unda, aRfrTovaneb
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cigeli oTaxSi SeiWreba, kars miketa
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- kargia. mSvenieria. ise Semawuxa,
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- kargi iqneboda! msuqani gogo fanj
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manqanis Suqebis anarekli jer erT k
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simona labadis sayelos aiwevs da gu
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itaceben, rac xelSi moxvdebaT. mere
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qali slukunebs, drodadro tkivilisga
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wamouqrolebs. rodis iyo xalxs ekiTx
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oRond me unda damijero... me!!! sxv
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- o, batono simon! ar gelodiT. sad
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- nu gikvirs, bore. Tofi yvelgan ar
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vels mTel sigrZeze sangrebi gasdevs
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- me - Tqven, Tqveni leqsebiT, ara
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- gveyofa amdeni cremlebi. amdeni S
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- im dRes, TaTbirzec giTxariT da ax
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- he, droze axla! - ambobs simonaZe
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wels zeviT SiSveli waraTi mxolod ax
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- amitomac geubnebiT me Tqven: moka
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- diax, asea! - gaubedavad ambobs T
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kudusunis ZvalTan mokle da mgZnobia
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- moica, qalo! - Riziandeba govardi
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... waraT waZe iaraRs xels SeuSvebs
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- didi madloba! simonaZe bers xels
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sarCevi/Contents Teatrmcodneoba vas
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ana dumbaZe - harmonia, rogorc musi
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xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

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