xelovnebaTmcodneobiTi etiudebi STUDIES IN ART CRITICISM I

aRiniSnos XX saukunis pirvel naxevarSi Seqmnili a.
Sopenhaueris ,,samyaro, rogorc neba da warmodgena,’’ m.
Stir-neris ,,erTaderTi da misi monapovari,’’ s. kirkegoris
,,an _ an,’’ romlebmac pirdapiri an iribi gavlena
iqonies XX saukunis xelovnebis ideur formirebaze.
farTo gagebiT ,,modernizmi’’ xelovnebaSi axali,
Tanamedrove formebis Ziebas gulisxmobs. am mxriv, modernizmis
niSniT SeiZleba gavaerTianoT iseTi erTmaneTisagan
esTetikurad principulad gansxvavebuli
movlenebi, rogoricaa maleris ,,simRera dedamiwaze,’’ r.
Strausis ,,salome’’ da ,,eleqtra,’’ b. artokis ,,allegro
barbaro,’’ i. stravinskis ,,saRvTo gazafxuli,’’ a.
Sonbergis ,,mTvaris piero,’’ a. skriabinis ,,eqstazis
poema,’’ a. matisis, p. pikasos, p. mondrianis, v. kandinskis
ferwera, b. brextis Teatri da sxva. maTi SemoqmedebiTi
meTodi absoluturad gansxvavdeba winamorbedi epoqis
esTetikuri idealebisagan: maT uari Tqves sinamdvilis
realistur asaxvaze da sakuTari individualuri xerxebis
gamomuSaveba daiwyes. iswrafvodnen axalisken da
eZebdnen mas ara bunebaSi, ara sazogadoebaSi, ara adamianSi,
aramed ganyenebuli formis SemoqmedebiT sferoSi.
maTi Ziebebi umTavresad intuiciuri iyo, Tumca
xSirad iyo deklarirebuli sxvadasxvagvar manifesteb-
Si da TiTqos Sopenhaueris da bergsonis Teoriebis
praqtikul ilustracias warmoadgenda.
meoce saukunis dasawyisis musikalur xelovnebas
gamomsaxvelobiTi saSualebebis krizisis SegrZneba
axasiaTebs. modernizmis dabadeba musikaSi dakavSirebulia
warsulis Segnebul gaTiSvasTan. XX saukunis
pirvel meoTxedSi axali Taobis kompozitorebma uaryves
Zvel, romantikul epoqaSi gabatonebuli kanonebi.
maT Soris iyo franguli ,,eqvseuli’’: bartoki, stravinski,
hindemiti, venis axali skola, garkveulwilad r.
Strausi da sxva. maTi Ziebebi axali enis da struqturis
sferoSi imis dasturia, rom musikis tradiciulma
gamomsaxvelma saSualebebma amowura Tavisi Tavi da
musikaluri xelovneba radikalur gardaqmnebs saWi-
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