Campus Magazin Filmakademie Baden-Württemberg 22/23
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ANIMATIONSINSTITUT GRUSSWORT<br />
WHERE IS YOUR SOUL?<br />
Anima (lat./ female: the spirit, the soul, the ghost)<br />
So, what is the spirit? What is the soul? Who is the ghost? As Animationsinstitut<br />
includes the word «anima» in its name, we should elaborate on<br />
these questions.<br />
And this can be tricky. Because it is easy to answer the question «Where is your<br />
nose?», but it is not so easy to answer the question «Where is your soul?». When we are<br />
talking about the spirit, the soul and the ghost, we are heading towards the invisible world.<br />
To craft this invisible world was and is the main task and the main duty for the students<br />
at the institute, I think.<br />
To address the complex issues related to the invisible world to the students, three terms<br />
have always been important to me: Relevance, intensity and originality.<br />
What is relevant? Everything we feel something for. That seems to be the most important<br />
thing: To be able to feel something. To be ready to share these feelings. We have to be able<br />
to cry, otherwise we won’t be able to make our audiences<br />
cry. And only if we are able to cry, we will be able to laugh,<br />
so we can make our audiences laugh. Most of all, we have<br />
to force ourselves to think in order to prepare the ground<br />
for our audiences to continue the thinking.<br />
What is intense? To be involved. Not to get bored. So, how<br />
can we take this chunk of coal and press it in a way it turns<br />
out to be a diamond? A lasting diamond. This has to be discussed<br />
individually, as ideas are individual, but here are a<br />
few simple guidelines: Keep it as short as possible. Don’t<br />
forget the sound. Leave space for the audiences. And learn<br />
to craft the silence.<br />
What is original? Basically everything that evokes an<br />
«Ooooh!» or an «Aaaaah!» How can we achieve this? First<br />
of all: Don’t bullshit yourself. Second: Don’t bullshit the audience.<br />
Third: Try to be specific. What makes your world,<br />
your spirits, your souls and your ghosts different from all<br />
the others? That is perhaps the most difficult task.<br />
Writing down these words is easy. Being devoted to them is tough. That is why the one<br />
sentence that stands above all the madness of creating animated projects, is: The person is<br />
more important than the project. We should never forget this.<br />
Prof. Andreas Hykade is the Head of the study specialization Animation Directing at the <strong>Filmakademie</strong><br />
<strong>Baden</strong>-Wuerttemberg's Animationsinstitut. The text is taken from the book 20 YEARS – 20 PROJECTS that was<br />
published on the occasion of the instutute´s 20 th birthday. Further information on the anniversary publication and<br />
celebrations are available on the following pages and on: www.animationsinstitut.de/20y20p.<br />
Prof. Andreas Hykade ist Leiter der Studienvertiefung Animation Directing des Animationsinstituts der<br />
<strong>Filmakademie</strong> <strong>Baden</strong>-<strong>Württemberg</strong>. Der Text stammt aus dem Buch 20 YEARS – 20 PROJECTS, das zum 20.<br />
Jubiläum der Gründung des Instituts erschienen ist. Weitere Information zu Festschrift und Jubiläum gibt es auf den<br />
folgenden Seiten sowie auf www.animationsinstitut.de/20y20p.<br />
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