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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Street Artists in Europe<br />

Michel Simonot lists the specific characteristics identified by the street artists that the working<br />

group on street arts spoke to. The list is as follows 105 :<br />

‘- the street is first and foremost a spirit, and only then a place or a space:<br />

- we are, above all, not in “conventional” settings;<br />

- our work is interdisciplinary, a mixture of styles;<br />

- there are special acting techniques;<br />

- we experiment, we do not follow the rules;<br />

- we are free, we have no institutional constraints;<br />

- in our shows, we look at everyday life in an imaginative way;<br />

- unlike stage performers, we have direct contact with the public;<br />

- performances are inspired by the relationship with the audience, we work directly with them;<br />

- our relationship is with a crowd, passers-by, in other words a non-selected, non-elitist<br />

audience;<br />

- the whole population is our audience, since we are in their midst;<br />

- our productions are designed to be adaptable to different situations (venues, commissions,<br />

etc.);<br />

- solidarity is a fundamental value, both in life and in the troupe, and between troupes;<br />

- with us, there is no separation, no hierarchy of roles: acting, building, setting up and taking<br />

down …;<br />

- we are directly involved with the materials, the production;<br />

- and also with the weather, the climate, street life;<br />

- we travel from place to place, we are not confined’.<br />

Just by bursting on to the scene, street artists transform any venue into a performance space.<br />

Actors suddenly appear and, by drawing a virtual circle, establish a performance space. A<br />

distance is created between actors and passers-by, who thus become spectators. That is the<br />

strength of street arts: the distance creates a parallel world that we know claims to be real.<br />

5. Artistic techniques<br />

Here we shall continue to investigate certain fields of research in order to define artistic forms of<br />

street arts in more detail. The aim will be to describe the modes of expression, and the diversity<br />

of this field, by attempting to classify the art forms.<br />

105 Simonot, M.,’L’art de la rue: scène urbaine, scène commune’, op. cit.<br />

88<br />

PE 375.307

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