23.02.2013 Views

STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Street Artists in Europe<br />

very little of that has gone to street arts. There is no specific aid for touring abroad in that sector,<br />

although applications for aid may be made when the Ministry announces funding proposals.<br />

4. Conclusion<br />

Although the findings of this survey are rather summary in relation to the mindsets that do or do<br />

not promote State recognition of street arts, we can nevertheless posit that the inclusion of street<br />

arts in cultural policy forms part of the new Culture/State relationship that is now emerging<br />

throughout Europe.<br />

France, Belgium, the United Kingdom, Spain and Slovenia, which all recognise the artistic<br />

value of street arts, are developing an official policy of support in reaction to a well-established<br />

grassroots dynamism, although very often also in the face of an economic crisis in the sector.<br />

Ireland is a remarkable case here, because the situation is the reverse. Whilst the sector is poorly<br />

developed, despite the survival of a strong tradition of urban parades, the state, acting through<br />

the Arts Council, has chosen to create more favourable conditions for the work of street artists.<br />

At the same time, local authorities are playing a greater cultural role thanks in part to the<br />

political recognition of street arts. Most European countries no longer doubt the importance of<br />

local and, in particular, municipal authorities as the main sources of funding for culture. Their<br />

cultural role is also strengthened by the trend towards decentralisation (which accentuates the<br />

role of federal bodies or regionalisation) that is found right across Europe.<br />

Lastly, we must emphasise the link between the street artists’ artistic approach – occupying new<br />

creative spaces, which are often urban, developing new forms of artistic expression and<br />

performance, and renewing the relationship with the audience – and the new concerns of the<br />

towns, which are responding to the growing phenomenon of ghettoïsation, or deciding to<br />

include cultural programmes in their strategy to attract tourism or to inject a new dynamism into<br />

the local economy.<br />

144<br />

PE 375.307

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!