STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

Street Artists in Europe
Annex 2 – Section H: Means of Diffusion 249
1. The Context in which Street Arts are being presented 249
1.1. Dedicated Street Arts festivals 249
1.2. Annual programme of Street Arts 250
1.3. Festival Promoters 250
1.4. Funding for street arts across Europe 250
1.5. Income from festivals 252
2. Difficulties and Limitations at Festivals 253
2.1. Crowds 253
2.2. Public Space 253
2.3. Finance 253
2.4. Security 253
3. International touring 254
3.1. What Proportion of the Programme is made up from International acts? 254
3.2. Artists Working Abroad 255
3.3. Showcase/Marketplace Festivals 255
3.4. Funding for Artists to go Abroad 255
4. Challenges concerned with international touring 256
4.1. Lack of information and knowledge 256
4.2. The High Costs of Transport between countries 257
4.3. Language problems 257
4.4. Taxes 257
4.5. Health and Safety Legislation 258
5. Knowledge of the national and international field 258
6. What is the size and scale of festivals in Europe 260
6.1. The market Place / Showcase 260
6.2. Numerical Findings on Festival composition 261
6.3. Number of outdoor companies per edition 261
6.4. Range of Costs for Different Scales of Work 262
6.5. Art forms programmed 262
6.6. Proportions of costs Paid for by Promoters 262
7. Global recommendations 263
Annex 2 – Section I: Mobility of Street Artists and Cooperation in the European
Union 265
Introduction 265
1. Main problems encountered when working internationally 268
1.1. Financial issues 266
1.2. Administrative issues 269
1.3. Mindset issues 271
2. Focus on mobility 272
2.1. The importance of mobility 272
2.2. Obstacles to mobility 273
2.3. Ways to support mobility 275
3. Focus on cooperation 275
3.1. The importance of cooperation 275
3.2. Obstacles to co-operation 276
3.3. Ways to support co-operation 276
4. Differences among countries 277
4.1. Institutional support 278
xvii
PE 375.307