STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

Street Artists in Europe
6.5. Specific actions 51
6.6. Conclusions and problems raised 52
Chapter 7: Conclusions and recommendations 55
7.1. General conclusions 55
7.2. Recognition of the street arts sector on the European scale 56
7.3. Structuring and development 57
7.4. Participation of street arts in European objectives to be valorised 58
Bibliography 61
Annex 1: Methodological approach 69
1.1. The Main Evaluation Questions 69
1.2. Research Methodology 70
1.3. Documents and techniques used in data collection 72
1.4. Strenghts and weaknesses of the methodological approach 77
1.5. Range of data 78
1.6. Evaluative card 80
Annex 2 – Section A: The aesthetics of street arts in Europe 81
1. The roots of street arts 81
2. Framework 82
2.1. Definitions 82
2.2. A dominant form 83
2.3. An alternative approach 84
3. Ethics and aesthetics 85
3.1. An ethic of social issues 85
3.2. An aesthetic that transforms 86
4. Specific forms of writing 87
5. Artistic techniques 88
5.1. Interdisciplinary nature 88
5.2. Artistic typology 89
5.3. Breakdown of disciplines 93
6. Conclusion 99
Annex 2 – Section B: What is a street artist in Europe? 101
1. Background 101
2. Framework 102
2.1. Working conditions of artists 102
2.2. Roles of the State and the market economy 102
2.3. The status of artists 103
2.4. Contracts 104
2.5. Employment status and legal certainty 104
3. Artistic teams 105
3.1. Motivation 105
3.2. Artists in their time 106
3.3. Four categories of artists 108
4. Instruments 109
4.1. Official recognition 109
4.2. Relationship with elected representatives 109
xiv
PE 375.307