STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo
STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo
STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo
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Street Artists in Europe<br />
‘The temptations of technology therefore have to be qualified. Many of the shows are still fairly<br />
physical, with live performers. Cie Off, Ilotopie and Générik Vapeur remind us that real human<br />
beings are there with their instruments. There are always living statues at tourist sites in capital<br />
cities. Live performance will always have its place, even though artificial techniques are<br />
becoming more common.’ 108<br />
5.3. Breakdown of disciplines<br />
Analysis of the table of figures from the HorsLesMurs European database, January 2002 to<br />
January 2007.<br />
5.3.1. Overall figures<br />
Of 8 772 shows in the survey, 80% did not mention one main discipline. Street arts shows are<br />
largely multidisciplinary.<br />
The most common discipline was still street theatre, with 3 382 shows. After that were circus<br />
arts with 1 681 shows, then music with 1 303. The figure for urban plastic arts was 727 shows,<br />
and for puppets and object theatre 452. That was followed by dance, with 364 shows, town<br />
parades with 360, and pyrotechnics with 242. Although they were often mentioned because of<br />
their impressiveness, the figure for giant structures was 160.<br />
Apart from that distinction, of the 20% of shows with a main discipline, theatre was first, with<br />
842 shows (9.6%), followed by street music with 235 (2.68%) and circus acts with 218 (2.49%).<br />
There were 143 puppet and object theatre shows (1.63 %), very close to the figure for street<br />
dance, which was 116 (1.32 %). Other categories were urban visual arts with 74 shows, parades<br />
with 57, pyrotechnics with 40, and magic with 12. For giant structures, a less common but<br />
impressive form, the figure was 8 shows, whilst for street opera, a tiny but still significant<br />
category, there were 2 shows.<br />
5.3.2. Refined data<br />
To refine this initial approach it is necessary to consider which disciplines are involved in the<br />
shows within each category and to what extent the performers saw those specific disciplines as<br />
the primary artistic source for their shows.<br />
5.3.2.1. Theatre: the main discipline in 842 out of 3 382 shows<br />
Street theatre (text) was at the top with 1 072 shows, in 403 of which it was the main discipline.<br />
Many of the artists were clowns, with 490 shows, in 91 of which that was the main discipline,<br />
followed by gestural theatre with 476 shows, in 76 of which that was the main discipline.<br />
Musical theatre was significant with 371 shows, in 68 of which that was the main discipline,<br />
whilst theatre in general accounted for 228 shows, in 55 of which that was the main discipline.<br />
Many companies work in mime (193 shows, in 16 of which it was the main discipline),<br />
travelling theatre (178 shows, in 56 of which that was the main discipline) and storytelling (153<br />
shows, 38 of which that was the main discipline).<br />
108 Songy, Jean-Marie, in ‘Théâtre de rue, un théâtre de l’échange’, Etudes Théâtrales, 2007.<br />
93<br />
PE 375.307