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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Street Artists in Europe<br />

‘Festivals tend to be rather exposed in the media, closely watched by the professionals,<br />

attractive to the sponsors and funded by the public authorities for reasons that do not always<br />

have much to do with arts and culture’ 335 .<br />

2.2.2. Local presence: relations with local inhabitants<br />

Festivals may sometimes have a real impact on local development. Their influence, whether<br />

regional, national or even international, brings many benefits to the local area. Pride in the fame<br />

of a festival can foster social cohesion and there is no longer any shadow of a doubt that<br />

festivals play a dynamic economic role. By attracting outside visitors, they boost consumption<br />

and may even go so far as to create jobs (albeit temporary ones). Under those circumstances, it<br />

is easy to see why many local councillors and authorities are keen on festivals (especially if they<br />

take place in public spaces).<br />

Apart from their local impact, festivals also have some influence on the type of audience they<br />

reach. Street arts festivals in particular can play a role in urban development policy. As a result<br />

of their siting in a town, they may shift the urban centre of gravity and draw the attention of<br />

locals and visitors to forgotten or abandoned areas. They inspire a new perception of the town<br />

and change its flow during the festival period and perhaps even in the longer term. The question<br />

of the site of the festival, ‘where?’, almost systematically leads to the more crucial question of<br />

the nature of the audiences, ‘who?’.The location of a festival within the urban fabric largely<br />

determines public participation and the target audience. So it is more a question of knowing<br />

what audience to try to reach than of how many people to tempt into the streets. As their<br />

attendance figures make it clear, street arts festivals that offer free events in public spaces are<br />

particularly successful. From the St Patrick’s Day festival in Ireland to the Detmold<br />

Internationales Strassentheater Festival in Bonn (Germany), hundreds of millions of spectators<br />

crowd into the streets.<br />

The local presence of a festival and its relations with the local population are also a major factor<br />

in its longevity. The need to engage with local inhabitants becomes more acute if a festival has<br />

international aspirations. It must foster relations with the local population whilst at the same<br />

time seeking the legitimacy it needs in order to be recognised as an international festival. In so<br />

doing, large festivals can become factors of local development whilst also forming part of the<br />

European artistic landscape they are helping to construct. Several Anglo-Saxon studies lay great<br />

emphasis on the need to establish a link between the festival and the local population, who are<br />

entitled to be the main spectators. In Brighton 336 (UK) measures that involve the local<br />

inhabitants in the festival (Children’s Parade, Carnival Encounter, etc.) play an important role in<br />

engaging with the community. In Ireland 337 the many festivals offering events that are mostly<br />

free are characterised by having both a national presence, with spectators coming from all over<br />

the country, and a strong local economic and social impact. A study 338 conducted by De<br />

Montfort University in Leicester on the economic and social impact of cultural festivals in the<br />

East Midlands emphasises that nearly 70% of people questioned said they were more inclined to<br />

attend other events in future. Festivals therefore produce a number of benefits for the local<br />

population (economic and social impact and effect on cultural practices).<br />

335 Ibid.<br />

336 Sussex Marketing, Brighton Festival 2004, Everyone benefits… A study on the economic and cultural impact of<br />

Brighton Festival upon Brighton and Hove, September 2004.<br />

337 AOIFE , Irish festivals, Irish life. Celebrating the wealth of Ireland’s festivals, an AOIFE (Association of Irish<br />

Festival Performances) report researched and written by Fiona Goh Consulting (www.aoifeonline.com).<br />

338 De Montfort University, Festivals and the creative region. The economic and social benefits of cultural festivals<br />

in the East Midlands, Key findings from a study by De Montfort University, Leicester.<br />

209<br />

PE 375.307

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