STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Table 6 - Cooperations and partnerships 193 Street Artists in Europe COOPERATIONS / PARTNERSHIPS ORGANIZATION 2r2c, la coopérative COUNTRY state- municipal level local institutions non-profit international inhabitants de rue et de cirque Festival internacional de France 0 0 1 1 0 1 artes de rua Parc et Grande Halle Portugal 1 0 1 1 0 1 de la Villette Cest is D'Best France 0 0 1 1 1 1 Festival New Latvian Croatia 1 1 1 1 1 1 Theatre Institute Latvia 0 0 0 1 0 0 Sziget Hungary 0 1 0 1 1 0 Manchester United Intermational Arts Kingdom 0 0 1 1 1 1 Dominique Aussage Teatro Municipal de France 1 1 1 0 0 0 Faro Theatre en vol, Portugal 1 0 1 0 0 0 societa cooperativa Italy 1 0 0 0 1 1 ASBL Blizz'ArtS Belgium 1 0 1 1 0 0 Festival of Fools La Fédération des Ireland 0 1 0 0 0 0 arts de la rue Ute Classen France 1 0 1 0 0 0 Kulturmanagement Germany United 1 1 1 1 1 1 Bash Street Theatre Kingdom 0 0 0 0 0 0 Bath FR<strong>IN</strong>GE / United Streats Ltd. Ass. Teatro Nacional Kingdom 1 0 0 0 0 1 de Rua Gruppo Percussioni Portugal 1 0 1 0 0 1 Dadadang Thatre Association Italy 1 0 1 0 0 0 A PART NASA Association Poland 0 0 0 1 0 1 of Street Artists Scotland X X X X X X MALTA Poland 1 0 1 0 0 0 Arts Council Ireland X X X X X X TOTAL 12 5 13 10 6 10 The question related to partnerships and cooperation only registered the partnerships that have been bound for other reasons than the direct financing of the event 313 . The picture drawn by the answers can be considered as quite positive. One may observe that street art events are in general very open for other partners, even in case of cooperation that are not related to financing. This openness, underlining the flexible and social character of these events, correlated with one of the initial hypotheses of the present research. 313 The present study did not contain any questions about the financing of the street art events, as this topic has been dealt with in other parts of the research project. PE 375.307
Street Artists in Europe The majority of partnerships have been established with different local institutions and associations as well as with other non-profit associations. Sometimes as a result of the differences of terminologies in the diverse countries, these two types of partnerships can overlap one the other. Partnerships with the local municipality and with the inhabitants (or their special associations) are still very prevalent. The relatively weak performance of relationships with state-level and international organisations show that street art events have more interests in local, social cooperation and have in general less influence on a the national or international level. Another question interested about the special relationship between street art events and the local municipality. It intended to reveal whether artists and organisers can count on any specific support from the latter. In the majority of cases, municipalities do give free technical support for street art events: light, sound system, etc. It also helps to obtain in an easier and quicker way the permits needed from other authorities and particularly the police prefecture. There are however exceptions of this positive engagement of municipalities. In Germany, municipality only supports the street art event if it is financed by public founds. If it is a private event, it has to pay for all technical services. In the United Kingdom, local municipalities give no help to street art events. As the art director of Manchester International Arts mentioned: ‘You have to pay in Manchester!’ Most typically in East-Central Europe, street art events are often in conflict situation with local municipalities. The case of the New Theatre Institute of Latvia has already been quoted. Sziget festival in Budapest also had to face similar problems with the conservative-led local municipality that wanted to prohibit the festival giving place to events initiated by the gay communities. As already mentioned above, in this part of Europe street art events are still often treated as dangerous for public security and public order… 4. Impacts of street arts on the city The third group of questions invited interviewees to evaluate the most important effects played by their spectacle or event on the city. Four main topics were determined: spatial, social, cultural-organisational and economic effects. Within all groups several sub-types have been proposed. After all queries concerning the different effects, a special question has been added in order to know whether those had been identified as primary, direct influences, figuring between the objectives of the event, or if they were just secondary, complementary ones. 4.1. Spatial effects The main difficulty of this series of questions was that although the following terms of urban development are used in everyday language, their exact meaning is not always clear for someone who is not specialised in the subject. Therefore when analysing the answers, we carefully read the short texts (if there were any), written by the interviewees, and decided according to our knowledge to which group of spatial effect these could be integrated. In this way we obtained a maybe more subjective but hopefully more correct result. Spatial effect is between the main objectives of almost one third of the events (table 7). ‘Creation of public spaces’ signifies in this context if the event contributes to the creation or the changing of functions in a part of an area by creating a new public space, labelled by the event. For instance, the occupation and the use for new purposes of an industrial building can be mentioned in this group. 194 PE 375.307
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Policy Department Structural and Co
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This study was requested by the Eur
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Content Executive Summary iii Stree
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Street Artists in Europe recognize
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Street Artists in Europe This secto
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• Favouring the professionalisati
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Street Artists in Europe the social
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Table of Contents xiii Street Artis
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Street Artists in Europe 4.3. Train
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Street Artists in Europe Annex 2 -
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INTRODUCTION 1 Street Artists in Eu
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1.1. Background CHAPTER 1: WHAT ARE
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1.3.1. An ethic linked to the uses
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Street Artists in Europe • The he
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2.1. Background CHAPTER 2: WHAT IS
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Street Artists in Europe number inc
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2.4. Tools 2.4.1. Mobility 13 Stree
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2.4.2.3 Language and communication
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17 Street Artists in Europe perform
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Street Artists in Europe CHAPTER 3:
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Street Artists in Europe Street art
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Street Artists in Europe activities
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Street Artists in Europe The first
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4.1. Background CHAPTER 4: STREET A
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Street Artists in Europe culture wa
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Street Artists in Europe frequent r
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33 Street Artists in Europe the sus
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5.1. Background CHAPTER 5: STREET A
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Street Artists in Europe usually di
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5.3.3. Mixed audience 5.3.3.1. Stre
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Street Artists in Europe the viewpo
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6.1. Background 43 Street Artists i
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Street Artists in Europe local fest
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• Small scale (audience of up to
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6.4.3. Budgets 49 Street Artists in
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Street Artists in Europe companies
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Street Artists in Europe badly unde
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Street Artists in Europe CHAPTER 7:
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Street Artists in Europe support fo
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Street Artists in Europe law, cover
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Books BIBLIOGRAPHY 61 Street Artist
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Articles and special issues 63 Stre
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Street Artists in Europe Goh, F., I
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Street Artists in Europe www.straat
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ANNEX 1: METHODOLOGICAL APPROACH 1.
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Street Artists in Europe • Establ
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Street Artists in Europe • The in
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1.3.3. Institutional and intellectu
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Street Artists in Europe promoters
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Total of 119 filled questionnaires
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ANNEX 2 - SECTION A: THE AESTHETICS
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Street Artists in Europe public spa
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Street Artists in Europe performanc
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Street Artists in Europe And that i
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5.1. Interdisciplinary nature 89 St
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The heritage of fairground theatre
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Street Artists in Europe ‘The tem
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Street Artists in Europe 5.3.2.5. T
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Statistics of disciplines used in s
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Mime 193 16 8.29 99 Street Artists
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ANNEX 2 - SECTION B: WHAT IS A STRE
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Street Artists in Europe interferen
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Street Artists in Europe into accou
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Street Artists in Europe • democr
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Street Artists in Europe described
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Street Artists in Europe • person
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Street Artists in Europe Isabelle D
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ANNEX 2 - SECTION C: POLITICAL AND
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Street Artists in Europe policies i
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Street Artists in Europe Any study
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Street Artists in Europe increase,
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Street Artists in Europe profession
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Street Artists in Europe sought to
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Street Artists in Europe The region
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Street Artists in Europe Irish Arts
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Street Artists in Europe produced i
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Street Artists in Europe Since then
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135 Street Artists in Europe • fo
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Street Artists in Europe with inter
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technical support and promoting com
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Street Artists in Europe contributi
Page 164 and 165: 3.2.6. Croatia 143 Street Artists i
Page 166 and 167: Street Artists in Europe ANNEX 2 -
Page 168 and 169: Street Artists in Europe Christiani
Page 170 and 171: Street Artists in Europe Protestant
Page 172 and 173: Street Artists in Europe 44) who mo
Page 174 and 175: 153 Street Artists in Europe Munich
Page 176 and 177: Street Artists in Europe 5. Contemp
Page 178 and 179: Street Artists in Europe The street
Page 180 and 181: Street Artists in Europe Hopking in
Page 182 and 183: Street/fringe theatre in Europe aga
Page 184 and 185: Street Artists in Europe Daska, Sis
Page 186 and 187: Street Artists in Europe or in some
Page 188 and 189: Street Artists in Europe unique pro
Page 190 and 191: Poland 169 Street Artists in Europe
Page 192 and 193: Street Artists in Europe audience.
Page 194 and 195: ANNEX 2 - SECTION E: STREET ARTS AN
Page 196 and 197: Street Artists in Europe Gathering
Page 198 and 199: Street Artists in Europe long term
Page 200 and 201: Street Artists in Europe developmen
Page 202 and 203: Street Artists in Europe between th
Page 204 and 205: Street Artists in Europe long proce
Page 206 and 207: Street Artists in Europe Permission
Page 208 and 209: 187 Street Artists in Europe they o
Page 210 and 211: 3.2.1. The type of location Table 3
Page 212 and 213: 191 Street Artists in Europe An una
Page 216 and 217: 195 Street Artists in Europe ‘Reg
Page 218 and 219: Street Artists in Europe where the
Page 220 and 221: 4.4. Economic effects Table 10 - Ec
Page 222 and 223: Table 12 - Sustainability in the ci
Page 224 and 225: 6. Conclusion 203 Street Artists in
Page 226 and 227: ANNEX 2 - SECTION F: STREET ARTS AU
Page 228 and 229: 207 Street Artists in Europe now kn
Page 230 and 231: Street Artists in Europe ‘Festiva
Page 232 and 233: 3.1. Impact of occupying the public
Page 234 and 235: Street Artists in Europe for friend
Page 236 and 237: Street Artists in Europe As we have
Page 238 and 239: Street Artists in Europe However, i
Page 240 and 241: Street Artists in Europe who say th
Page 242 and 243: 4.1.2. Duration of presence and loc
Page 244 and 245: Street Artists in Europe discover p
Page 246 and 247: ANNEX 2 - SECTION G: STREET ARTS IN
Page 248 and 249: Street Artists in Europe (c) new pe
Page 250 and 251: Street Artists in Europe Aurillac a
Page 252 and 253: 3. The funding opportunities availa
Page 254 and 255: Street Artists in Europe ‘Ireland
Page 256 and 257: Street Artists in Europe These netw
Page 258 and 259: ‘….And also there free lance me
Page 260 and 261: Street Artists in Europe ways to fo
Page 262 and 263: Street Artists in Europe Creation c
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Street Artists in Europe culture an
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6.1. Language problems These do app
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7.2. Communications and networks 24
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ANNEX 2 - SECTION H: STREET ARTS IN
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Street Artists in Europe respondent
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2. Difficulties and limitations at
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Street Artists in Europe Artists fr
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Street Artists in Europe "… lack
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Street Artists in Europe informatio
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Street Artists in Europe festival u
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Street Artists in Europe Respondent
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Street Artists in Europe ANNEX 2 -
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1.1.2. Alternatives to public funds
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In fact, researches recommend to fo
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Street Artists in Europe health pro
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Street Artists in Europe accelerate
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Street Artists in Europe “Western
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Street Artists in Europe easier to
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Street Artists in Europe In France,
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Street Artists in Europe important
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Street Artists in Europe Of course,
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285 Street Artists in Europe Synthe
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Street Artists in Europe Synthesis
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ANNEX 2 - SECTION J: STREET ARTS IN
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Street Artists in Europe This space
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Street Artists in Europe to express
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Street Artists in Europe Store” 4
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Street Artists in Europe anticommun
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299 Street Artists in Europe democr
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Street Artists in Europe rules of t
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Street Artists in Europe This diffe
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Street Artists in Europe Out of the
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Street Artists in Europe only rebel
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Street Artists in Europe example, t
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