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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Street Artists in Europe<br />

festival usually organises certain things to make the experience useful and productive for<br />

programmers:<br />

(a)there is likely to be detailed information on all the companies performing, including contact<br />

information - some festivals have a book.<br />

(b)the programme is carefully composed so that all (or nearly all) shows can be seen over the<br />

festival period.<br />

(c)festival staff are available to help programmers find their way, meet other programmers and<br />

artists and make the most of the festival.<br />

(d)sometimes programmers have access to the artists rest space, so communication can result<br />

there.<br />

(e)a few festivals get financial aid to enable programmers (usually only international ) to have<br />

free accommodation.<br />

(f) there may be talks, discussions and proposals from companies with ‘work in progress’ or<br />

plans for new shows that they would like to find commissioning partners.<br />

Showcase festivals are extremely useful ways of finding work. Programmers are well advised to<br />

see work ‘live’ as well as guessing what it is like from publicity. The Cultural Industry<br />

Departments /Cultural Offices of Chambers of Commerce in towns across Europe could play an<br />

active role in encouraging the opportunities afforded by such market places. In addition, the<br />

British Council has been known to pay travel costs for programmers coming from other<br />

countries to see British work, more cultural institutes may start to do this too.<br />

6.2. Numerical Findings on Festival composition (60 festivals mainland Europe, not UK)<br />

Festivals’ annual budget for street arts: this ranged enormously from:<br />

Over 1 million Euros 6 only 1 Holland, 1 Belgium, 1 Denmark*, 1 Spain, 2 France.<br />

500 000 - 1 million 2 only Belgium, France.<br />

100 000 - 499 999 20 mostly Belgium, Holland, France.<br />

50 000 - 99 999 19 across Europe.<br />

under 50, 000 14 included all Swiss and Italian festivals.<br />

No answer 12<br />

*I think this includes indoor programming<br />

6.3. Number of outdoor companies per edition<br />

A huge variation, depending on whether festivals ‘bought’ existing shows or ‘commissioned’<br />

new site specific work<br />

Budgets of Number of Outdoor Companies Programmed<br />

Over 1 million 235, 20, 4-6 (where festival has only a small % of outdoor work).<br />

500 000 - 1 million 20.<br />

100 000 - 500 00010 - 60, with the majority 20 - 40.<br />

50 000 - 100 000 10 - 30, most 15 - 20.<br />

under 50 000 10 - 30, most 20 - 25.<br />

261<br />

PE 375.307

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