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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Street Artists in Europe<br />

Hopking in ‘Mapping the Placeless Place: Pedestrian Performance in the Urban Spaces of Los<br />

Angeles’ 284 . Street theatre caries its stage along as well.<br />

In the post modern and globalized world the street theatre might best create, reflect and share the<br />

new European identity and, at the same time can keep the national culture idioms and traditional<br />

elements in it. The street theatre language, mode and practices, for centuries approved, have<br />

ambitions to be all in one, the paramount art, the commonly understandable background culture,<br />

creative attitude and education for the widest social spectrum with open and promising chances<br />

for the European future. The “two Angels” are always present tightening the string between<br />

creativity and criticism. That’s why the street theatre remains dynamic and can initiate, shape<br />

and heal new community, social, national and political conflicts and European processes. Street<br />

arts help to create, maintain and participate in the European citizenship and this heritage is rich,<br />

diverse and need to be valorized and protected. That is why it should be supported in the interest<br />

of each individual, each family, community, institutions, each EU country and the European<br />

Union as the whole.<br />

284 Hopkins, D.J., Mapping the Placeless Place: Pedestrian Performance in the Urban Spaces of Los Angeles,<br />

Modern Drama, Summer 2003, Vol. 46, Issue 2, p. 261-284.<br />

159<br />

PE 375.307

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