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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Street Artists in Europe<br />

Of course, the idea behind a network is not the naïf concept of having some partners from<br />

different countries: to ensure a good work the members must share ideas, projects and dreams,<br />

so as to be able to work all together for the same aims.<br />

6. Keywords and key-sentences<br />

It is possible to resume the main outcomes of the research through four keywords and keysentences:<br />

1. Recognition.<br />

2. Networking.<br />

3. Communication and confrontation.<br />

4. One Europe, one law.<br />

The lack of recognition of the cultural value of street arts has been focused as the core problem,<br />

from which all the practical obstacle listed derive. A change in the institutional mindset is<br />

required by the professionals, who try to foster it through lobbying – not an easy action.<br />

Networking is the tool to gain a truly international dimension: it is a way to bypass obstacles,<br />

such as the lack of funding or the lack of production centres in some countries, and a way to<br />

keep one’s mind open, to foster the debate, to support mobility, to promote creativity and coproductions.<br />

Communication and confrontation are the key to work internationally, and require also some<br />

non-artistic skills to professionals.<br />

Finally, some of the practical problems encountered when working internationally could be<br />

solved by adapting common guide-lines and by harmonizing the situation within the EU, though<br />

saving the traditional differences among countries.<br />

7. Recommendations<br />

What the street art professionals contacted ask the EU concerns two main aspects: recognition of<br />

the artistic value of street arts, and a European regulation concerning taxation and safety rules.<br />

7.1. Recognition<br />

Fostering the recognition of the cultural and social value of street arts, at a Communitarian level<br />

and in each single member country. Though the EU cannot interfere with the single national<br />

policies 388 , it could recommend recognizing the artistic dimension of street art productions and<br />

388 The study "Mobilité des artistes et sécurité sociale" written by ERICarts at the request of the European<br />

Parliament and released in November, 2006, points out the role of the EU: “L’Union européenne n’est pas<br />

compétente pour harmoniser les droits nationaux en matière de sécurité sociale. Son domaine d’action se réduit<br />

à coordonner les législations nationales, à créer des ponts entre les différents régimes nationaux, l’objectif<br />

étant d’éliminer les obstacles à la liberté de circulation des travailleurs à l’intérieur de la Communauté<br />

européenne. L’Union ne peut par conséquent adopter des instruments d’harmonisation de certains principes ou<br />

de certaines règles.<br />

Les systèmes de sécurité sociale dans l’Union diffèrent tant par leur philosophie, leurs modes de financement<br />

(par des cotisations sociales obligatoires, volontaires, calculées sur les salaires ou sur d’autres éléments, par<br />

283<br />

PE 375.307

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