STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

Articles and special issues
63
Street Artists in Europe
Adolphe, J.-M., Sauvageot, P., “Les arts de la rue”, Mouvement, juillet/août 2005.
Autissier, A.-M. (dir.), “L’Europe du spectacle à 25”, Culture Europe, n°39, Paris, mai-juin
2003.
Bianchini, F., “Remaking European cities: The role of cultural policies”, F. Bianchini & M.
Parkinson, Eds., Cultural Policy and Urban Regeneration – The West European Experience,
Manchester-New York: Manchester University Press, pp. 1-21. 1993.
Boje, D. M., “Carnivalesque Resistance to Global Spectacle: A Critical Postmodern Theory of
Public Administration”, Administrative Theory & Praxis; Mar2001, Vol. 23 Issue 3, p. 431-458,
28 p.
Bokobza, A., “Politiques culturelles en Europe et politique européenne de la culture”, Centre de
Sociologie Européenne, article proposé sur le site de l’Observatoire des mutations des industries
culturelles http://observatoire-omic.org.
Burke, H. M., “The Revolutionary Prelude: The Dublin Stage in the Late 1770s and Early
1780s”, Eighteenth-Century Life, Nov98, Vol. 22 Issue 3, p. 7, 12p.
Donnat, O., “La féminisation des pratiques culturelles”, Développement culturel, Bulletin du
département des études, de la prospective et des statistiques, Ministère de la Culture et de la
Communication, n°147, juin 2005.
Elemhorst, H., “Q.D.B.V. Theatrologie hodierna”, Quellentexte zur Konzeption der
europäischen Oper im 17. Jahrhudert, Bärenreiter, Kassel – Basel, London, 1981.
Lebel, J.-J., “Notes on Political Street Theatre”, The Drama Review, Paris, 1968, 1969. Volume
13, Number 4 (T 44), Summer 1969, p. 111-118.
Martin-Lahmani, S., “Territoires: rue, Europe, monde”, in In Situ, Voyages d’artistes européens,
col. Carnets de rue, L’Entretemps, Vic La Gardiole, 2006.
Nichols, R., “Street Theater”, Nation, 4/22/1991, Vol. 252 Issue 15, p. 531-534.
Popa, I., “Approches politistes des politiques culturelles”, CNRS, Institut des sciences sociales
du politique, article proposé sur le site de l’Observatoire des mutations des industries culturelles
Simonot M. “L’art de la rue : scène urbaine, scène commune”, in Rue de la Folie, n°3, décembre
2000
Tarrab, G., “Qu’est-ce que le happening ?”, Revue d’Histoire du Théâtre, No. 1, Janvier-Mars
1968, p. 7-102.
Wildman, E., “Reality theater in Chicago”, Chicago Review; 1996, Vol. 42 Issue 3/4, p. 92, 7p.
Wolicki, K., “Teatr uliczny”, Dialog, 1973/12, p. 102 – 111.
Obrębowska-Piasecka, E., Tyszka, J., “Meetings by the Lake: on the Tenth Anniversary of the
Malta Festival”, New Theatre Quarterly, Vol. XVII, No. 68, November 2001.
Tyszka, J., “The School of Being Together: Festivals as National Therapy during the Polish
‘Period of Transition’”, New Theatre Quarterly, Volume XIII, No. 50, May 1997, p. 171-185.
Tyszka, J. “Dissident Theatre in Poland”, Dissident Muse, Critical Theatre in Eastern and
Central Europe 1945-1989. Amsterdam, Theater Instituut Nederland, de Balie, center for culture
and politics, September 1995, p. 1-75.
Tyszka, J., “The Living Theatre w Poznaniu latem 1996: niemożliwe i możliwe. (The Living
Theatre in Poznań in Summer 1996: Impossible and Possible)”, Opcje, 1996, No. 3 (14), p. 34-
37.
Tyszka, J., “Polish Alternative Theatre during the Period of Transition 1989-1994”. New
Theatre Quarterly, Vol. XII, No. 45, February 1996, p. 71-79.
PE 375.307