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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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-the existence of specific taxes<br />

peculiar to certain Member<br />

States;<br />

-the deductibility of professional<br />

costs incurred by artists outside<br />

their country of origin;<br />

-differences between the<br />

exemption systems used in the<br />

Member States.<br />

Funding arrangements -the inadequate nature of certain<br />

mechanisms for granting<br />

subsidies and aid;<br />

Intellectual property<br />

rights<br />

Specific obstacles and<br />

problems<br />

-the high cost to artists of<br />

moving around within the<br />

European Union;<br />

-the insufficiency or<br />

ineffectiveness of current aid<br />

schemes.<br />

-a relative lack of co-ordination<br />

between the systems for<br />

managing and collecting rights<br />

of interpreting artists from the<br />

different EU countries.<br />

286<br />

Street Artists in Europe<br />

-the restrictive definition of the circumstances<br />

under which grants and subsidies may be paid;<br />

-the lack of co-ordination between national<br />

funding systems;<br />

-the lack of involvement of the social partners.<br />

-the deprival of certain prerogatives linked to the<br />

rights of interpreting artists.<br />

-lack of information on the legislation of other<br />

countries and on the EU institutions, combined<br />

with the problem of finding someone capable of<br />

providing information;<br />

-the language barrier;<br />

-lack of facilities for artists and cultural workers<br />

from other countries;<br />

-the inadequacy of professional networks.<br />

PE 375.307

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