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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Street Artists in Europe<br />

4.5. Conclusions 200<br />

5. Sustainability and future perspectives 200<br />

6. Conclusion 203<br />

Annex 2 – Section F: Street arts audiences 205<br />

1. Context 205<br />

2. An issue with global connotations 206<br />

2.1. The diversification of audiences 206<br />

2.2. Links between the promotion of street arts and audiences 207<br />

3. Specific features of street arts audiences 210<br />

3.1. Impact of occupying the public space 211<br />

3.2. Socio-demographic and economic trends 213<br />

3.3. Mixed audiences 216<br />

4. In search of the non-public: street arts at the forefront 219<br />

4.1. Impact on local development 220<br />

4.2. Impact on audience participation 221<br />

5. General conclusions 224<br />

Annex 2 – Section G: Means of Production 225<br />

1. Context in which street performance/installation artists are working 225<br />

1.1. The History 225<br />

1.2. Street festivals today 226<br />

1.3. Annual programme of street arts 226<br />

1.4. Street arts/community arts 226<br />

2. Festivals’ use of artists 226<br />

2.1. In and Off/Showcasing 227<br />

2.2. Difficulties and Limitations at Festivals 229<br />

2.3. Recommendations 230<br />

3. The Funding opportunities available 231<br />

3.1. Funding for street arts across Europe 231<br />

3.2. Grants for New productions 233<br />

3.3. International coproductions 234<br />

3.4. Recommendations 235<br />

4. The size and scale of street shows 235<br />

4.1. Visual and media installation arts 236<br />

4.2. The Number of Companies 236<br />

4.3. Number of Productions 238<br />

4.4. Cultural diversity 238<br />

5. The means of production available - studio space, creation center, run in time 240<br />

5.1. Resources available 240<br />

5.2. Recommendations 243<br />

6. The use and value of marketing 243<br />

6.1. Language problems 245<br />

6.2. Agents or not? 245<br />

6.3. Recommendations 246<br />

7. How much do professionals know about their field of work and elsewhere 246<br />

7.1. Lack of information and knowledge 246<br />

7.2. Communications and networks 247<br />

7.3. Recommendations 248<br />

xvi<br />

PE 375.307

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