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STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo

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Table 12 - Sustainability in the city<br />

201<br />

Street Artists in Europe<br />

EVENT/COMPANY COUNTRY<br />

SUSTA<strong>IN</strong>ABILITY<br />

only short term<br />

results long term results permanent event<br />

2r2c, la coopérative de rue et de<br />

cirque<br />

Festival internacional de artes de<br />

France 1 0 0<br />

rua<br />

Parc et Grande Halle de la<br />

Portugal 0 1 1<br />

Villette France 0 0 1<br />

Cest is D'Best Festival Croatia 0 1 1<br />

New Theatre Institute of Latvia Latvia 1 0 0<br />

Sziget Hungary<br />

United<br />

0 1 1<br />

Manchester Intermational Arts Kingdom 0 1 0<br />

Dominique Aussage France X X X<br />

Teatro Municipal de Faro<br />

Theatre en vol, societa<br />

Portugal X X X<br />

cooperativa Italy 0 1 1<br />

ASBL Blizz'ArtS Belgium 0 1 0<br />

Festival of Fools Ireland 0 1 1<br />

La Fédération des arts de la rue France 0 1 0<br />

Ute Classen Kulturmanagement Germany<br />

United<br />

X X X<br />

Bash Street Theatre<br />

Kingdom<br />

United<br />

X X X<br />

Bath FR<strong>IN</strong>GE / Streats Ltd. Kingdom X X X<br />

Ass. Teatro Nacional de Rua Portugal 0 1 0<br />

Gruppo Percussioni Dadadang Italy X X X<br />

Thatre Association A PART<br />

NASA Association of Street<br />

Poland 0 1 1<br />

Artists Scotland X X X<br />

MALTA Poland 0 1 1<br />

Arts Council Ireland X X X<br />

TOTAL 2 11 8<br />

When estimating the sustainability of their actions, artists and street art organisers seemed to<br />

agree in the long-term results of their events. Although the majority of these positive answers<br />

originated from representatives of permanent events, this general opinion shows that there is a<br />

conscious acknowledge of the need of such events in all the cities in question: ‘Our project has<br />

been fulfilling every urban effect given on the list above and the effects are more visible and<br />

present in our city as time goes by.’ 317<br />

Companies and cooperatives of companies whose activities are not related to a special city or<br />

area usually see there role differently, and expresses it as being only ephemeral, as in the cases<br />

of the New Latvian theatre of 2r2c in France. The positive vision expressed by interviewees on<br />

the values that street art events and festivals represent in the city explains their determination for<br />

continuing their projects. Although several between them underlined the uncertainty of their<br />

financing conditions: ‘The present the political context is very difficult, it is not easy to preview<br />

317 Cest is D’Best.<br />

PE 375.307

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