STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo
STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo
STREET ARTISTS IN EUROPE - Fondazione Fitzcarraldo
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Street Artists in Europe<br />
making. It means among others the preparing of scenarios on how to make the city attractive for<br />
investments, tourists, or new migrants.<br />
One way to become attractive is to become ‘original’. Different. To develop something unique,<br />
that will serve as a label for the city in the future. And that is the way culture today was<br />
introduced into urban development. Culture has a double meaning: creation on the one hand,<br />
and the ensemble of characteristics of a special place or community, in other words, identity on<br />
the other. Culture is able, in the same time to create and to represent (maintain) local identities.<br />
And the term identity almost covers that little specialty that can make a place to be special and<br />
attractive… Culture became a key factor for urban development, and this for a double reason:<br />
related to its determining role in the new economy and related to its determining role in the<br />
creation and maintenance of regional and urban identities. The presence of sectors relevant to<br />
culture and creativity, i.e. the strength of the ‘creative economy’ became a key condition of<br />
urban competitiveness 294 .<br />
Through its complex roles culture is now a determining sector for urban planning and urban<br />
strategy making. Cultural development as a transverse objective of urban development can be<br />
considered as one main tool of urban policies. Street art is one of cultural sector’s branches that<br />
represent the strongest relationship between art, urban space and urban development.<br />
2.3. Street arts impacts…<br />
Partly based on the definitions proposed by Philippe Chaudoir 295 , this chapter will describe the<br />
main impacts of contemporary street arts on cities.<br />
2.3.1 … on urban space:<br />
The first and most evident is the effect of street arts on urban space. Street art event may play<br />
long lasting effect on urban spaces even if the event itself has only short-term direct input on the<br />
city. A street art event may change the whole urban area; temporarily transforms the use of the<br />
place and the relationship between the space and its inhabitants… It may give a new history for<br />
neighbourhoods, may transform their old customs, and may contribute to their identities. It<br />
generates new symbols and a new meaning of space.<br />
These strong spatial impacts on the city intervene more specifically through public spaces,<br />
where street art events take place. As it has been formulated above, street art strongly<br />
contributes to the changing of the conception of urban societies on the use and sense of public<br />
spaces. It introduces a new, less functionalist and more community-based vision on these<br />
intermediate spaces.<br />
Estimating street arts’ impact on the urban development is quite a difficult exercise. As it will be<br />
presented on the following pages study as well, one of the possible methods is to ask street<br />
artists themselves about their conception on the role played by street art in the city. But one has<br />
to be careful with this type of analysis. Although street artists are conscientious concerning their<br />
role in cities, playing a direct effect on urban development is generally not between the direct<br />
objectives of street art events. Street artists may therefore under-estimate the impact of their<br />
events on the city as a result of the fact that in the majority of cases they do not analyse their<br />
294 Landry, C., The Creative City, London: Comedia, 2000.<br />
295 Chaudoir, P., op.cit.<br />
176<br />
PE 375.307