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Journal of the Federated Malay States museums - Sabrizain.org

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igiS-] C. B. Kloss: Measurements <strong>of</strong> Sungkai Sakai. 73<br />

sapling fitted with an iron head. Here was obtained a<br />

beautifully ornamented blow pipe and a quiver with a slightly<br />

conical cover, both made by one <strong>of</strong> this party. The maker<br />

(a Mai Darat Senoi) stated that blow pipe covers are made by<br />

individuals to suit <strong>the</strong>ir own fancies, ei<strong>the</strong>r like this specimen<br />

or with <strong>the</strong> flattened tops as seen in <strong>the</strong> o<strong>the</strong>r groups. These<br />

people wore clo<strong>the</strong>s (jackets and trousers) and had attained a<br />

social state which <strong>the</strong>y were superficially at any rate most<br />

unattractive, <strong>the</strong> reason given by one man for a shaven head<br />

was that previously bugs had worried him unbearably.<br />

Nos. 36—39.<br />

Came into Slim from <strong>the</strong> hills. Three out <strong>of</strong> <strong>the</strong> four<br />

were more or less clo<strong>the</strong>d in <strong>Malay</strong> cotton garments.<br />

Nos. 40— 52.<br />

Came into Slim from <strong>the</strong> Sungei Muda. Except for <strong>the</strong><br />

headman, who wore a wreath, <strong>the</strong> males were undecorated save<br />

for face paint. The costume and ornaments <strong>of</strong> <strong>the</strong> women<br />

resembled those <strong>of</strong> <strong>the</strong> Jeram Kawan Sakai but <strong>the</strong>y had, in<br />

addition, lavishly ornamented <strong>the</strong>ir heads with pink Ixora<br />

flowers. With regard to face painting, combs and blow-pipe<br />

patterns it was stated that <strong>the</strong>se were used at will and that<br />

whatever was fancied was drawn. No patterns were private<br />

property, none had any significance however used, being<br />

merely ornamental to suit <strong>the</strong> maker's taste and all had been<br />

employed from time beyond memory. Faces are painted for<br />

songs, weddings and any occasions <strong>of</strong> a ceremonious nature<br />

(such as a visit to a European). There were no dances.<br />

No. 53.<br />

From Sungei Kol above Sungei Muda. The only member<br />

<strong>of</strong> <strong>the</strong> group (three klamin, one penghulu) inhabiting that<br />

locality remaining, <strong>the</strong> rest having crossed <strong>the</strong> hills for a long<br />

visit to Pahang.<br />

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