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Journal of the Federated Malay States museums - Sabrizain.org

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Igi6.] 1. H. N. Evans: Upper Perak Aborigines. ail<br />

ordered a Sakai to fetch him some water, and <strong>the</strong> Sakai, much<br />

to <strong>the</strong> surprise <strong>of</strong> <strong>the</strong> <strong>Malay</strong> turned round and told him that if<br />

he wanted water he had better go and get it himself. Several<br />

cases are known <strong>of</strong> <strong>the</strong> Hill Sakai <strong>of</strong> this region objecting to<br />

<strong>the</strong> presence <strong>of</strong> strangers in <strong>the</strong>ir territories and ejecting <strong>the</strong>m.<br />

Tattooing, called by <strong>the</strong> Sakai chenul, was observed on <strong>the</strong><br />

faces <strong>of</strong> a number <strong>of</strong> individuals, both on men and women.<br />

In no case did I see tattoo marks on any o<strong>the</strong>r part <strong>of</strong> <strong>the</strong><br />

body. Since, though tattooing has been recorded among <strong>the</strong><br />

Sakai by various observers, <strong>the</strong>re seems to be some doubt in<br />

Skeat's mind as to how far evidence with regard to tattooing<br />

was to be believed, I will state here— I have already done so<br />

in o<strong>the</strong>r cases where I have met with <strong>the</strong> practice— that in<br />

speaking <strong>of</strong> tattooing I invariably mean tattooing proper, i.e.,<br />

pricking colouring material into <strong>the</strong> skin by means <strong>of</strong> a pointed<br />

instrument. Skeat sums up <strong>the</strong> evidence with regard to<br />

tattooing, available at <strong>the</strong> time he wrote, as follows<br />

" In spite <strong>of</strong> this apparently strong consensus <strong>of</strong> evidence,<br />

I must still repeat <strong>the</strong> warning that (although <strong>the</strong>re is clearly<br />

soine form <strong>of</strong> real tattooing, i.e., skin-puncturation, practised in<br />

<strong>the</strong> Peninsula), yet what many <strong>of</strong> <strong>the</strong> observers from whom I<br />

have quoted, are wont to call tattooing, is certainly no more<br />

than sacrificatioii * or even perhaps nothing but mere facepaint<br />

after all."t<br />

The Sakai told me that <strong>the</strong> operation was performed with<br />

a bertam thorn and soot or charcoal. The resulting patterns<br />

were generally ra<strong>the</strong>r faint, not very much pigment having<br />

been forced in under <strong>the</strong> skin. In <strong>the</strong> men <strong>the</strong> most usual<br />

tattoo marks found were three pairs <strong>of</strong> parallel lines on ei<strong>the</strong>r<br />

side <strong>of</strong> <strong>the</strong> face, <strong>the</strong> topmost line usually running slanting<br />

across <strong>the</strong> face from near <strong>the</strong> top <strong>of</strong> <strong>the</strong> ear to <strong>the</strong> nostril, <strong>the</strong><br />

lowest from ra<strong>the</strong>r below <strong>the</strong> ear to <strong>the</strong> corner <strong>of</strong> <strong>the</strong> mouth.<br />

In one case a man, besides having this arrangement <strong>of</strong> tattoo<br />

markings, was also ornamented with two parallel lines from<br />

<strong>the</strong> top <strong>of</strong> <strong>the</strong> forehead in <strong>the</strong> centre, to <strong>the</strong> root <strong>of</strong> <strong>the</strong> nose.<br />

In <strong>the</strong> women <strong>the</strong> tattoo patterns were generally confined<br />

to <strong>the</strong> forehead, one <strong>of</strong> <strong>the</strong> commonest forms being, roughl)^ a<br />

reversed broad arrow composed <strong>of</strong> three pairs <strong>of</strong> parallel lines,<br />

<strong>the</strong> centre pair reaching from <strong>the</strong> top <strong>of</strong> <strong>the</strong> forehead to just<br />

above <strong>the</strong> root <strong>of</strong> <strong>the</strong> nose, <strong>the</strong> o<strong>the</strong>r two pairs from <strong>the</strong> top <strong>of</strong><br />

<strong>the</strong> forehead to above <strong>the</strong> eyebrows. One man, in addition to<br />

<strong>the</strong> ordinary cheek pattern, had also this type -<strong>of</strong> forehead<br />

design, but <strong>the</strong> two lines forming <strong>the</strong> shaft <strong>of</strong> <strong>the</strong> arrow<br />

were prolonged to <strong>the</strong> tip <strong>of</strong> <strong>the</strong> nose. Several women,<br />

whom I saw, had <strong>the</strong> face stained yellow with some vegetable<br />

colouring matter resembling turmeric, which, <strong>the</strong>y said, <strong>the</strong>y<br />

obtained from a fairly tall shrub.<br />

The custom <strong>of</strong> boring a hole in <strong>the</strong> septum <strong>of</strong> <strong>the</strong> nose<br />

was common, but not universal: porcupine quills were worn<br />

* I have never yet seen scarification employed.<br />

t Pagan Races: Vol. 2, p. 43.

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