Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

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250 Notes 3. There is an simple error in Denton’s calculations, which I have corrected. The error in no way affects his conclusion. 4. There are other distinct characteristics of consciousness: Searle describes a dozen. Only these two are significant to the question of integrating the mental with the physical and the teleological with the mechanical.
Works by Shaw Works Cited Notes 251 The Adventures of the Black Girl in Her Search for God. New York: Dodd, Mead, 1933. “The Author to the Dramatic Critics (Appendix 1 to Widowers’ Houses, May 1893).” The Drama Observed 1:210–18. Bernard Shaw and Karl Marx: A Symposium. New York: Random House, 1930. The Bodley Head Bernard Shaw: Collected Plays with Their Prefaces. London: Bodley Head, 1970–74. “The Case for Equality.” Practical Politics. 122–44. Collected Letters. Ed. Dan H. Laurence. 4 vols. New York: Dodd, Mead, 1965–88. The Collected Screenplays of Bernard Shaw. Ed. Bernard F. Dukore. Athens: University of Georgia Press, 1980. “The Conflict Between Science and Common Sense.” Humane Review 1 (1900): 3– 15. Reprinted as “Science and Common Sense” in Current Literature 29 (1900): 196–98. “A Degenerate’s View of Nordau.” Selected Non-Dramatic Writings. 347–77. [This is a reproduction of an essay that appeared originally in 1895 and was revised as The Sanity of Art in 1908. It was further revised when it was included in Major Critical Essays.] The Drama Observed. Ed. Bernard F. Dukore. 4 vols. University Park: Pennsylvania State University Press, 1993. “A Dramatic Realist to His Critics.” Selected Non-Dramatic Writings. 323–40. “The Economic Basis of Socialism.” Fabian Essays in Socialism. Ed. Bernard Shaw. London: W. Scott, 1889. 3–27. Everybody’s Political What’s What? London: Constable, 1944. “Fragments of a Fabian Lecture.” Shaw and Ibsen 81–96. “How to Become a Man of Genius.” Selected Non-Dramatic Writings. 341–46. “The Illusions of Socialism.” Selected Non-Dramatic Writings. 406–26. The Impossibilities of Anarchism. Fabian Tract No. 45. London: Fabian Socity, 1893.
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Bernard Shaw’s Remarkable Religio
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Bernard Shaw’s Remarkable Religio
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For Jalma, who made it possible.
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Contents Foreword by R. F. Dietrich
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Foreword “I believe because it is
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Preface Foreword xi The seed of thi
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Preface xiii hope to reach some of
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Introduction Preface xv Here we hav
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Introduction xvii the facts asked i
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o I Foundations of Faith
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Unity 1 A Creed for Living A Faith
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A Creed for Living 5 ticism toward
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A Creed for Living 7 posed to the i
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A Creed for Living 9 ally—at the
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A Creed for Living 11 tions of deat
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A Creed for Living 13 For many the
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A Creed for Living 15 fying faith.
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A Creed for Living 17 We have inesc
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Realism 19 Thus, I blush to add, yo
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Realism 21 evenhanded. Tyndall pres
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Realism 23 no scoundrels. A similar
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Realism 25 sage and confuse and dis
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Realism 27 tific materialism is utt
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Realism 29 of his fellows) is natur
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Realism 31 to be tied down to textb
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Realism 33 as they do not denote an
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Realism 35 women who disparage home
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Realism 37 woven out of words and i
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Consistency 3 The Will and Its Resp
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The Will and Its Responsibilities 4
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II o A Guide to Art and Life
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Dramatic Realism 4 A Playwright’s
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Illusionism Is Not Realism A Playwr
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Contradictions in Scientific Realis
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A Playwright’s Progress 79 view,
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A Playwright’s Progress 81 horror
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A Playwright’s Progress 83 My pla
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A Playwright’s Progress 85 disast
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A Playwright’s Progress 87 Shaw i
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A Playwright’s Progress 89 jectiv
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A Playwright’s Progress 91 suprem
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A Playwright’s Progress 93 certai
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A Playwright’s Progress 95 In cal
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A Playwright’s Progress 97 pishly
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A Playwright’s Progress 99 too
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A Playwright’s Progress 101 woman
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A Playwright’s Progress 103 focus
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A Playwright’s Progress 105 Candi
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A Playwright’s Progress 107 Shaw
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A Playwright’s Progress 109 strug
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A Playwright’s Progress 111 Not t
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A Playwright’s Progress 113 Amiab
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A Playwright’s Progress 115 find
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A Playwright’s Progress 117 sexua
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A Playwright’s Progress 119 culti
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A Playwright’s Progress 121 ing t
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The Organic and the Didactic 5 Majo
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Major Barbara 125 fundamental confl
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Major Barbara 127 picture, but Majo
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Major Barbara 129 acters in a play,
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Major Barbara 131 goes his own way,
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Major Barbara 133 have you ever sav
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Major Barbara 135 gibbet, while Chr
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Major Barbara 137 Moral responsibil
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Major Barbara 139 motto is “Unash
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Major Barbara 141 (this is explicit
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Major Barbara 143 eryone else in th
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Major Barbara 145 which he himself
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Ethics 6 Ethics, Economics, and Gov
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Ethics, Economics, and Government 1
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III o God and Science The Marriage
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7 The Marriage of Science and Relig
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The Marriage of Science and Religio
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Page 225 and 226: Can Science Be Purged of Materialis
Page 251 and 252: IV o A Peroration
Page 253 and 254: 8 Catching Up with Shaw Shaw procla
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Page 259 and 260: Catching Up with Shaw 241 rialists
Page 261 and 262: Catching Up with Shaw 243 Such goal
Page 263 and 264: Notes Chapter 1. A Creed for Living
Page 265 and 266: Notes 247 difficult to obtain, but
Page 267: Notes 249 turbing, these attitudes
Page 271 and 272: Works Cited 253 Shaw and Ibsen: Ber
Page 273 and 274: Works Cited 255 ———. Introduc
Page 275 and 276: Works Cited 257 McRory, Desmond J.
Page 277 and 278: Works Cited 259 Weismann, August. E
Page 279 and 280: Aquinas, Thomas, 52 Archer, William
Page 281 and 282: Saussure, Ferdinand de, 74 Schopenh
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Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

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