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Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

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A Creed for Living 15<br />

fying faith. Believing as he did that “men without religion have no courage”<br />

and that no social or political change is possible unless it is rooted in<br />

<strong>the</strong> values and goals of <strong>the</strong> citizens, he naturally saw a religion based in<br />

equality and progress as <strong>the</strong> prerequisite to social equality and progressive<br />

politics (Collected Letters 2:670). His efforts, however futile in <strong>the</strong>ir ultimate<br />

goal, produced two notable successes. The first was that it was <strong>the</strong><br />

inspiration for his prodigious literary and dramatic work. Indeed, as <strong>the</strong><br />

established religions come slowly and reluctantly around to his way of<br />

seeing <strong>the</strong> divine, he may eventually succeed in his aim of providing fables<br />

for a new faith. The second success is <strong>the</strong> subject of this book. Shaw demanded<br />

consistency and honesty of religion, and he got it. Undershaft tells<br />

his daughter Barbara, former major in <strong>the</strong> Salvation Army: “You have<br />

made for yourself something that you call a morality or a religion or what<br />

not. It doesnt fit <strong>the</strong> facts. Well, scrap it. Scrap it and get one that does fit”<br />

(3:170–71). People pay a high price for professing beliefs that do not fit <strong>the</strong><br />

facts. They have to shut <strong>the</strong>ir eyes, a condition that inclines one to stumble.<br />

Still, most do shut <strong>the</strong>m, for fear of <strong>the</strong> terrible pain that loss of faith and<br />

<strong>the</strong> search for a new faith entails. Major Barbara has <strong>the</strong> courage to choose<br />

pain over blindness, thus showing she understands that anyone who hides<br />

from <strong>the</strong> facts for fear of losing her faith has not only locked <strong>the</strong> barn door<br />

after <strong>the</strong> horse has been stolen but has replaced <strong>the</strong> living animal with a<br />

dummy so as to pretend that it was not stolen at all. A faith that is terrified<br />

to be lost is no faith at all. The central tenet of what has become <strong>the</strong> twentieth-century<br />

creed is that no such faith is possible—that <strong>the</strong> horse has<br />

been not only stolen but butchered. “God is dead,” and <strong>the</strong> facts have killed<br />

Him. Shaw showed that this is not true, that faith in something reasonably<br />

called a divine power can be self-consistent and consistent with modern<br />

scientific knowledge. Yet <strong>the</strong> proponents of <strong>the</strong> “scientific” view dismiss<br />

Shaw has fuzzy-headed and his Life Force as blind wishful thinking, while<br />

<strong>the</strong> few who support Creative Evolution do so from a traditionally mystical<br />

and nonrational point of view. No one has shown how thoroughly consistent<br />

and genuinely scientific his faith really is.<br />

We have come to take for granted that religion requires a leap of faith,<br />

that one embraces religion in spite of <strong>the</strong> facts, that religion involves an<br />

entirely different way of knowing <strong>the</strong> universe from that provided by science<br />

and reason. Shaw’s faith was not a blind leap into <strong>the</strong> unknown but<br />

<strong>the</strong> pinnacle of a solid pyramid build with stones of fact and logic. For him,<br />

religion, metaphysics, science, politics, and <strong>the</strong> day-to-day business of living<br />

were all one. A religion that had to be kept separate was not credible,

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