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Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

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Saussure, Ferdinand de, 74<br />

Schopenhauer, Arthur, 39–41<br />

Searle, John, 48, 221, 250<br />

Semantics, 36<br />

Shakespeare, William, 92<br />

Shaw, George <strong>Bernard</strong>, works of: Adventures<br />

of <strong>the</strong> Black Girl in Her Search for<br />

God, The, 119, 186; Apple Cart, The, 7,<br />

168, 174; Arms and <strong>the</strong> Man, 73, 86, 88,<br />

103, 104, 108, 117–19; Back to Methuselah,<br />

50, 51, 169, 231; Caesar and<br />

Cleopatra, 112, 114, 117, 124, 126, 142,<br />

153; Candida, 62, 82, 93, 103, 105–7, 113,<br />

117, 119, 123, 128, 153; Captain Brassbound’s<br />

Conversion, 117, 142, 153; “The<br />

Case for Equality,” 64; “A Degenerate’s<br />

View of Nordau,” 41; “A Dramatic Realist<br />

to His Critics,” 73; Devil’s Disciple,<br />

The, 8, 115, 117, 118; Doctor’s Dilemma,<br />

The, 149, 151, 153, 167, 175; Economic<br />

Basis of Socialism, 248; Everybody’s Political<br />

What’s What?, 41, 170, 186, 248;<br />

Fanny’s First Play, 154; “Fragments of a<br />

Fabian Lecture,” 30, 32–34; Getting Married,<br />

174; Heartbreak House, xvii, 167,<br />

223; “How to Become a Man of Genius,”<br />

109, 114; “Illusions of Socialism,” 80,<br />

192; Intelligent Woman’s Guide, The, 64,<br />

102, 170, 173; John Bull’s O<strong>the</strong>r Island,<br />

51, 119–22, 125, 129, 179; Major Barbara,<br />

xviii, 3, 6, 14, 15, 56, 123–45, 147,<br />

149, 153, 156, 167, 169, 177, 187, 189,<br />

240, 243; Major Critical Essays, 39; Man<br />

and Superman, 20, 51, 119–22, 125, 224;<br />

Man of Destiny, 107–10, 112–14, 116,<br />

117; Millionairess, The, 153; Misalliance,<br />

115, 154, 155, 174; Mrs Warren’s Profession,<br />

78, 96, 98, 99, 101, 102, 108; My<br />

Dear Doro<strong>the</strong>a, 21; “On Going to<br />

Church,” 152; On <strong>the</strong> Rocks, 176, 181;<br />

Perfect Wagnerite, The, 6, 152; Philanderer,<br />

The, 100, 101, 108, 117–19; Plays<br />

for Puritans, 117, 119; Plays Pleasant<br />

and Unpleasant, 7; Pygmalion, 22, 84,<br />

119; Quintessence of Ibsenism, The, 6, 8,<br />

9, 27–34, 41, 42, 45, 100, 110, 128, 150,<br />

240, 245; “Revolutionist’s Handbook,<br />

Index 263<br />

The,” 17; Saint Joan, 3, 114, 116, 119,<br />

142, 153, 177; Shewing-Up of Blanco<br />

Posnet, The, 240; “Socialism for Millionaires,”<br />

80; Too True to Be Good, 169, 174;<br />

Unsocial Socialist, An, 64, 163, 166;<br />

Widowers’ Houses, 93–95, 99, 100, 108,<br />

166, 173; You Never Can Tell, 107, 108,<br />

114–16<br />

Shelley, Percy Bysshe, 24, 52<br />

Silver, Arnold, 172<br />

Simon, Herbert, 194<br />

Smith, Adam, 157, 171, 181<br />

Smith, Warren Sylvester, 9, 52<br />

Sokal, Alan, 249<br />

Solipsism, 209, 216, 218, 219<br />

Sophocles, 69, 92<br />

Stalin, Joseph, xvi, 172, 176, 180<br />

Strindberg, August, 8, 81<br />

Sullivan, Arthur Seymour, 7<br />

Taylor, Gordon Rattray, 249<br />

Tolstoy, Count Leo, 8<br />

Turco, Alfred, Jr., 31, 246<br />

Twain, Mark, 47<br />

Tyndall, John, 19, 20–21, 23, 24, 26, 114, 209<br />

Unity, mental, 220, 221<br />

Utility, margins of, 157, 159, 160<br />

Virtual Reality, 219<br />

Wages, iron law of, 157<br />

Wagner, Richard, 152, 154<br />

Walkley, Arthur Bingham, 73<br />

Waugh, Rev. Benjamin, 43<br />

Well-made play, 76, 89, 90<br />

Wesson, Robert, 200, 249<br />

Whitman, Robert F., 127<br />

Wilde, Oscar, 12<br />

Wilson, Colin, 13<br />

Wisenthal, J. L., 5, 31, 246<br />

Witkiewicz, Stanislaw Ignacy, 246<br />

Wittgenstein, Ludwig, 188<br />

Yorks, Samuel, 5<br />

Zola, Emile, 30, 31, 74, 77, 78, 80–83, 85, 87

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