Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

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Stuart E. Baker is professor of theater at Florida State University. He is the author of Georges Feydeau and the Aesthetics of Farce and many essays devoted to a multidisciplinary approach to theater studies.
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Bernard Shaw’s Remarkable Religio
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Bernard Shaw’s Remarkable Religio
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For Jalma, who made it possible.
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Contents Foreword by R. F. Dietrich
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Foreword “I believe because it is
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Preface Foreword xi The seed of thi
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Preface xiii hope to reach some of
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Introduction Preface xv Here we hav
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Introduction xvii the facts asked i
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o I Foundations of Faith
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Unity 1 A Creed for Living A Faith
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A Creed for Living 5 ticism toward
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A Creed for Living 7 posed to the i
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A Creed for Living 9 ally—at the
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A Creed for Living 11 tions of deat
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A Creed for Living 13 For many the
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A Creed for Living 15 fying faith.
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A Creed for Living 17 We have inesc
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Realism 19 Thus, I blush to add, yo
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Realism 21 evenhanded. Tyndall pres
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Realism 23 no scoundrels. A similar
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Realism 25 sage and confuse and dis
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Realism 27 tific materialism is utt
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Realism 29 of his fellows) is natur
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Realism 31 to be tied down to textb
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Realism 33 as they do not denote an
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Realism 35 women who disparage home
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Realism 37 woven out of words and i
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Consistency 3 The Will and Its Resp
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The Will and Its Responsibilities 4
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II o A Guide to Art and Life
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Dramatic Realism 4 A Playwright’s
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Illusionism Is Not Realism A Playwr
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Contradictions in Scientific Realis
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A Playwright’s Progress 79 view,
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A Playwright’s Progress 81 horror
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A Playwright’s Progress 83 My pla
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A Playwright’s Progress 85 disast
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A Playwright’s Progress 87 Shaw i
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A Playwright’s Progress 89 jectiv
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A Playwright’s Progress 91 suprem
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A Playwright’s Progress 93 certai
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A Playwright’s Progress 95 In cal
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A Playwright’s Progress 97 pishly
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A Playwright’s Progress 99 too
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A Playwright’s Progress 101 woman
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A Playwright’s Progress 103 focus
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A Playwright’s Progress 105 Candi
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A Playwright’s Progress 107 Shaw
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A Playwright’s Progress 109 strug
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A Playwright’s Progress 111 Not t
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A Playwright’s Progress 113 Amiab
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A Playwright’s Progress 115 find
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A Playwright’s Progress 117 sexua
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A Playwright’s Progress 119 culti
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A Playwright’s Progress 121 ing t
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The Organic and the Didactic 5 Majo
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Major Barbara 125 fundamental confl
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Major Barbara 127 picture, but Majo
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Major Barbara 129 acters in a play,
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Major Barbara 131 goes his own way,
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Major Barbara 133 have you ever sav
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Major Barbara 135 gibbet, while Chr
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Major Barbara 137 Moral responsibil
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Major Barbara 139 motto is “Unash
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Major Barbara 141 (this is explicit
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Major Barbara 143 eryone else in th
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Major Barbara 145 which he himself
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Ethics 6 Ethics, Economics, and Gov
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Ethics, Economics, and Government 1
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III o God and Science The Marriage
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7 The Marriage of Science and Relig
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The Marriage of Science and Religio
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Can Science Be Purged of Materialis
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Page 231 and 232: The Marriage of Science and Religio
Page 251 and 252: IV o A Peroration
Page 253 and 254: 8 Catching Up with Shaw Shaw procla
Page 255 and 256: Catching Up with Shaw 237 would pre
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Page 259 and 260: Catching Up with Shaw 241 rialists
Page 261 and 262: Catching Up with Shaw 243 Such goal
Page 263 and 264: Notes Chapter 1. A Creed for Living
Page 265 and 266: Notes 247 difficult to obtain, but
Page 267 and 268: Notes 249 turbing, these attitudes
Page 269 and 270: Works by Shaw Works Cited Notes 251
Page 271 and 272: Works Cited 253 Shaw and Ibsen: Ber
Page 273 and 274: Works Cited 255 ———. Introduc
Page 275 and 276: Works Cited 257 McRory, Desmond J.
Page 277 and 278: Works Cited 259 Weismann, August. E
Page 279 and 280: Aquinas, Thomas, 52 Archer, William
Page 281: Saussure, Ferdinand de, 74 Schopenh
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Bernard Shaw's Remarkable Religion: A Faith That Fits the Facts

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