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FASHION | MANCHESTER Manchester was no longer competing for prominence with provincial English cities such as Leeds and Birmingham. This was now a city that could stand alongside the likes of Lisbon and Barcelona – perhaps not in the sense that it was as naturally beautiful as them, but in that it was a vibrant and creative place to be. The BBC certainly thought so; it plans to move into the regenerated Salford Quays next year. “Actually, we like to call it the ‘Original Modern City’,” says Mancunian designer 80 | TRAVELLER | 15 TH BIRTHDAY ISSUE Peter Saville. And if anyone could understand and explain Manchester’s unique character, it’s him. After all, this is the man who not only designed some of Factory Records' most iconic album sleeves, but also became a partner in Tony Wilson’s business when it was still getting off the ground. These days he holds a role that, he believes, is unique to any city in the world. He has been Manchester’s creative director since 2005, a post created to better understand Manchester as a brand. “I was looking for an insight into the essence of the place but also a target for the city to aspire to,” he remembers. “We can all understand Manchester in its historic guise as the fi rst industrial city. That’s all very nice, but it’s museum based. So I wanted something that would challenge the way the world saw Manchester today but would also give something for Manchester to aim at too. From that came the idea that we can view Manchester as original and modern in the 21st century too.” SAVILLE DOESN’T HOLD much truck with the idea that having a branch of Harvey Nichols automatically makes Manchester a world-class city. As it has done in the past through its industry, politics and music, Saville thinks that Manchester defi nes its place in the world by what it exports, not what it imports. “Friendliness, bloody-mindedness, willfulness – they’re all characteristics of Manchester,” he says. “Factory and Hacienda had all of those traits, and they both mark a particular point in the evolution of popular culture, where a bridge was built between music and other ways of life.” Of course, there are those who say such a legacy has strangled creativity in the city ever since – every new band is automatically compared to Joy Division or New Order, every new club infused with the "anything goes" spirit of the Hacienda. In a very real sense there’s a heritage industry around Factory, which is no different to the relationship between The Beatles and Liverpool. Peter Hook opened the latest instalment of the Factory brand, FAC251 club, to much fanfare last year. “But the Factory legacy is much bigger than a soundtrack,” Saville argues. “I genuinely believe you don’t get an iPod without Factory Records. If you look at the graphics of the modern world, those styles were familiarised through a mass audience via pop – and Factory was the fi rst place that cared about how things looked. The Hacienda continued that idea into the buildings that young people went to. It’s not that architecture and design didn’t exist before, of course
Here, China Lane, Northern Quarter; opposite, Mangle Street T-shirt (£154) from Zoe's Tees at DonnaIda. com; skirt (£220) from Markus Lupfer; jacket (£249) from Religion; tights (£25) and socks (£21.90), both from Fogal; boots (£370) from Paul & Joe; necklace (£225) and cuff (£45), both from Temperley at Go-British.co.uk; wristwear stylist’s own Waistcoat (£260) from Three Over One; T-shirt (£40) from Religion; leggings (£276) from Obakki; boots (£89) from Pointer; chains (from £115) from DiDi; Cuff (£50) from Rock Angel Wings
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IT’S OUR BIRTHDAY! NOVEMBER 2010
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COVER ILLUSTRATIONS © STUART HOLME
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15 CONTENTS TH BIRTHDAY ISSUE SHORT
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Welcome to our 15th birthday issue
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GREETINGS | BIRTHDAY ISSUE THE 15 C
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It’s strange, it’s cool, it’s
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THE BUZZ | TRAVEL NEWS Good Times f
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Page 31 and 32: PHOTOS © YANN MINGARD WE ARE 15 PE
Page 33 and 34: PHOTOS © GUIDO CASTAGNOLI, CHRISTO
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