Cultural Theory and Popular Culture
Cultural Theory and Popular Culture
Cultural Theory and Popular Culture
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7 Gender <strong>and</strong><br />
sexuality<br />
Feminisms<br />
‘One of the most striking changes in the humanities in the 1980s has been the rise of<br />
gender as a category of analysis’ (Showalter, 1990: 1). This is the opening sentence in<br />
Elaine Showalter’s introduction to a book on gender <strong>and</strong> literary studies. There can be<br />
no doubt that without the emergence of feminism (the second wave) in the early 1970s<br />
this sentence could not have been written. It is feminism that has placed gender on the<br />
academic agenda. However, the nature of the agenda has provoked a vigorous debate<br />
within feminism itself. So much so that it is really no longer possible, if it ever was, to<br />
talk of feminism as a monolithic body of research, writing <strong>and</strong> activity; one should<br />
really speak of feminisms.<br />
There are at least four different feminisms: radical, Marxist, liberal <strong>and</strong> what Sylvia<br />
Walby (1990) calls dual-systems theory. Each responds to women’s oppression in a<br />
different way, positing different causes <strong>and</strong> different solutions. Radical feminists<br />
argue that women’s oppression is the result of the system of patriarchy, a system of<br />
domination in which men as a group have power over women as a group. In Marxist<br />
feminist analysis the ultimate source of oppression is capitalism. The domination of<br />
women by men is seen as a consequence of capital’s domination over labour. Liberal<br />
feminism differs from both Marxist <strong>and</strong> radical feminisms in that it does not posit<br />
a system – patriarchy or capitalism – determining the oppression of women. Instead,<br />
it tends to see the problem in terms of male prejudice against women, embodied in<br />
law or expressed in the exclusion of women from particular areas of life. Dual-systems<br />
theory represents the coming together of Marxist <strong>and</strong> radical feminist analysis in the<br />
belief that women’s oppression is the result of a complex articulation of both patriarchy<br />
<strong>and</strong> capitalism. There are of course other feminist perspectives. Rosemary Tong<br />
(1992), for example, lists: liberal, Marxist, radical, psychoanalytic, socialist, existentialist<br />
<strong>and</strong> postmodern.<br />
Feminism, like Marxism (discussed in Chapter 4), is always more than a body of<br />
academic texts <strong>and</strong> practices. It is also, <strong>and</strong> perhaps more fundamentally so, a political<br />
movement concerned with women’s oppression <strong>and</strong> the ways <strong>and</strong> means to empower<br />
women – what the African-American critic bell hooks (1989) describes as ‘finding a<br />
voice’.