260 Index make-over <strong>and</strong> talk shows, 133 Making of the English Working Class. EP Thompson, 49–51 Maltby, Richard, 9 M<strong>and</strong>el, Ernest, 191 Marcuse, Herbert, 63, 64, 65, 195 Marley, Bob, 85 Marshment, Margaret, 137 Marx, Karl <strong>and</strong> Marxisms, 3, 50–1, 59–89, 107, 140, 149, 190–7, 229, 232–4 see also post-Marxism <strong>and</strong> cultural studies masculinities, 87, 141, 143–5, 159–60 mass culture, 21–2 aesthetic-liberal position, 28 America, in, 28–33, 52 art, 54 capitalism, 65, 234 class, 33 commodities, 234 conformity, 62, 64 consumption, 234–5 corporate-liberal position, 28 definition of popular culture, 6, 8–9, 12 dumbing down, elitism <strong>and</strong>, 234 films, radio <strong>and</strong> magazines, 62 folk culture, 30–1 Frankfurt School, 62–5, 68–70 high culture, 30–1 homogeneity, 62 ideology, 149–53, 234–5 impoverishment, 31 intellectuals, 28, 33 Leavisism, 24, 27 pleasure <strong>and</strong> politics, 234 politics of the popular, 234–5 postmodernism, 196–7 production, 6, 8–9, 12, 234–5 radical or socialist position, 28 reproduction, 68–9 romantic fiction, reading, 140 Soviet Union, 29–30 superior or refined culture, mediocre culture <strong>and</strong> brutal culture, 32–3 work <strong>and</strong> leisure under capitalism, 65 working class, 38–42 Matisse, Henri, 65 McGuigan, Jim, 213–16, 226–7 McLellan, Gregor, 50 McNamara, Robert, 177–8 McRobbie, Angela, 82, 181, 186, 233 meanings, 74, 86–7, 126–7, 136, 217 media ownership, concentration of, 210 Michaud, Gene, 175 milk bars, 42–3 Mills, Sara, 77 mirror stage, psychoanalysis <strong>and</strong>, 101–2, 105–6 modernism, 182–5, 190, 191, 194, 197–8, 203 Modleski, Tania, 140 Morley, David, 11 morphemes, 114–15 Mouffe, Chantal, 11, 83–4, 86, 196–7 Mulvey, Laura, 104–7, 136–7 Murdock, Graham, 227 music see also pop music advertisements, 65, 66 classical music, 55–6, 65, 66 folk songs, 40 jazz, 55–6 opera <strong>and</strong> classical music, 65, 66 music hall, 53, 61 mythemes, 114–15 Mythologies. Rol<strong>and</strong> Barthes, 118–25 myths, 118–25 American Dream, 117 American westerns, 115–16 binary oppositions, 115–16 grammar, 114–15 narrative structure, 115–16 similarity <strong>and</strong> difference, 115–16 structuralism, 114–16 naïve gaze <strong>and</strong> pure gaze, 219–20 narcissism, 105–6 narrative <strong>and</strong> spectacle, moments of, 106 Nixon, Richard, 176–7 Nixon, Sean, 159 nostalgia, 38, 192–3 Nowell-Smith, Geoffrey, 14 O’Connor, Alan, 44 Oedipus complex, 92–3, 97, 103–4, 141–2, 143 opera, 65, 66 organic communities, loss of, 8, 26–7
Orientalism, 171–8 other/otherness, 1, 13–14, 33–5 ownership of media, concentration of, 210 panoptic machine, 131–3 Paris Match (magazine), 119–22 Paris, Texas (film), 104 Parker, Ian, 107 parody, 192 passive listening, promotion of, 67 pastiche, 192–4, 198 patriarchy, 135, 139–40, 144, 145, 153, 160 Pavarotti, Luciano, 6–7, 203 Perryman, Neil, 210–11 phonemes, 114–15 photographs, text accompanying, 122–3 Pieterse, Jan Nederveen, 207–8 Platoon (film), 173, 174–6, 178 pleasure audience as producer of pleasures, 217 Dallas (television), watching, 147–9, 150–3 destruction of pleasure, 105, 106–7 feminist psychoanalysis, 105, 106–7 Freudian psychoanalysis, 93 ideological function of pleasure, 146 mass culture, ideology of, 234 politics, 234 romantic fiction, reading, 146 scopophilia (pleasure of looking), 105–7 pluralism of value, 201–3 poaching, 222, 225 Polan, Dana, 152–3 politics see also politics of the popular Althusserianism, 70 definition of popular culture, 10–11 economy, 213–15, 226–33 hegemony, 232–3 mass culture, ideology of, 234 pleasure, 234 psychoanalysis, 105 politics of the popular, 213–36 aesthetics, 219–21 audience, 217, 223–6 capitalism, 216, 228–32 certainties, 214–15 class, 218–19, 231 commodities, 228–32 consumption, 214–16, 221–3, 228–32 cultural field, 216–26 dominant <strong>and</strong> dominates, 219–20 economic field, 213–15, 226–32 education, 220–3 fan cultures, 223–6 financial economy, 216–18 hegemony, 214, 216, 227–9, 232–4 high culture, education <strong>and</strong>, 220 influence of culture industries, 232 interpretation, 216 judgement, absolutist criteria of, 214–15 mass culture, ideology of, 234–5 museum art, 219 naïve gaze <strong>and</strong> pure gaze, 219–20 new revisionism, 216 paradigm crisis in cultural studies, 213–16 poaching 222, 225 political economy of culture, 213–15, 226–32 post-Marxism cultural studies, 232–4 postmodernism, uncertainties of, 214 power, 220, 232 production, 221–2, 224–5, 231 semiotic <strong>and</strong> social resistance to power, 217–18 taste, 219, 220 texts <strong>and</strong> practices, access to, 227 textual determinism, 222–4 youth subcultures, 225–6 pop art, 183–4 pop music, 54–7 advertisements, 12, 65, 66 American counterculture, 85–6 authenticity, 67 capitalism, 85–6 classical music, 55–6 consumption, 68 Frankfurt School, 65–8 gay consumption of disco, 68 hip hop, 205–6 jazz, 55–6 modernism, 197–8 passive listening, promotion of, 67 pop art, 184 post-Marxist cultural studies, 85–6 Index 261
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FIFTH EDITION CULtUrAL theoryANd Po
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We work with leading authors to dev
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Contents Preface/Acknowledgements i
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Contents vii 10 The politics of the
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x Preface/Acknowledgements I have a
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Publisher’s acknowledgements We a
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2 Chapter 1 What is popular culture
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4 Chapter 1 What is popular culture
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10 Chapter 1 What is popular cultur
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14 Chapter 1 What is popular cultur
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2 The ‘culture and civilization
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Matthew Arnold 19 is best; (iii) th
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Matthew Arnold 21 Arnold (1960) cal
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Leavisism 23 decline. What had been
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debasement of emotional life, and t
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Leavisism 27 loss. Whereas in the p
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Mass culture in America: the post-w
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disastrous that few people read cla
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previously accepted what was handed
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Photo 2.1 A day trip to Blackpool i
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3 Culturalism In this chapter I wil
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Richard Hoggart: The Uses of Litera
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Richard Hoggart: The Uses of Litera
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Richard Hoggart: The Uses of Litera
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Raymond Williams: ‘The analysis o
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Raymond Williams: ‘The analysis o
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E.P. Thompson: The Making of the En
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Stuart Hall and Paddy Whannel: The
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Stuart Hall and Paddy Whannel: The
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Stuart Hall and Paddy Whannel: The
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The Centre for Contemporary Cultura
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4 Marxisms Classical Marxism Marxis
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Classical Marxism 61 What Engels cl
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The Frankfurt School 63 This is one
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The Frankfurt School 65 It is not d
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The Frankfurt School 67 engages in
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The Frankfurt School 69 One might g
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Althusserianism 71 level. Neverthel
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Althusserianism 73 (the ‘symptoms
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Althusserianism 75 This conflict is
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Althusserianism 77 no ideology is s
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suggests that what really matters a
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Hegemony 81 below, but a language t
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Post-Marxism and cultural studies 8
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Post-Marxism and cultural studies 8
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Post-Marxism and cultural studies 8
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Further reading 89 three essays inf
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92 Chapter 5 Psychoanalysis Figure
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94 Chapter 5 Psychoanalysis most ob
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96 Chapter 5 Psychoanalysis picture
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100 Chapter 5 Psychoanalysis moment
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102 Chapter 5 Psychoanalysis The Sy
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104 Chapter 5 Psychoanalysis to fix
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108 Chapter 5 Psychoanalysis the re
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6 Structuralism and post-structural
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Ferdinand de Saussure 113 European
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Claude Lévi-Strauss, Will Wright a
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Claude Lévi-Strauss, Will Wright a
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Table 6.3 Primary and secondary sig
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Roland Barthes: Mythologies 121 Mat
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Roland Barthes: Mythologies 123 For
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Photo 6.2 Advertising for teachers.
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Jacques Derrida 127 signifier to si
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Table 6.4 Film as an object of stud
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The panoptic machine The panoptic m
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production of regimes of truth, we
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7 Gender and sexuality Feminisms
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Women at the cinema 137 that it is
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Women at the cinema 139 Escapism is
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Reading romance 141 critic but as s
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Reading romance 143 Drawing on the
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Reading romance 145 an integral par
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etween blind fantasy and perspicaci
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Watching Dallas 149 discussion, to
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Watching Dallas 151 in its narrativ
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approach to mass culture’, and th
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Reading women’s magazines 155 ten
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Reading women’s magazines 157 bet
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in the form of fantasies and imagin
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Queer theory 161 generate and guara
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Queer theory 163 Butler (2009) give
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Further reading 165 analysis. See e
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168 Chapter 8 ‘Race’, racism an
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170 Chapter 8 ‘Race’, racism an
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172 Chapter 8 ‘Race’, racism an
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176 Chapter 8 ‘Race’, racism an
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178 Chapter 8 ‘Race’, racism an
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180 Chapter 8 ‘Race’, racism an
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182 Chapter 9 Postmodernism the dre
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184 Chapter 9 Postmodernism of cour
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188 Chapter 9 Postmodernism Rodney
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190 Chapter 9 Postmodernism Baudril
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192 Chapter 9 Postmodernism Jameson
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202 Chapter 9 Postmodernism meaning
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- Page 258 and 259: 242 Bibliography Baudrillard, Jean
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