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Cultural Theory and Popular Culture

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260<br />

Index<br />

make-over <strong>and</strong> talk shows, 133<br />

Making of the English Working Class. EP<br />

Thompson, 49–51<br />

Maltby, Richard, 9<br />

M<strong>and</strong>el, Ernest, 191<br />

Marcuse, Herbert, 63, 64, 65, 195<br />

Marley, Bob, 85<br />

Marshment, Margaret, 137<br />

Marx, Karl <strong>and</strong> Marxisms, 3, 50–1, 59–89,<br />

107, 140, 149, 190–7, 229, 232–4<br />

see also post-Marxism <strong>and</strong> cultural studies<br />

masculinities, 87, 141, 143–5, 159–60<br />

mass culture, 21–2<br />

aesthetic-liberal position, 28<br />

America, in, 28–33, 52<br />

art, 54<br />

capitalism, 65, 234<br />

class, 33<br />

commodities, 234<br />

conformity, 62, 64<br />

consumption, 234–5<br />

corporate-liberal position, 28<br />

definition of popular culture, 6, 8–9, 12<br />

dumbing down, elitism <strong>and</strong>, 234<br />

films, radio <strong>and</strong> magazines, 62<br />

folk culture, 30–1<br />

Frankfurt School, 62–5, 68–70<br />

high culture, 30–1<br />

homogeneity, 62<br />

ideology, 149–53, 234–5<br />

impoverishment, 31<br />

intellectuals, 28, 33<br />

Leavisism, 24, 27<br />

pleasure <strong>and</strong> politics, 234<br />

politics of the popular, 234–5<br />

postmodernism, 196–7<br />

production, 6, 8–9, 12, 234–5<br />

radical or socialist position, 28<br />

reproduction, 68–9<br />

romantic fiction, reading, 140<br />

Soviet Union, 29–30<br />

superior or refined culture, mediocre<br />

culture <strong>and</strong> brutal culture, 32–3<br />

work <strong>and</strong> leisure under capitalism, 65<br />

working class, 38–42<br />

Matisse, Henri, 65<br />

McGuigan, Jim, 213–16, 226–7<br />

McLellan, Gregor, 50<br />

McNamara, Robert, 177–8<br />

McRobbie, Angela, 82, 181, 186, 233<br />

meanings, 74, 86–7, 126–7, 136, 217<br />

media ownership, concentration of, 210<br />

Michaud, Gene, 175<br />

milk bars, 42–3<br />

Mills, Sara, 77<br />

mirror stage, psychoanalysis <strong>and</strong>, 101–2,<br />

105–6<br />

modernism, 182–5, 190, 191, 194, 197–8,<br />

203<br />

Modleski, Tania, 140<br />

Morley, David, 11<br />

morphemes, 114–15<br />

Mouffe, Chantal, 11, 83–4, 86, 196–7<br />

Mulvey, Laura, 104–7, 136–7<br />

Murdock, Graham, 227<br />

music see also pop music<br />

advertisements, 65, 66<br />

classical music, 55–6, 65, 66<br />

folk songs, 40<br />

jazz, 55–6<br />

opera <strong>and</strong> classical music, 65, 66<br />

music hall, 53, 61<br />

mythemes, 114–15<br />

Mythologies. Rol<strong>and</strong> Barthes, 118–25<br />

myths, 118–25<br />

American Dream, 117<br />

American westerns, 115–16<br />

binary oppositions, 115–16<br />

grammar, 114–15<br />

narrative structure, 115–16<br />

similarity <strong>and</strong> difference, 115–16<br />

structuralism, 114–16<br />

naïve gaze <strong>and</strong> pure gaze, 219–20<br />

narcissism, 105–6<br />

narrative <strong>and</strong> spectacle, moments of, 106<br />

Nixon, Richard, 176–7<br />

Nixon, Sean, 159<br />

nostalgia, 38, 192–3<br />

Nowell-Smith, Geoffrey, 14<br />

O’Connor, Alan, 44<br />

Oedipus complex, 92–3, 97, 103–4, 141–2,<br />

143<br />

opera, 65, 66<br />

organic communities, loss of, 8, 26–7

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