Cultural Theory and Popular Culture

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Index
pop music (continued)
postmodernism, 184, 197–8, 205–6
profits, lack of, 68
pseudo-individualization, 67–8
Rastafarian reggae music 85
sampling, 197
social cement, as, 67, 68
standardisation, 65–8
teenagers, 54–5
value and evaluation, problems of 54–6
working class culture, 41–2
Popular Arts. Stuart Hall and Paddy Whannel,
51–6
popular of popular culture, 6
populism, 151–2
Porter, Cole, 53
post-Marxism and cultural studies, 82–8,
232–4
postmodernism, 181–212
1960s, in the, 182–4
affirmative culture, 195–6
American counterculture, 184
Americanisation of culture, 204–8
articulation, 84–5
British underground scene, 184
capitalism, 191, 194, 195–6, 204–5
certainty, collapse of, 190, 192–3, 214
class, 202–3
convergence culture, 210–11
cultural diversity, 185
definition, 12
dominant and subordinate groups,
202–3
economic development, 186
economic success and cultural imposition,
204–5
elitism, revolt against, 183
European avant-garde, 184
family history research, 209
films, 192–4, 208–9
foreign, concept of the, 205–7
Frankfurt School, 194–5
global postmodernism, 203–9
hegemony, 209, 233
high culture and popular culture,
definition of popular culture, 6
merging of, 183–4, 194–5, 203
hip hop, 205–6
historical change, 191–2
hyperrealism, 187–91
inclusion and exclusion, 34
intellectuals, 186
knowledge, status of, 185–6
locals and dominant culture, 206–8
Marxism or neo-Marxism, 191–7
mass culture, 196–7
media,
consumers, 210
convergence culture, 210–11
ownership, concentration of, 210
public and, relationship between, 189
metanarratives, 185, 190
modernism, 182–5, 190, 191, 194, 197–8,
203
monolithic, assumption that American
culture is, 207–8
new modernism, 185
nostalgia, 190, 192, 197
parody, 192
passive consumption, 205
pastiche, as culture of, 192–4, 198
pluralism of value, 201–3
police cars, simulations of, 187–8
politics of the popular, 214
pop art, 183–4
pop music, 184, 197–8, 205–6
power, 201
production, 194, 201, 205
real and imaginary, 187–90
real art, working classes and, 183–4
realism, 191, 193
repetition, 191
representations, 190–1
reproduction, 187
sampling, 197
schizophrenia, 193
science, knowledge and, 185
selective tradition, 201–2
simulacrum, as culture of the, 187
simulation, 187–90
standards, end of, 203
taste, 202–3
technological change, 210
television, 187–9, 198–201
truth, 191
women’s magazines, reading, 156