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Cultural Theory and Popular Culture

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E.P. Thompson: The Making of the English Working Class 49<br />

E.P. Thompson: The Making of the English Working<br />

Class<br />

In the Preface to The Making of the English Working Class, E.P. Thompson states:<br />

This book has a clumsy title, but it is one which meets its purpose. Making, because<br />

it is a study in an active process, which owes as much to agency as conditioning.<br />

The working class did not rise like the sun at an appointed time. It was present at<br />

its own making (1980: 8).<br />

The English working class, like any class, is for Thompson ‘a historical phenomenon’;<br />

it is not a ‘structure’ or a ‘category’, but the coming together of ‘a number of disparate<br />

<strong>and</strong> seemingly unconnected events, both in the raw material of experience <strong>and</strong> in<br />

consciousness’; it is ‘something which in fact happens (<strong>and</strong> can be shown to happen)<br />

in human relationships’ (ibid.). Moreover, class is not a ‘thing’, it is always a historical<br />

relationship of unity <strong>and</strong> difference: uniting one class as against another class or<br />

classes. As he explains: ‘class happens when some men, as a result of common experiences<br />

(inherited or shared), feel <strong>and</strong> articulate the identity of their interests as between<br />

themselves, <strong>and</strong> as against other men whose interests are different from (<strong>and</strong> usually<br />

opposed to) theirs’ (8–9). The common experience of class ‘is largely determined by<br />

the productive relations into which men are born – or enter involuntarily’ (9). However,<br />

the consciousness of class, the translation of experience into culture, ‘is defined by<br />

men as they live their own history, <strong>and</strong>, in the end, this is its only definition’ (10). Class<br />

is for Thompson, then, ‘a social <strong>and</strong> cultural formation, arising from processes which<br />

can be studied as they work themselves out over a considerable historical period’ (11).<br />

The Making of the English Working Class details the political <strong>and</strong> cultural formation<br />

of the English working class by approaching its subject from three different but related<br />

perspectives. First, it reconstructs the political <strong>and</strong> cultural traditions of English radicalism<br />

in the late eighteenth century: religious dissent, popular discontent, <strong>and</strong> the<br />

influence of the French Revolution. Second, it focuses on the social <strong>and</strong> cultural experience<br />

of the Industrial Revolution as it was lived by different working groups: weavers,<br />

field labourers, cotton spinners, artisans, etc. Finally, it analyses the growth of workingclass<br />

consciousness evidenced in the corresponding growth in a range of political,<br />

social <strong>and</strong> cultural, ‘strongly based <strong>and</strong> self conscious working-class institutions’<br />

(212–13). As he insists: ‘The working class made itself as much as it was made’ (213).<br />

He draws two conclusions from his research. First, ‘when every caution has been made,<br />

the outst<strong>and</strong>ing fact of the period between 1790 <strong>and</strong> 1830 is the formation of “the<br />

working class”’ (212). Second, he claims that ‘this was, perhaps, the most distinguished<br />

popular culture Engl<strong>and</strong> has known’ (914).<br />

The Making of the English Working Class is the classic example of ‘history from below’.<br />

Thompson’s aim is to place the ‘experience’ of the English working class as central to<br />

any underst<strong>and</strong>ing of the formation of an industrial capitalist society in the decades<br />

leading up to the 1830s. It is a history from below in the double sense suggested by

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