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Cultural Theory and Popular Culture

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post-structuralists, 9, 126–34<br />

binary opposition, 127–8<br />

black <strong>and</strong> white, 127<br />

deconstruction, 128<br />

difference, 126–7<br />

meaning, 126–7<br />

nature <strong>and</strong> culture, 127–8<br />

power, 127<br />

signification, 2, 126–7<br />

supplementarity, 127–8<br />

writing <strong>and</strong> speech, 127–8<br />

power<br />

discourse, 128–33<br />

franchise, 20<br />

industrialization <strong>and</strong> urbanization, 17<br />

knowledge, 130<br />

normalization, 132<br />

Orientalism, 172<br />

panoptic machine, 131–3<br />

people, popular culture as originating from<br />

the, 11<br />

politics of the popular, 217–18, 220, 232<br />

post-Marxist cultural studies, 87<br />

postmodernism, 201<br />

post-structuralists, 127<br />

reality, 130<br />

resistance, 130<br />

semiotic <strong>and</strong> social resistance to power,<br />

217–18<br />

primitive societies, culture of, 114–15<br />

problem pages in women’s magazines, 155<br />

problematics, 72–4, 128<br />

production<br />

consumption, 232<br />

fan cultures, 224–5<br />

Frankfurt School, 68–70<br />

hegemony, 233–4<br />

Marxism, 59–61<br />

mass culture, ideology of, 234–5<br />

modes of production, 59–61, 68–70<br />

politics of the popular, 221–2, 224–5, 231<br />

post-Marxist cultural studies, 88<br />

postmodernism, 194, 201, 205<br />

psyche, model of the, 91–3<br />

psychoanalysis 91–109 see also Freudian<br />

psychoanalysis<br />

cine-psychoanalysis, 104–7, 137, 139, 140<br />

Dallas (television), watching, 152<br />

fantasy, 107<br />

Lacanian psychoanalysis, 101–4, 105,<br />

107–9, 111<br />

women, film studies <strong>and</strong>, 137, 139, 140<br />

Puccini, Giacomo, 6–7<br />

Queer <strong>Theory</strong>, 160–4<br />

biological sex <strong>and</strong> gender, 160–3<br />

consumption, 163<br />

drag, 162<br />

heterosexuality, institution of, 161<br />

queer space, 164<br />

race <strong>and</strong> racism, 167–80<br />

anti-racism <strong>and</strong> cultural studies, 179–80<br />

colonialism <strong>and</strong> imperialism, 168, 170–1<br />

history of race <strong>and</strong> racism in the West,<br />

168–71<br />

idealism, 167–8<br />

ideology of racism, 168–71<br />

Orientalism, 171–8<br />

slavery <strong>and</strong> slave trade, 168–71<br />

radicalism, 13–14, 17–18, 28<br />

radio, 62<br />

Radway, Janice, 142–7<br />

Rakow, Lana, 136<br />

Rambo films, 173, 174, 190, 217<br />

Rastafarian reggae music, 85<br />

reading<br />

advertising, 72–3<br />

Althusserianism, 72–6<br />

decentred, literary texts as, 74–5<br />

definition of popular culture, 9<br />

latent text, 72–3<br />

multiplicity of texts, 74<br />

poaching, as, 222<br />

problematic, 72–4<br />

romantic fiction, reading, 140–7<br />

unconsciousness of text, 75–7<br />

women’s magazines, 153–9<br />

Reagan, Ronald, 177<br />

realism <strong>and</strong> reality<br />

Dallas (television), watching, 148–9<br />

emotional realism, 148–9<br />

films, false realism of, 193<br />

Freudian psychoanalysis, 93<br />

language, 112–13<br />

postmodernism, 187–90, 191, 193<br />

Index 263

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