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Cultural Theory and Popular Culture

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258<br />

Index<br />

hegemony<br />

articulation, 11<br />

base-superstructure model, 233<br />

capitalism, 80<br />

class organizers, intellectuals as, 81<br />

commodities, 233<br />

compromise equilibrium, 10–11<br />

consensus, 80<br />

consumption, 81–2, 233–4<br />

definition of popular culture, 10–12<br />

economic conditions, 232–3<br />

feminisms, 11<br />

ideological state apparatuses, 81<br />

intellectuals, social function of organic, 81<br />

language, 80–1<br />

Marxism, 79–82, 84, 87, 232–4<br />

negotiated mix, popular culture as, 80–1<br />

political economy, 232–3<br />

politics of the popular, 214, 216, 227–9,<br />

232–4<br />

post-Marxist cultural studies, 84, 87,<br />

232–4<br />

postmodernism, 209, 233<br />

production, 233–4<br />

repressive state analysis, 81<br />

semiotic use of concept, 12<br />

subordinate groups <strong>and</strong> classes, concessions<br />

to, 80–1<br />

truth, 87<br />

youth subcultures, 55, 81–2<br />

Hermes, Joke 156–9<br />

heterosexuality, institution of, 161<br />

high culture<br />

definition of popular culture, 6–7, 12<br />

devaluation, 6–7<br />

education, 220<br />

mass culture in America, 30–1<br />

merger with popular culture, 183–4, 194–5,<br />

203<br />

politics of the popular, 220<br />

postmodernism, 12<br />

superiority, 52<br />

what is left over after high culture, pop<br />

culture as, 6<br />

Highsmith, Patricia, 108<br />

Hill Street Blues (television), 217<br />

hip hop, 205–6<br />

history, Marxist conception of, 59–60<br />

Hoggart, Richard, 37, 38–43, 48, 51, 56, 57<br />

homogeneity, 62<br />

hooks, bell, 135–6<br />

Horkheimer, Max, 62, 63–4<br />

Horne, Howard, 188, 211<br />

Hulme, David, 170<br />

Hunt, James, 171<br />

Huyssen, Andreas, 183–4<br />

hyperrealism, 187–91<br />

ideal, 44, 167–8<br />

ideology, 2–5<br />

advertisements, 78–9<br />

Althusserianism, 70–2, 76–9<br />

conflict, 4<br />

definitions, 2–3, 71–2, 78–9<br />

distortions, 3<br />

everyday life, practices of, 4–5<br />

hegemony, 81<br />

ideological forms, 4<br />

Ideological State Apparatuses (ISAs), 78<br />

mass culture, 149–53, 234–5<br />

material practice, ideology as a, 4–5<br />

misrecognition, 79<br />

modification, 76–7<br />

pleasure, 146<br />

politics of the popular, 220<br />

populism, 151–2<br />

practice, as, 71<br />

presentation <strong>and</strong> figuration, 76–7<br />

race <strong>and</strong> racism, 168–71<br />

romantic fiction, reading, 145–6<br />

romantic love, 104<br />

social formation, 71<br />

social order, rituals <strong>and</strong> customs binding<br />

people to, 5<br />

socialism, 4<br />

state apparatuses, 81<br />

structuralism, 9<br />

subordination, 3<br />

taste, 220<br />

truth, 76<br />

unconsciousness of the text, 76<br />

Imaginary, 102, 103–4<br />

imagined communities, women’s magazines<br />

<strong>and</strong>, 155<br />

imperialism, 76–7, 119–22, 168, 170–2<br />

inclusion <strong>and</strong> exclusion, 34

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