THE PHOTOGRAPHIC EYE
THE PHOTOGRAPHIC EYE
THE PHOTOGRAPHIC EYE
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Fortunately, however, commercial<br />
photography can be a very rewarding<br />
career or sideline. Everything from<br />
weddings to wars seems to require a<br />
photographic record. Most commercial<br />
products rely on photography for<br />
packaging and advertising. And there<br />
is even a steadily growing market for<br />
photographs as pure art — though it's<br />
not likely to make you rich.<br />
The basic categories of professional<br />
photographic work include:<br />
weddings and other social events,<br />
portraiture, journalism, product<br />
photography and fashion. Depending<br />
on the work you choose, the time you<br />
devote to it and your luck and skill,<br />
you could earn from a few hundred<br />
to over a thousand dollars a day.<br />
In each of these categories, there<br />
are two ways of working: staff and<br />
freelance. A staff photographer is<br />
just like any employee, receiving a<br />
salary and clocking regular hours. A<br />
freelance photographer is hired for<br />
specific jobs and is generally paid by<br />
the day. Freelancers tend to earn<br />
more than staff photographers for<br />
each day they work, but staff photographers<br />
work more steadily. In other<br />
words, staff photographers are less<br />
likely either to get rich or to go broke.<br />
Freelancers take more risks and have<br />
a better chance of making it big.<br />
Weddings and Portraits<br />
Probably the largest number of professional<br />
photographers are primarily<br />
devoted to photographing social<br />
events, especially weddings. The pay<br />
can be quite good —several hundred<br />
dollars per day. Many wedding photographers<br />
are represented by an<br />
agent who sets up photo assignments<br />
for them. Many work only a couple<br />
of days each week, generally weekends<br />
(when weddings are most commonly<br />
held). Wedding photographers<br />
must be able to produce consistently<br />
good results, since there's no chance<br />
for re-shooting if things get messed<br />
up. They must be especially good at<br />
Arnold Newman, Igor Stravinsky,<br />
1946.<br />
flash photography, since much of<br />
their work is done indoors on location.<br />
In addition, they must be skilled<br />
at interacting well with all sorts of<br />
people. By and large, wedding<br />
photography does not demand much<br />
artistry —most clients don't want art.<br />
It's a good line of work for anyone<br />
who enjoys the technical side of<br />
photography and who likes to<br />
socialize.<br />
Closely related to weddings and<br />
social events is portraiturephotographing<br />
a single person or<br />
small group. Whether it's for a<br />
passport photo or a prom portrait,<br />
everyone needs a photographer sometime.<br />
Virtually every town in the<br />
country has at least one studio for<br />
just these kinds of things. Here again,<br />
the main requirements are technical<br />
consistency —particularly in terms of<br />
studio lighting —and social grace.<br />
From Blurs to Big Business 27